Meyers' disjointed approach to Human Capital expertly weaves its story into a gripping mystery that's further elevated by exceptional performances.

Thanks to a stunning lead performance from Jean-Baptiste and an ending that doesn’t take the easy way out, it is a must-watch.

Brian and Charles is a soothing, lighthearted, and warm story about friendship and connection that is strengthened by its titular characters.

It's gut-wrenching, emotional, and worth seeing, driven by a fantastic performance from Deadwyler that is sure to bring many to tears.

It's a strong, engaging story that showcases some striking animation, and if I am to return to the wider world of Peter Jackson's Middle-earth, this seems to me an ideal way to go about it.

While it's not as good as the first, it ups the ante on gore and insanity, and will delight those who enjoyed Re-Animator.

Bolstered by a moving performance by Jennifer Kim, the film is a slow-burn, character-driven thriller that brings us to question what is real and what is imagined.

The film may be a simple story of survival on the surface, but the deeper layers offer universal messages that are potent and powerful. Even with its pacing issues, this movie is a strong look at the nature of grief, while showcasing important themes in very meaningful ways.

Though Baylin & Coogler’s script gives just enough to not be forgettable, Jordan’s direction seals the deal and provides fulfilling entertainment.

Ignore the publicity bluster, and you'll find at the core of Song Sung Blue the same modest dream to entertain that drives the Sardinas. Is it one of the best films of the year? Certainly not. But a good time at the movies? You betcha.

Thanks in large part to Moss's performance, The Invisible Man becomes a fascinating dive into a survivor's psyche wrapped up in a compelling and truly scary horror movie.

Ultimately, this story, likely unfamiliar to the masses, conveys the hidden history behind Miranda Rights with conviction and great storytelling.

It is a pretty average "day at camp goes horribly wrong" story. It stands a little higher, however, because it deals with an underrated bug that horror films should honestly put to work more.

If Heated Rivalry could help with queer representation in sports, perhaps Youngblood could help crack the foundation of racism in hockey.

The film may not always conquer its genre's tendency toward oversimplification, but what complexity makes it to the screen is enough to come away from it with something to chew on.

It brings in new characters who stand apart and maintains the connection to the other films, all while critiquing these very aspects in the same breath. The horror commentary remains top tier, with the fifth installment proving the Scream franchise has still got it.

Directed by Rob Savage, The Boogeyman does an outstanding job of terrifying without forgetting about the very human emotions and relationships that anchor and elevate the story.

Jurassic World Dominion is a messy but fun end to the Jurassic Park sequel trilogy, bringing franchise themes, characters, and nostalgia full circle.

Its charms grew on me so fast that I couldn't help but love almost everything about it, logic be damned.

DaCosta makes some key changes to the ending of this story that slightly undermine its more subversive inclinations, but that doesn't make the film any less effective. Her confident direction and Sean Bobbitt's lush cinematography make Hedda an electrifying adaptation that relishes the chaos as much as its characters, even as blood, bullets, and booze continue to fly.

Its entertaining approach to the history it portrays works to make the movie memorable, resulting in a must-see biopic that's perfect for those who want to learn about women's wrestling history.

A tale of power and misogyny masquerading as honor, the film is engaging and occasionally funny, embracing its themes despite a narrative imbalance.

Death of a Unicorn is incredibly entertaining. It's weird and a bit goofy (in the best way), with a satisfying ending and character interactions that are off the wall.

No Hard Feelings is a dual coming-of-age story hidden inside a raunchy comedy that, despite its faults, is both sweet and hysterical, with a chaotic performance from Lawrence that shows the actress can do just about anything.

A Desert is the scariest movie I've seen all year.

The Long Game doesn’t push itself far enough, but ultimately, it successfully and truthfully tells the story it set out to tell and has fun along the way.

Finding ‘Ohana continues the tradition of balancing heartwarming family bonding time with genuine humor and wondrously exciting escapades.

In the end, Standing Up, Falling Down is all the better because of Schwartz and Crystal. Their comedic delivery is effortless and their personalities beautifully mesh together. Even as the story becomes more somber, they dive into dramatic elements with ease, turning this story's familiar plot into an interesting meditation on regret and the way it takes its toll.

Ultimately, Bullet Train is one of the most entertaining and flashy films of 2022, thanks to lively performances, incredible fight setups, stylish cinematography, and punchy writing.

Though its characters and story could've benefited from a deeper, more original development, Roache-Turner ultimately knows what audiences are coming to see and delivers that in droves, offering horrific deaths, a tense atmosphere and stylish direction to entertaining effect.

Somewhere between Alien & Aliens — fitting given its place in the timeline — Romulus serves up blockbuster-level action & visceral horror all in one.

It is, ultimately, a film completely uninterested in subtlety. That's both to its credit and to its detriment.

By the end of Dragon Ball Super: Super Hero, fans will feel both nostalgia and elation for the direction the franchise is going.

