Final Destination Bloodlines is a spectacle, a joyride, and easily the funniest iteration in the franchise.

The Watcher In The Woods is an eerie, gothic horror movie and while it's suitable for older children, it feels utterly unlike anything else Disney has ever made.

Late Night with the Devil is tremendously fun.

Twinless is designed to make you squirm, but it's through this discomfort that Sweeney finds humor and heart.

That exquisite balance of art and entertainment is exactly what makes each Bong Joon-ho film a gift to be savored – here's hoping his next one doesn't take quite so long to reach us.

With an underlying theme of love and acceptance, Single All The Way blossoms into a funny, delightful, and heartwarming romcom gift for all.

The Mauritanian is an incredibly powerful, poignant, enraging film, one that is uplifted by an incredibly magnetic lead performance by Tahar Rahim.

Like many other great documentaries, The Pitch is not satisfied with simply showing the surface level of the problem, nor is it fulfilled when it reveals possible solutions. The Pitch drives deeper to the core of the problem, making its argument in a concise and undeniably powerful way.

It's a beautiful film that entertains in as much measure as it deconstructs an often untouchable icon, making him seem more human, and thus, more impressive.

Thanks to the writing, directing, and cast, The Humans makes for a disconcerting, haunting, and moving watch. It’s a Thanksgiving family drama that amplifies its characters’ relationships within an eerie, charged space to great effect.

The Piano Lesson captures the importance of honoring our ancestors through legacy.

The fascinating characters that populate the film and the masterful buildup of tension that unexpectedly erupts midway through the story more than compensate for any shortcomings.

The characters are animated with such clarity of expression, and the film is edited so expertly, that lines just aren't necessary.

Scrap is ultimately an unflinching and sensitive portrait of a woman faced with the terrifying uncertainty of rebuilding her life. Though some of the harsher realities of being homeless aren't explored in much depth, and the ending is a touch too neat, Kerr crafts a compelling journey for us to go on, one that should linger after it's over.

With a great cast, excellent visual effects, and perfectly edited and executed scenes and transitions, there is a lot to love.

Visceral, bruising, and darkly humorous, Die, My Love hits like a sledgehammer thanks to Lawrence and director Lynne Ramsay's uncompromisingly grim vision of domestic life.

The Last Showgirl isn't perfect - it's melodramatic by design, and it wears its heart on its sleeve. But Anderson's raw and unfiltered performance, one clearly tailor-made for her, makes up for the film's weaker elements, as does the chemistry between the cast.

Maggie Gyllenhaal's second feature is an explosive representation of social disruption. A screaming cry of a film, The Bride! utilizes its literary and filmic influences - Hamlet, Romeo & Juliet, Bartleby, Bonnie & Clyde - to belt a clarion call against upper-crust hedonism, police complicity, violence against women, and the patriarchal system that binds them all.

Perhaps one of the most provocative and strongest satires in recent memory, American Fiction contains wickedly smart writing, superb performances, and messaging so in-your-face that it could almost be easy to miss.

While it's a very standard documentary in terms of style, and it's not brave enough to fully delve into race and gender, Deaf President Now! is never redundant and always urgent. It'll surely make your heart explode in happiness.

An unnerving rural gothic tale with two quietly fierce performances that make the film's slow burn to its climax worth the wait.

Packed with great technical achievements and sequences that will keep viewers on the edges of their seats, John Wick: Chapter 4 is, without a doubt, a great time at the movies.

Robinson's film is not without things to say, and the combination of a dialed-up Mendes and a dialed-in Hawke make receiving that message a fun, engrossing experience. It is, in other words, exactly what it set out to be, and with any luck, it'll be named alongside the titles it so admires on many a teen movie listicle to come.

An explosion of wonder, color and magic, Over the Moon tells a beautifully sentimental story of family and love, with super catchy songs mixed in.

What could be a basic struggling artist's journey of self-discovery and inspiration has many nuances and idiosyncrasies, making for a thoroughly off-the-beaten-path narrative that provokes thought despite some minor loose threads.

The Trial of the Chicago 7 makes for an entertaining and compelling courtroom drama, bolstered by Sorkin's script and strong performances.

