Sarah Bea Milner

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Screen Rant
For 37 reviews, this critic has graded:
  • 37% higher than the average critic
  • 2% same as the average critic
  • 61% lower than the average critic
On average, this critic grades 9.9 points lower than other critics. (0-100 point scale)

Sarah Bea Milner's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Worst Person in the World
Lowest review score: 20 The Desperate Hour
Score distribution:
  1. Positive: 12 out of 37
  2. Mixed: 17 out of 37
  3. Negative: 8 out of 37
37 movie reviews
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    • 61 Metascore
    • 50 Sarah Bea Milner
    John and the Hole
    Ultimately, John and the Hole is an interesting film that encourages contemplation. Those looking to be thrilled or disturbed will likely be disappointed; yet, audiences who appreciate a strong aesthetic, or simply want to see Michael C. Hall covered in mud, will find John and the Hole satisfying.
    • 69 Metascore
    • 50 Sarah Bea Milner
    Huda's Salon
    Ultimately, Huda's Salon is a case of an exciting concept that can't maintain its own momentum.
    • 35 Metascore
    • 20 Sarah Bea Milner
    The Desperate Hour
    Is The Desperate Hour tedious and dull? Without question, yes. The real issue, however, is that the subject matter is so inappropriate for this kind of story that the entire movie-viewing experience is tinged with a sickening hue.
    • 66 Metascore
    • 30 Sarah Bea Milner
    The Sky Is Everywhere
    The Sky Is Everywhere may be a visual treat, but it's soured by a complete lack of balance in the story structure, characterization, motivation, and pacing.
    • 91 Metascore
    • 90 Sarah Bea Milner
    Drive My Car
    Drive My Car is an engaging film that tells an unconventional tale of kinship and self-discovery.
    • 91 Metascore
    • 100 Sarah Bea Milner
    The Worst Person in the World
    It's a rich story that forgoes a traditional format, challenging the conventions of the industry. It's progressive, it's unapologetically feminist, and it's unforgettable.
    • 30 Metascore
    • 40 Sarah Bea Milner
    The Ice Age Adventures of Buck Wild
    The Ice Age Adventures of Buck Wild is the sixth movie in the Fox animated franchise, and it is easily the worst entry in the series so far.
    • 82 Metascore
    • 80 Sarah Bea Milner
    A Hero
    It's a remarkably compelling film that is sure to stay in the hearts and minds of audiences for years to come.
    • 88 Metascore
    • 80 Sarah Bea Milner
    Parallel Mothers
    Disarmingly relatable and unpredictable, Parallel Mothers is an unflinching and unforgettable look at motherhood, love, and loss.
    • 77 Metascore
    • 80 Sarah Bea Milner
    Jockey
    It's a fascinating character study and a strong debut for Clint Bentley.
    • tbd Metascore
    • 80 Sarah Bea Milner
    Shaun the Sheep: The Flight Before Christmas
    Shaun The Sheep: The Flight Before Christmas is not only funny — it's also surprisingly sweet and touching.
    • 66 Metascore
    • 60 Sarah Bea Milner
    8-Bit Christmas
    8-Bit Christmas has a lot of heart, but the comedy struggles to stand out in a marketplace full of similar, established, holiday feature classics. Regardless, it offers enough of a unique spin on the genre to satisfy audiences — especially millennials.
    • 91 Metascore
    • 90 Sarah Bea Milner
    Flee
    It's a story about family and preservation, but more than that, Flee is a testament to the broken social systems that allow families to fall through the cracks, leaving them desperate — and as a result of that desperation, vulnerable.
    • 50 Metascore
    • 30 Sarah Bea Milner
    Diary of a Wimpy Kid
    Diary of a Wimpy Kid is a mediocre children's film that — 11 years after the first movie and 14 years after the initial hit book — feels at best derivative, and at worst unnecessary.
    • 52 Metascore
    • 50 Sarah Bea Milner
    Black Friday
    Black Friday is a solid camp thriller that blends hilarious visual gags with some seriously grisly — if problematic — guts and gore.
    • 35 Metascore
    • 40 Sarah Bea Milner
    Home Sweet Home Alone
    Home Sweet Home Alone is an unnecessary sequel that fails to revive the franchise, lacking the fun, charm, and magic of the 1990 Christmas classic.
    • 27 Metascore
    • 20 Sarah Bea Milner
    Dangerous
    Dangerous is an action movie with a unique premise, but its poor writing, stiff acting, and lack of charm make the 2021 movie borderline unwatchable.
    • 55 Metascore
    • 40 Sarah Bea Milner
    Clifford the Big Red Dog
    Clifford will entertain the youngest viewers, and is destined to be the kind of film preschoolers want to watch again and again, but most audiences will be bored by its stale jokes, two-dimensional characters, and lazy writing.
    • 37 Metascore
    • 30 Sarah Bea Milner
    Paranormal Activity: Next of Kin
    Ultimately, Paranormal Activity: Next of Kin is neither a believable nor an entertaining film.
    • 76 Metascore
    • 80 Sarah Bea Milner
    Son of Monarchs
    Son of Monarchs is an expertly crafted visual experience that weaves disparate themes and images.
    • 68 Metascore
    • 60 Sarah Bea Milner
    Lamb
    Lamb is a slow-burn suspenseful horror that eschews the genre's typical gore and jump scares, and instead frightens audiences with a nuanced portrait of grief, punctuated by the unshakable feeling that something is terribly wrong.
    • 81 Metascore
    • 60 Sarah Bea Milner
    Mass
    Mass may not be an enjoyable experience, nor will it likely be remembered as a culturally significant film; yet, one leaves the movie with the overwhelming feeling that it is important viewing.
    • 55 Metascore
    • 80 Sarah Bea Milner
    The Eyes of Tammy Faye
    Ultimately, The Eyes of Tammy Faye has to compromise its story with real events, and at least it gives Tammy Faye a celebratory note to end on.
    • 53 Metascore
    • 60 Sarah Bea Milner
    Prisoners of the Ghostland
    Hate it or love it, Prisoners of the Ghostland is as unforgettable as it is expressive and provocative, and isn't that the fundamental purpose of art?
    • 30 Metascore
    • 60 Sarah Bea Milner
    Lady of the Manor
    It's a pleasant film that showcases its talented cast, and while it may not be groundbreaking or innovative, it at least offers amusement.
    • 45 Metascore
    • 40 Sarah Bea Milner
    Queenpins
    It wants to celebrate the American Dream and the entrepreneurial spirit — while making a statement about consumerism and corporate greed. In the end, Queenpins doesn't really say anything, which would have been fine if it was at least funny.
    • 52 Metascore
    • 30 Sarah Bea Milner
    The Colony
    The Colony utterly fails as a thriller, and, much like the environment the main character finds herself in, is mostly a slog.
    • 67 Metascore
    • 70 Sarah Bea Milner
    No Man of God
    Generally, No Man of God takes a more mature and nuanced look at human evil, rejecting the impulse to glorify or romanticize figures like Bundy, but also reminding audiences that moral corruption manifests in many forms.
    • 67 Metascore
    • 60 Sarah Bea Milner
    Worth
    Had its story structure been stronger, Worth could have an Oscar contender. As it is, Worth is an interesting testament to a particularly harrowing period of time — one that, for many, still feels a little too raw.
    • 36 Metascore
    • 50 Sarah Bea Milner
    Demonic
    More subdued than most Exorcist-inspired flicks, yet with a raw, vibrant edge that places the viewer into the action, Demonic offers more than the conventional possession story — but falls just short of being a thoroughly frightening film.
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