Screen Rant's Scores

For 2,041 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2041 movie reviews
  1. As much as it tries to be a mash-up of several genres, it would've been much better had it picked one lane and leaned into it.
  2. Together finds moments of real emotion between its main prickly pair, but it still makes one wish there weren't movies about COVID already.
  3. Despite a fine performance from Jared Leto, Morbius is a painfully mediocre superhero origin story, delivering a shallow recreation of better movies.
  4. In the end, Escape the Field is tolerable at best. It doesn't shatter any expectations, but it won’t be utterly hated if one decides to give it a go. There are more charming and innovative horror-thrillers about escaping a maze, but Escape the Field tries. For a first feature, it is serviceable for a small-budget venture.
    • tbd Metascore
    • 40 Critic Score
    While I do appreciate it when a film shoots for the moon and tries something different, Alma and the Wolf missed.
  5. Slow and frustrating, with a finale that is unearned, Red Rocket fluctuates between trying to say something and getting lost in its own premise.
  6. The Eternal City struggles with finding the tonal balance between a child-friendly action-comedy and an adult-appropriate action-comedy.
  7. With thinly written characters and a narrative confined to moments only serving to push Mike and Kate to the height of insanity, this is about as disappointing as it gets for a film with such promise and potential.
  8. Vacation Friends finds its humor in the disconcerting scenarios the characters find themselves in, but it never evolves past its empty premise.
  9. Offering no individuality of its own, Zone 414 barely manages to stay afloat with its oft-repeated tropes, which come to a listless, foreseeable end.
  10. I Know What You Did Last Summer isn't the worst long-awaited horror sequel ever put to screen, but it doesn't try to be anything but a shallow reflection of its predecessor.
  11. A highly restrained examination of multiple topics, The Second Act is a film about everything and nothing all at once. Perhaps in line with Dupieux’s style, the surreal, dark humor and commentary produce a messy end product that overstays its welcome.
  12. Its absurdity is enough to appeal to the right group of adventurous friends, perhaps, but even those with the stomach for its grossest impulses might find themselves wondering what it was all for.
  13. Ultimately, The Cursed is merely a slow trek through horrific gore, lackluster and confusing werewolf lore, and a muddled understanding of the legacy of the Roma.
  14. Even though Invader presents some interesting ideas and even a few tense scenes, the movie fails to capture much interest beyond its initial premise.
  15. As a whole, The Turning is a triumph of style over substance that might've well made for a perfectly middle of the road horror film, had it not been edited down to the point of becoming incoherent by the end.
  16. Sex Appeal has good intentions and good instincts, but a lack of nuance torpedoes the whole endeavor.
  17. The Last Thing Mary Saw could've been a gripping queer horror about religious oppression, but is sadly limited by its humdrum and unconvincing plot.
  18. Christmas with the Campbells tries to take some big swings toward shaking up the conventional holiday movie mold, but it ultimately ends up being more of the same, just with some sticky moments. The earnestness of its cast, especially Snow, makes up for some of the other elements that are lacking.
  19. The sparsely populated funny moments don't make up for the lack of craftsmanship in the story's journey.
  20. From a bizarre villain to unexpected musical numbers, Barb and Star Go to Vista Del Mar is egregiously bad, but with splashes of occasional humor.
  21. The story is just so rushed, there’s barely any time spent on establishing the world we’re introduced to before it’s full-speed ahead.
  22. Armageddon Time excels at capturing naiveté but under-commits to sharing the truths of racial disparity when it comes to the American dream.
  23. The World to Come has the ingredients to build a blossoming love story, but the script is thin and far too rigid for the romance to ever fully soar.
  24. Comedically, the film also falters . . . Nor is there much that is distinctive about the animation style.
  25. The result is a baffling and confounding mess that is either intended to make audiences laugh or is dead-serious in its pursuit. Whatever the intention, it is up to viewers to decipher what is most true to them.
  26. Bleeding Love remains under-written and over-directed, unable to fully justify the time it asks for. If you're wanting to see Ewan McGregor do some quality acting, there are plenty of more rewarding options.
  27. The circumstances around Audrey and Eli's union (Moon Choi and Son Suk-ku, respectively) is tender, yet forceful, beautiful, yet pained; but the film is otherwise formless, uninspiring and moves like molasses.
  28. Studio 666 is not great but it is gross, at times funny, and essential viewing for Foo Fighters fans. But it isn’t as good as the video for Long Road To Ruin.
  29. What’s ultimately missing from Til Death Do Us Part is proper execution and a script that the actors can build upon.

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