What lingers after watching the film in its most complete form, however, is the fact that it’s so thoughtfully written, brilliantly constructed and (especially) beautifully acted. One imagines that breaking the film in two may have scuttled its chances of earning Uma Thurman a Best Actress nomination, but 20-plus years on, she deserves that recognition more than ever, conveying the character’s strength, resilience and determination, but also her incredible vulnerability.

Zootopia 2 is just as strong as its predecessor. It manages to expand the world in exciting ways, tell another compelling story with its main characters and recapture the magic of Zootopia.

They Cloned Tyrone is funny, well-paced, and just plain cool, and when you think that's all it is, the script digs even deeper.

The Accidental Getaway Driver's ability to show connection across generations and languages has rarely been so expertly staged.

Perhaps, Kaurismäki's movie suggests, disaffection is a valid response to this reality we live in. So, when these two people meet and sparks fly, it becomes all the more meaningful.

There are a lot of things that could have gone wrong, but Triplett directs with confidence, bringing style, intrigue, and character depth to a story that will keep you engaged and holding your breath in suspense for what comes next.

You can see why Aardman, with their simple stories and rudimentary character designs, would have a hard time standing out next to the more intricate narratives and realistic digital animation of recent Disney and Pixar films. And yet, it's that very combination of simplicity in plotting and stylization that makes A Shaun the Sheep Movie: Farmageddon such a joy to watch.

It’s the kind of film that not only makes for a great theatrical experience but will also make you want to watch it again immediately afterward to see what you missed the first time.

There aren’t many films that can capture a character’s feisty spirit while still contending with the struggles and feelings of growing older. To that end, Thelma is a breath of fresh air, a crowd-pleasing film that knows exactly what it is and what it’s trying to accomplish. It does so with style and grace.

It’s a simple story about the power of pure determination and will, and it’s certain to leave you fully captivated from the minute lead actor Jorma Tommila appears onscreen.

Even if it's ultimately forgettable, the movie has an undeniable feel-good appeal, and during the cold winter months, there's no reason to take that away from anybody. Flaws and all, there's no question that this movie will find its audience and be celebrated for its nostalgia and pathos.

Perfect Days is engrossing in its monotony and fascinating when something disrupts it, a portrait of a simple but beautiful existence that serves as a life-affirming reminder to value the little moments as much as we do the monumental ones.

A Chiara is a movie one not only enjoys watching unfold, but sitting with, mulling over, and discussing with friends in the days that follow. Viewers would do well not to let it pass them by.

The doting relationship between the couple does some heavy lifting for the film and even in the third act (so conveniently announced by chapter cards that appear throughout Sleep), when things nearly go haywire, their believable bond papers over any horror movie lapses in logic. Yu is also wise enough to primarily put the focus on one half of the couple and Jung delivers.

There’s an emotional resonance that permeates the film and fills your heart with an ache so strong that it’s difficult to walk away without being affected.

Intelligently crafted and delicately performed, We're All Going to the World's Fair is fundamentally a portrait of loneliness, and explores how discovering an online community can alleviate, or exacerbate, a person's feelings of isolation.

The Mitchells vs. the Machines is a charming blend of heartfelt family connection with a wildly fun action comedy twist in its robot apocalypse.

The Lesson is gripping and compelling, enhanced by its cast and score. It knows precisely what kind of movie it is and, though at times predictable, has much to say and a sophisticated, unpretentious style to go along with it.

Blichfeldt pulls out all the stops for this film, giving us a cinematic experience that is ripe with depth and concise commentary, all wrapped in a grisly fairy tale world that is as immersive as it is intense

The themes in The Miracle Club may be as old as time, but it beautifully celebrates the idea that friendship and compassion can be healing.

It’s bleak and hysterical and violent — everything you’d want from a Park film. But it’s also devastatingly intimate and intensely relevant, both in the ways it tackles questions of identity and our place within an increasingly dangerous system, one that could feasibly lead people to murder.

Carousel is a moving romance in all the ways it isn't romantic.

Before We Forget (originally titled Duino) is a refreshingly intimate film and a classic gay yearning story. It has some twists that subvert genre expectations for an even more staggering emotional effect.

Anchored by Yang's sensitive direction and a Tzi Ma performance teeming with life, Tigertail is romantic, thoughtful, and heartbreaking all at once.

Some may find this despairing and baffling, but Ducournau finds a strange layer of hope and love beneath all the dust and grime.

