Infamous has a good balance of fun thrills and compelling drama that make for an entertaining watch.

Though rooted in familiar territory, it lands on an unexpectedly resonant note, blending humor, heartache, and hard-won connection into a conclusion that works marginally better than its formula suggests.

Although helmed by Washington’s visceral performance & nostalgia-addled slow-burn, The Little Things eventually falters due to its own clichéd tropes.

Overall, The Boss Baby: Family Business is a fun way for adults to spend some time with their kids, and in that regard, the movie completely succeeds in its purpose.

There's an aloofness to the violence that gets more morbidly funny as the film goes on, but LaRoy, Texas does not trust its darker sensibilities and the last 15 minutes drift back into a conventional lane and away from the bizarre and fiendish tone that was unexpectedly working up until that point.

Enola Holmes is a little overwrought, but Millie Bobby Brown's charming heroine and Henry Cavill's fun Sherlock pull off all the twists and turns.

Elvis seems perfectly content being a glitzy, bejeweled extravaganza, even when the film’s nearly three-hour runtime leaves its energy — which never fully recovers after the first half — waning by the end.

In the end, the movie successfully relays the importance of actualizing oneself, but wraps its narrative up too neatly, bypassing the messier reality of profound reinvention after decades of normalized routines have clouded one’s passions.

ALL YOU NEED IS KILL is not a film that'll have you scratching your head for meaning. It wears its empathy and its plea for life on its sleeve like a badge of honor. Admirable though that is, that directness does translate into threadbare writing.

The result is a beautifully shot and well-acted live-action short story, but one that's missing enough connective tissue, fresh ideas, and time spent between its characters to produce a lasting feature film experience.

Bob Marley: One Love won't knock your socks off, but there is enough care put into crafting the narrative that turns it into a lovely viewing experience overall.

Dance First won’t strike a chord with everyone, but it's also not intended for mainstream appeal, and those who connect with it will do so deeply.

With Stiller at the center, Nutcrackers is a solid, if not incredibly memorable, holiday effort.

While it ultimately reveals everything too late, the film still feels fresh and, unlike plenty of what is released today (on podcasts and in theaters), actually does have something to say.

M3GAN 2.0 doesn't lose this completely, but the more polished and grown-up world doesn't fit as easily into the silly sense of humor that made M3GAN so popular.

Landon's latest will be best remembered for its multiple laugh-out-loud set pieces, and with the craftsmanship and performances on display, viewers will likely be willing to forgive its less-impactful stretches.

Star Wars: The Rise of Skywalker gets bogged down in exposition and course-correcting The Last Jedi, but does have some fun moments and fan service.

The return of Axel will satisfy fans of the franchise, and it might encourage those who are just tuning in to watch the original trilogy, if only to watch one of Murphy’s most significant roles from the 80s, a true golden era for the multi-hyphenate entertainer.

Overall, Star Trek: Section 31 can best be described as a fun time. And if it sometimes feels a bit hollow, well, not every Star Trek story has to have profound commentary on what it means to be human.

The film gives good insight into the confusion and fear we may face when exploring our sense of self.

I Wanna Dance with Somebody celebrates the star that captured the hearts of many fans around the world. And through a great performance by Ackie, this film has the ability to do the same, even if it sticks to genre rules.

While Leo isn’t always smooth sailing, an air of authenticity and flashes of greatness make the movie an overall delight.

The film's events feel natural, so the audience doesn’t have to dig deep to understand and relate to the characters. Combined with a hilarious cast who are all on the same page, The Drop delivers an entertaining enough viewing experience.

The horror film has an engrossing premise that remains engaging even in its lulls.

Elevation comes across as a mild copycat rather than a compelling project that stands on its own merits.

Her first outing is largely a rush of violent, thrilling action, entertainingly served up for the big screen, but it isn't without its problems. I just hope that if this killer gets to dance again, she's better served by a more streamlined narrative.

It may not be the best biopic ever told, but people will certainly walk away from Rustin more educated, inspired to be the change they want to see in the world, and grateful that movies like this are willing to tell the truth about buried history.

The film is ultimately an action comedy that is as sickly saccharine and over-the-top as Valentine’s Day itself. For a cool hour and 23 minutes, Love Hurts allows us to enjoy every minute of its absurdity, and you’ll never look at a boba straw the same way ever again.

While the film does take its time stepping out on its own and out of the shadows of Aladdin and its "tale as old as time" story (Long's own words), Wish Dragon is a heartwarming, charming film with a great message and lovely characters.

Lou is a quiet thriller that takes a deep dive into the consequences of one’s actions. The film enables Janney and Jurnee Smollett to command every scrap of attention through physical and emotionally compelling performances.

Argylle is worth checking out for those interested, but don't expect it to be as good as Kingsman: The Secret Service, though it's certainly better than The King's Man.