At times coming across like a fusion of Babe and The Thursday Murder Club, The Sheep Detectives gets by a lot on pure charm. The mystery is compelling enough to keep audiences guessing, while the central characters are engaging enough to follow as they find out more about George's death. The film doesn't quite overtake other entries in the cozy mystery genre, but the sweet morals and clever twists make this a worthwhile watch.

Quietly immersive and poignant, Supernova excels as a showcase for leads Tucci and Firth, even when the story can't quite match them.

It’s an imperfect film that is intriguing until the end.

Shannon and Neveu’s compassionate display of understanding different perspectives when it comes to something as tragic as a school shooting is simply beautiful storytelling.

That the film is so admirably sex-positive, especially as it is from the too-often silenced perspective of female pleasure, makes it all the more refreshing.

An effective portrait of ambiguity accompanied by a stellar lead performance, Apples' contemplative nature hides nuanced questions about the modern age underneath its placid surface.

Swan Song is a respectable science-fiction drama. While it may feel overwrought and overly sentimental in parts, the film is immersive and engaging. Ali is magnetic and his natural onscreen charisma, paired with a terrific performance, make Swan Song an absolute must-see.

While Cohen’s latest doesn’t break any genre barriers, this coming-of-age story dissects and visualizes female friendships with grounded realism, welcoming us into its world while leaving room for us to picture ourselves in it.

Audiences want to be moved and given a reason to revisit the emotions sparked by the story, and Lilo & Stitch delivers.

The Incomer is a sweet and charming adult fairy tale whose primary characteristic, a twee and cheeky sense of humor, is both its appeal and its achilles' heel.

It's good to have the actor, whose diverse filmography is certainly a memorable one, back in an exciting, eccentric big studio film.

It's gripping and effective but doesn't have anything new to say.

It's an interesting idea, trying to base a story around the idea of wishing on a star, a concept that has been Disney's foundation for decades, but Wish struggles due to a weaker script. But I can't lie: I was charmed by Asha's story and the vibrant world she lives in, and that can make up for any flaws in the execution.

Rebel Ridge is consistently precise in tone, theme, and pacing throughout.

The Last Mercenary is Van Damme at his best: his comedic timing is precise (likely because he's acting in his native tongue), and the movie's action set pieces are deeply satisfying.

Those willing to embark on Fremont's modest, gently heartbreaking journey will find themselves rewarded by what it has to offer.

With a strong, character-focused story and interesting, symbolic elements that tie into its fearful moments, the movie offers a balancing act of commentary about the struggle of dreams.

Talk to Me is an assured directorial debut, serving up plenty of terror, gore, and emotional beats in a story that is well-developed and carefully crafted. Audiences will be hooked to the screen, impatiently awaiting what comes next in this unsettling, thrilling horror.

Oxman’s directional choices — such as lingering close-ups — are added benefits that enable us to connect more deeply with its characters. And thanks to some very powerful performances from Bateman and Dillon, this isn’t just a story that invites us to explore the effects of childhood troubles. It reiterates that understanding is all we ever truly want and need from others.

Yet, despite this apathy, there is an emotional core to Friendship, one that made me root for Craig despite all of his shortcomings and unpleasantness.

Despite the clunkier elements, though, IF pushes through with its warmth and optimistic tone, paving the way for some truly effective moments.

No Way Home is Spider-Man’s most intriguing & fun story yet. Though the multiverse looms large, the film's thoughtful in its focus on Peter's journey.

Fuze may not reinvent the wheel, but sometimes all you need is a solid thriller with a hot cast to really give a film the oomph it needs.

Self Reliance doesn’t take itself too seriously, and it’s exactly the kind of directorial debut one would expect from Johnson — and he certainly delivers a wild, energetic, funny story that still works despite a lukewarm ending.

An emotional movie about family that showcases the strength and togetherness of rural America through a vibrant, moving presentation.

While not flawless in execution, it's daringly creative — the kind of movie that will inevitably cause those who see it to start talking about other movies as a way of understanding

The Christophers trusts its two leads and their characters to guide the audience to its desired conclusion, and watching it unfurl is a rewarding experience.

Anything is Possible is great for what it is, but its potential is even greater.

Censor is chilling, an assured horror that blurs the line of reality for its protagonist as she delves into that which makes her most vulnerable.

Cave's assured direction creates a sickly sweet, dreamy world, and though its story sometimes lacks the dynamism it needs to fully connect, Kidman, unsurprisingly, carries the film over the finish line.

While there are explorations of difficult topics in Remarkably Bright Creatures, the movie is ultimately about the good in people, and how human connection can lead to a fulfilling life. As such, it wouldn't be surprising for the film to wring a few (or a lot of) tears from its viewers, with its themes of resilience and recovering from devastating grief. But Newman and Whittington's script balances the darker moments of the movie's story with plenty of levity, helped along by Remarkably Bright Creatures' idiosyncratic octopus narrator.