It’s masterful in developing a gnawing suspense that permeates the film, and never falters in engaging us from start to finish.

Luckily, it’s as entertaining as it is insightful, using humorous undertones to highlight the dangerous personalities of those who offend. And thanks to that eccentric and campy score to match the tone of the story, Haynes’ latest has all the elements needed to confuse us as much as it entertains and educates, which takes us on a fascinating watching experience.

What really makes That Christmas such a joy to experience is the colorful details, from the writing to the scenery to the set and character designs to the atmosphere.

Rent Free doesn't veer too far into dramatic territory, but when it does, it feels earned, a sobering moment that snaps the blurry edges of our protagonists' perspective into crystal clear view.

MaXXXine may have taken a little longer to hit theaters, but fans of horror can be assured that it is well worth the wait. The best part is that newcomers can enjoy it as a standalone, but watching X and Pearl beforehand exponentially enhances the experience, creating a nearly perfect sequel.

The movie is Davidtz's feature debut. What she crafts is something imperfect, but as nuanced as a discussion of this topic from the white perspective can be.

Lightyear is a clever expansion of Pixar's beloved Toy Story franchise - packed with fun moments, warm sentiment, and downright gorgeous animation.

Free Guy is the most creative, heartfelt and perhaps best video game movie so far, the film is fresh and original enough that anyone can enjoy it.

while the film may meander some, von Horn and Langebek’s script never loses sight of the story, offering something that is deeply bleak but also worth thinking about.

Moonage Daydream doesn't really concern itself with David Bowie’s effect on the world; it lives and dies inside his own mind, and the decisions he made that impacted his art.

The movie's memorable moments and tackling of a sensitive, real-world subject were expertly done, something that makes it stand out from other true story films that have been released in recent years.

Macchio and Morita not only deliver outstanding individual performances, but also show a remarkable chemistry with one another, and Martin Kove's performance as Kreese remains an effectively chilling foil to the film's leads.

It's no less beautiful than anything Miyazaki's done before, and these softer illustrations, like sketches that were never refined, offer a dreamy world.

Chevalier, about the violinist and composer Joseph Bologne, is magnetic, a historical fiction that elevates itself beyond the conventional biopic to deliver a memorable drama about its subject's life.

The First Omen contains the scary elements from the classics and creative upgrades, resulting in a hit for the horror genre and The Omen franchise.

Both the dramatizations and the interview segments of the film are artistically gorgeous, showing a remarkable grip on genre styles, from film noir to pastel-soaked satire and shadow-heavy psychological thrillers. With animation from April Kovacs and Brad Brown also deployed to tap into Werhun's love of literature, there's not a single frame of the film that doesn't immediately catch the eye.

Einbinder, who is about to enter into the last season of Hacks, for which she has won an Emmy award, turns in a magnificently dialed-in, heart-forward and honest performance. Theroux has rarely been this funny and he somehow makes what could be a cartoonish character feel believable and sympathetic. Reynolds and Gluck equally bring forth gravitas to two roles which are tricky for any actor in that neither character is particularly open with who they are, nor where they want to go. And yet their lives feel written all over their faces. It's one of the best ensemble performances of the SXSW festival.

This is the kind of movie I'd like to see more of, the kind that wears its heart on its sleeve and takes us on a ride. A meandering ride, sure, but even a long trip can have its perks.

Davidson is a triumph in The King of Staten Island, delivering plenty of fun R-rated humor in an emotionally compelling story about growing up.

Dark and violent at times, The Banshees of Inisherin's use of juxtaposition make for a compelling and simultaneously hysterical film for the ages.

Kingdom of the Planet of the Apes is a rousing action-adventure in the ruins of the human world – traces of the past remain but this is Noa's story.

Sender is not the easiest watch. An anxiety-driven nightmare, Goldman's film doesn't just examine surveillance habits and the cycle of supply and demand, but our relationship to these things and the comfortable embrace of addiction. This is where Julia Day (Severance's Britt Lower) lives, and to help us understand what it's like to be inside her head, Goldman and editor Marco Rosas cut with dizzying alacrity, snapping space and time like a folded belt.