I’ll Be Right There is worth watching for the acting and occasionally fantastic writing, but it ends on an inconclusive and unfulfilling note.

Filled with passion and a performance from Anaïs Demoustier that is equal parts energetic and blisteringly self-aware, Anaïs in Love is hilarious and romantic even if its resolution ultimately falters.

Genuinely fun and touching in parts, Hotel Transylvania: Transformania casts familiar characters in new molds, adding more heart to the franchise.

A Perfect Pairing may not stand out to most, but its wholesome aura, charming leads, and beautiful cinematography is enough to warrant an enthusiastic watch. If the goal for any romantic comedy is to fill one with that particular, indescribable warm and fuzzy feeling, then A Perfect Pairing accomplishes that.

All told, Swiped is a conventional, even hopeful biopic. Lily James is great in the lead role.

An American Pickle is a fun, fleeting buddy comedy that spreads its humorous premise a bit too thin, minimizing the story's impact.

See For Me is an exciting home invasion thriller that dares to challenge viewers with a complicated lead, even if it somewhat fumbles the execution.

The biggest selling point is Squibb. With a mischievous twinkle in her eye, she shoots off wisecracks and plenty of grandmotherly affection, and you almost wish you could be friends with Eleanor too.

Held together by the cast’s chemistry and strong character dynamics, The Tender Bar is a touching film about growing up and the people who shape you.

Ultimately, Cassandro is a touching tale of a remarkable person who paved the path for others to find liberation and acceptance through their chosen art.

Trolls World Tour serves up enough psychedelic visuals and positive messages to earn its keep.

As an actor, Bartholomew has a lot riding on her performance, and for the most part, she nails it. Her physicality stands out above all else, as she expertly telegraphs internal changes and anguish to the audience through her body language.

In Aporia, drama takes center stage and bells and whistles are few and far between. The production value is simple but effective, as are the performances. By the time the credits roll, Moshe’s film makes its point and, crucially, does not overstay its welcome.

Between its familiar premise and genuine performances, Summerland is occasionally hindered by melodrama, but is overall a very sweet film.

Mark Wahlberg leads a good ensemble cast while sweetly interacting with Arthur the dog, and it’s cute and heartwarming, with the film doing exactly what it aims for.

Love at First Sight has the potential to be a go-to choice whenever one is feeling in the mood for a light cry and swoon.

Overall, the pulpier and the dumber it gets, Primate provides a pretty good reason to get to the theater in January. And, it gets pretty pulpy and dumb indeed.

Not everything works and the humor tends to run its course, but Gates puts a solid effort together given the limitations.

Uneven yet sincere in its execution, Sergio combines simplified political melodrama with a tragic love story powered by its leads' performances.

The Last Letter From Your Lover is a charming look at two love stories, and while it's hardly anything new, the film holds plenty of warmth.

The film is full of heart and humor, and the message of self-acceptance in a world where there is pressure to be anyone but oneself is affirming and lovely. Bolstered by a fantastic performance by Verma, Mustache makes for a sweet and wholesome viewing experience.

It doesn’t always capitalize on its strengths, but Don’t Make Me Go is a journey worth taking thanks to fantastic performances from its two leads.

Late Bloomers offers a nice take on the coming-of-age story that is endearing and gives its characters the attention they deserve.

It's possible to watch this movie thinking mostly of what could have been – if the script was as deft as it sometimes pretends to be, this had the makings of a truly great thriller. But The Rip is a good time when experienced on its wavelength, and worthy material for a relaxed night in.

Still, by choosing to play with the conventions of paranormal investigation TV shows and grounding the story in character, the film finds a way to make what it's working with both tense and fun, even if a couple missteps chip away at what is an otherwise effective finale.

Space Jam: A New Legacy is a fun family movie bolstered by a good heart and strong visuals that make up for a lack in originality.

Appendage is a solid outing by Zlokovic, and the horror elements complement the story’s message about self-doubt, even if it doesn’t push the envelope any more than it has to.

It’s quite familiar, yet impressively sweet. Kilris clearly understands the appeal of Cyprus, her home, and offers us the chance to witness flawed humans go through the intricacies of everyday life.

Mulan is a perfectly fine live-action adaptation, delivering some Disney magic and gorgeous visuals, but it's ultimately just an average action movie.

Despite its flaws, it encourages a re-examination of Apartheid South Africa and a closer look at the tiny sparks that lit the flame known as the Free Nelson Mandela campaign and the overall cultural shift against Apartheid.

Blue Story can be messy in stretches, but it's undeniably passionate and carried by its simple, yet effective, and sometimes lyrical storytelling.

While it has its weak spots, A Family Affair holds together well enough to entertain.

Evans and Porter deliver heartbreaking performances with the right amount of intensity, leaving a lasting impact.

Something in The Dirt is a wild ride that will take one to the limits of reality and test one's patience.

While the first half of the film struggles, the second half deftly explores the character dynamics in a tender way that makes it well worth the watch.