Poignant and raw, the film is effective in all the ways it should be. While it does a better job engaging with its revenge-fueled storyline in lieu of a more familial exploration in the wake of the tragedy, the film still manages to land a heart wrenching blow.

How It Ends is a quirky and grounded indie feature about facing one's issues head-on when the world is about to be destroyed by an asteroid.

Led by the delightful pairing of Emily Blunt and Dwayne Johnson, Jungle Cruise knows how to enjoy itself, even if the journey is a bit overstuffed.

The film keeps things simple, but it shines like a lighthouse in the darkness nonetheless.

Anchored by strong performances from Daisy Ridley and Dave Merheje, the film has pacing issues, but it's emotionally resonant, humorous, and relatable.

Emotionally effective and often quite tender, the film boasts understated, powerful performances from Emilia Jones and Scoot McNairy.

The Bluff is a rollicking throwback to the swashbuckling action of old. It is brutal and inventive enough to wash over its derivative narrative.

Often ridiculous, yet perennially fun, Psycho Goreman is a clever, schlocky genre-mash with characters one cannot help but ultimately root for.

Featuring interviews from his ex-wife Priscilla Presley and those who knew him best, and including four different actors portraying him at four distinct time periods of his life, it's a comprehensive, defining look at his rise as well as what continues to make him an enduring pop-cultural icon decades after the height of his career.

With a deliberate pacing that is aided by great performances and stellar cinematography, the movie does a phenomenal job at showcasing the human struggles that follow tragedy.

With an exceptional performance from Ahmed and style meets substance storytelling, Hamlet is a journey worth taking.

A fun film for all ages, Haunted Mansion may be the remake you never knew you needed. The feature is full of great laughs and some age-appropriate scares that will keep viewers of all types glued to the screen. While heavy on cheese and silliness, screenwriter Katie Dippold is never afraid to discuss an important topic like grief through her characters. It brings a realistic element to the film and balances out some of the fantastical elements. Haunted Mansion may not break any barriers when it comes to storytelling, but thanks to a dedicated cast and their commitment to their characters’ vivid personalities, you can’t help but smile throughout.

Fixed is fun while it lasts, more so than you might expect going in. Its most lasting effect on me might be a longing for more traditional, hand-drawn, 2D animation from our major studios, and anyone who might feel similarly shouldn't let this movie pass them by.

Left-Handed Girl is ultimately quite optimistic while never succumbing to the saccharine.

Because of its beautiful story about people simply living in 1980s Ireland, That They May Face the Rising Sun stands out as a perfect examination of the multifaceted nature of life.

Rez Ball is a wonderful sports drama with a story that is equal parts insightful and inspiring.

Miroirs No. 3 is a bucolic, poetic film of simple beauty with light, magical touches about the ability of a stranger’s love.

Yorgos Lanthimos’ Kinds of Kindness is a melting pot of anthology narratives that callously spotlight our desperation for affection and acceptance.

All Dirt Roads Taste of Salt’s non-linear approach requires patience and its character development is a bit thin, but the film is stunning, thought-provoking, and poignant, with each frame lovingly executed.

It walks the fine line between being too whimsical and too dramatic, yet maintains that delicate balancing act over the course of its entire runtime.

A story of family expectations, self-realization, and political altercations, Uproar packs an emotional punch while remaining consistently funny.

What Happens Later isn't without some hiccups in its execution, but with Ryan at the helm, it's impossible not to feel charmed.

Yes, Charlie Heller (a brilliant Rami Malek) spends an appropriate amount of time dreaming up memories of his beautiful wife Sarah (an underutilized Rachel Brosnahan), but the screenplay by Ken Nolan and Gary Spinelli offers plenty more than the usual setup of a man hulking out over a woman's death.

Heavy-handed and unnecessarily long, Spencer explores Diana as a prisoner of the royal family in heart-wrenching and beautifully haunting fashion.

Skarsgård and Benjamin make for an odd pair that work well together at every turn. The vision of Mohr is clear and realized, and the resulting work of art will excite audiences around the world.

Thanks to the movie's skillfully executed and relentless action and a couple of major twists, Kill largely overcomes its few hurdles to be an absolute thrill ride.

Ghost Elephants is an almost diaristic documentary, eschewing normal pathways for a more esoteric exploration of survival, science, intuition and mortality.

A fascinating character study that shows us the dangers of finding fulfillment in all the wrong places.

The Electrical Life of Louis Wain is so utterly charming and buoyant that it makes even the frustrating aspects of the film forgivable.

Throughout the film, Arnow takes us on a quiet odyssey that captures the search for real intimacy, as Ann struggles to act on her desires in all parts of her life.

It’s a fun B-movie with timely elements and some exciting kills. It may not be much more than that, but sometimes that’s enough.

If Infested suffers from anything, it's that Vaniček makes its characters and themes too real, and the monsters can't keep up.

Though Decibel boasts loud explosions and a stressful race against the clock, its secret weapon lies in Lee Jong-suk & Cha Eun-woo's emotional scenes.