Glass Onion: A Knives Out mystery is a strong and fulfilling sequel. It will leave fans wanting even more of the charismatic detective and the situations that bring him into the middle of enticing whodunits that put his mind to work. The cast, the writing, and the twists and turns the story takes will leave the audience intrigued right up until the very end.

In the end, Goodnight Mommy contains a great balance of intrigue, shock, and entertainment. The film also captures the need for a mother’s love and truly thrives when it settles into the more intricate and intimate part of its storytelling. The cast does an incredible job conveying these underlying themes in addition to leaving enough open for audiences to interpret and figure out on their own.

The How to Train Your Dragon live-action remake is a fantastic movie, not just emulating the animated original, but elevating it, all while also delivering an exciting summer blockbuster poised to thrill

A piercing, explicit, and oftentimes sexy study of one 25-year-old's search for identity in a world that has discouraged him from accepting all of himself unabashedly.

Despite the film’s title, though, The Secret Agent isn’t your typical espionage thriller, but it’s all the better for how it plays with genre, tone, and expectations.

Thankfully, Covino and Martin never insult our intelligence by over-explanatory dialogue and lectures. Instead, this talented writing duo focuses on what audiences want: human desire and the wild things we’ll do for connection.

There’s a sincerity that underscores its central themes, and the performances, writing, and direction don’t cut corners to get to the end. And what we end up with is a comedy-drama that understands what a thoughtful exploration of a relationship can look like onscreen.

Ultimately, Deadpool & Wolverine is a movie made to be a crowd-pleaser, and it succeeds in that respect. It puts the Marvel multiverse to work, using the concept in smart, economical ways to include references that run the gamut. It may not work for everyone, but after a few multiverse disappointments, Deadpool & Wolverine far exceeded my expectations.

Stephen Lang’s career has been defined by authoritarian roles, with physically grounded performances and command-heavy dialogue. It is surely surprising to see Avatar's fearsome Colonel Miles Quaritch be so vulnerable and tempered, with the spring in his step dampened by age. Even though this is not his first biographical role (he previously portrayed Stonewall Jackson in Gods and Generals), this is arguably his most restrained and moving performance.

Thor: Love and Thunder is a return to form for the MCU: delivering a great solo story that is emotional, exciting, and downright funny as hell.

Between the humor and Quaid's performance, there's so much fun to be had here that it's easy to just sit back and enjoy the ride.

For a directorial debut, Shanks hits it out of the park with his delightfully squirm-worthy horror comedy.

Bonello posits that, even in fear, feeling is more important than forgetting, and every little death is a door to another future.

Wander, the latest collaboration between director April Mullen and writer Tim Dorton, straddles the thin line between paranoia and truth, yet emerges as a compelling thriller with a genuine thirst for exposing what lies beneath.

This is a franchise that has treated its supporters with respect while opening its arms to newcomers. Because of that, the weaker elements of the film feel unimportant in the wake of a genuinely entertaining time that will no doubt thrill audiences of all ages.

It is one of Argento's finest works to date that captures the sub-genre he helped popularize in mainstream cinema.

Shaun The Sheep: The Flight Before Christmas is not only funny — it's also surprisingly sweet and touching.

Horror movies often have to rely on the stupidity of their characters for the story to work: victims in waiting either make terrible decisions in high-pressure situations or simply lack any survival instincts until the bodies start to rise up. Speak No Evil plays with the audience by subverting those expectations very precisely, posing the question of when exactly you would have walked away from all the red flags.

From top to bottom, Brian just really works. It knows what game it's playing and does it with grounded honesty and the kind of blistering comedy that can only emanate from a truly genuine place.

The spectacle doesn’t mean there’s no heart at the story’s core, and it kept me watching despite being overlong.

It’s an intricate and beautifully crafted work of art that’s quietly meditative and lovingly told.

Bolstered by a thoughtful script and beautifully authentic performances, Banana Split provides a fresh take on the coming-of-age romantic comedy.

Savor Hit Man, however you come across it - it's not every day the movies entertain us in this way at this level of execution anymore.

Mothers' Instinct is a compelling thriller that elevates Anne Hathaway and Jessica Chastain to incredible heights. The film is a tense and terrifying story of love, loss, and deception that sees people pushed to their limits.

Vivarium is a wonderfully strange and gripping thriller that examines the stresses of homeownership and starting a family, perhaps all-too-soon.