The film would've been better served had it stuck to either satire or tense drama, but whatever the case, the climax of Saleh's film is aces and as taut as can be.

At times, the movie is deeply compelling, but its complexities can get lost in the shuffle and repetition of the same points. Striking cinematography and philosophical reflections can’t make up for this too-slow film that pokes at life’s meaningful moments without inspecting them further.

Despite some of Bunnylovr's shortcomings, Zhu has a knack for filmmaking, and it's an exciting debut for the young artist.

Sonic the Hedgehog is a fairly middling family-friendly adventure movie, but a comparably good video game adaptation the belies a great deal of potential for a stronger, even more ambitious sequel.

With sincerity and style, Schrader offers a thoughtful film about life and legacy.

Dreamland is a fairly straightforward crime saga that doesn't reinvent the wheel, but is still enjoyable thanks to Robbie and its production values.

While the human characters are there for exposition and could’ve used additional development, Godzilla vs. Kong is engaging and visually stunning.

The biggest disappointment is perhaps that it doesn’t do enough to focus on Natasha, opting to set up Yelena as her successor. There is just enough Black Widow, however, to make this a distinct film, one that is less of a traditional superhero outing in the MCU, with the film more interested in exploring the lengths of human cruelty, perseverance, and the ties that bind despite everything.

Those who prefer their period pieces to be more traditional will find this blasphemous, but those willing to imagine a 16th century Verona with updated characters will get a kick out of Rosaline's antics.

Bolstered by a solid performance by Will Smith, King Richard is a feel-good, charming sports biopic that uplifts but never reaches its full potential.

The Witches is certainly bolstered by its performances and visuals (which is to be expected of a Zemeckis production), and while its speedy story will win over young audiences, it could've reached new heights had Zemeckis, del Toro, and Barris dared to add a bit more padding.

The Surfer is a slow-burn film that requires a lot of patience. Cage does his best with limited material, as his character doesn’t have much depth beyond wanting something and aiming to get it.

The incomparable Daniel Giménez Cacho stars as Silverio Gama, giving an unforgettable performance that captures the intensity of the film’s concepts. While everything doesn’t always work in Bardo, Iñárritu takes his time painting a visually scrumptious tale even though it’s overly saturated with style over substance.

It's a film that sneaks up on its audience, revealing layers to friendship and other intimate relationships that otherwise would not be parsed through if there wasn't the time.

With an amusing ensemble cast, a sturdy script, lovely filmmaking, and the power of its leads' chemistry, Happiness For Beginners is a modest delight.

Though the sparks could be brighter for its central couple, What's Love Got to Do with It? still has plenty of charm.

While the drama gets the wind knocked out of its sails after introducing other characters, Encounter gets in plenty of emotional, nuanced scenes between Malik and his sons that become the beating heart of this often unsettling, uneven, yet strangely mesmerizing film.

Hate it or love it, Prisoners of the Ghostland is as unforgettable as it is expressive and provocative, and isn't that the fundamental purpose of art?

With unnerving tension, this slow-burning horror gradually unveils its alarming context.

Where the film lacks realism and sense, it is made up entirely by Hathaway and Galitzine’s sensational chemistry.

While the film tells a raw, intriguing story, it isn’t always smooth sailing.

Ezra is heartwarming and funny, but it just never quite manages to reach the level of profound insight that its story seems to strive for.

Packed with great action sequences and a cast that is committed to each other and the script, Gray's latest is creative and fun enough to hold attention.

The tale is gripping, the acting is top-notch, and Luther: Fallen Sun is just plain good to miss for long-time fans of the series.

With its brisk runtime, the film wastes no time and, though it plays into genre tropes often, its premise is enough to make this film a compelling watch. The film ends up being surprisingly emotional thanks to its protagonist, though its lack of characterization of its human counterparts hurts the film's climax just a bit.

It's the right amount of romantic, funny, and thrilling, and it does what it needs to do to make its narrative feel less derivative and more dynamic and fun.

The Super Mario Bros. Movie is chock-full of Nintendo Easter eggs—to the detriment of the story and its characters, which lack any real substance.

After its more interesting first hour, the intimate access gets tiresome, and it's hard to say what is gained by being introduced to the personal lives of the members of a notorious hate group.

With a game cast and thrilling action sequences, Huang’s film offers more than expected to keep us engaged.

Vacation Friends 2 doubles down on the dirty jokes of the original and delivers.

Here Today finds warmth in leads Crystal and Tiffany Haddish, which then allows it to push past some tricky tonal and pacing problems.

Reynolds has made a name for himself with fun action movies and, though this isn't necessarily his strongest or most successful franchise, it does deliver laughs and an exciting ride despite Michael Bryce essentially being the same character Reynolds has played countless times before. Even if Hitman's Wife's Bodyguard is absurd, it makes for the big, dumb fun movie experience perfect for the summer season.