Re:coded is ultimately a highly competent action RPG. While it isn't likely to light anyone's world on fire, the degree of quality in all areas is to be commended and those who want a breezy and quickly paced game in the Kingdom Hearts mold for their DS's aren't likely to find the game disappointing.

Citizens of Earth could have been a modern classic, but a few questionable design choices sadly hold it back.

Unepic is not a perfect game by any means. Its tongue-in-cheek premise isn't everybody's cup of tea, and it doesn't particularly break any new ground. Instead what we get is a competent, if slightly linear, Metroidvania-style RPG that knows how to pace itself to keep the player engaged.

Nights of Azure 2 seems to follow a pattern with Gust in the past couple of years following its takeover from Koei Tecmo. Though the developer's output has certainly increased, it appears to have come at a cost. This is just the latest in a line of easily forgettable titles that bring some interesting ideas but have not been given enough to use them effectively.

It all adds up to a game that’s more commendable on paper than in its execution. GreedFall: The Dying World is an ambitious title by a smaller developer that tells a story from a perspective not often seen in the medium. A story about the horrors of colonization, not to mention told from the point of view of the colonized, is a laudable endeavor. But there isn’t much about the game that makes it a fun outing. Characters lack personality, and it’s entirely up to the player to seek it out where it exists, combat is an overly complex mess of options layered on a foundation made for brute-forcing, and both presentation and technical optimization are in need of fine-tuning. With the change away from the more action-oriented combat being a questionable one, fans of the previous installment may still be on board for another chance to visit the world of Teer Fradee, while all others may want to miss the boat this time around.

The biggest tell of how much of an improvement The Caligula Effect 2 is over its predecessor is how little of the game feels like a chore. Although it may lack those standout moments that top-drawer RPGs provide, it’s easy to find time whizzing by with catchy music and speedy combat and exploration. With characters and a story that keep things ticking along nicely, The Caligula Effect 2 makes for a satisfying use of one’s time.

Heroland is a game that won’t be for everyone, as the gameplay loop is fairly short and the music as well as combat can quickly become repetitive, but it remains worth the price of admission. It is ultimately saved by a strong, witty localisation that isn’t afraid to embrace the silly premise and run with it full tilt. The game made me outright guffaw multiple times, and even when I was chasing a frustratingly rare drop, I was still having a lot of fun raising affection levels and crafting the best strategies for different party formations. For those who don’t mind oft-repeated gameplay, there’s tons of fun to be found in Heroland.

Soccer Story provides some enjoyable basic entertainment that comes from just kicking the ball around and taking on the challenges and targets as players explore. Some of the puzzles and challenges are good fun and satisfying to complete, but there are also many that are made more frustrating than they need to be. With a flawed match system that becomes trivial once its workings have been figured out and technical issues that stack up as the game progresses, it’s incredibly tough to recommend.

The Legend of Legacy HD Remastered fails to live up to its promise of delivering a captivating dungeon-crawling experience. With its lackluster narrative, uninspired combat, and flawed progression systems, the game struggles to hold the attention of players and ultimately falls short of expectations. While the nostalgia may appeal to some fans of the original release, newcomers are likely to find little to redeem this lackluster remaster. As players journey through the world of Avalon, they’ll find themselves longing for a more fulfilling adventure, leaving The Legend of Legacy HD Remastered to fade into obscurity.

Rorona continues the grand tradition of creating an RPG experience that is all about the simplicities of life, coupled with the usual great cast of characters, and is a complete must for fans of the series.

Crymachina is continually plagued by its imbalance. The emotion can be impactful, especially with the relationships forged between the characters, but it is bogged down by a convoluted story. Combat is snappy and fast, but slowed down by an excessive upgrade system and grueling grind. Lighting and effects are gorgeous and colorful, while areas remain repetitive and bland. It takes too much work to get to the good of Crymachina and only those desperately itching for a sci-fi action RPG will enjoy completing it. It’s a shame because the concept it uses to explore humanity is an interesting one, but too many issues dampen its emotional punch.

While Phantom Brave: The Hermuda Triangle isn't a poor game, it fails to distinguish itself from the multitude of tactical RPGs already around.

Unrest aims high and doesn't quite live up to its hype.

While Galaxy of Pen & Paper doesn’t push any boundaries, it stays true to its 16-bit roots, offering a fun exploration into outer space, and a great excuse to hang with your friends, eat some pizza, and roll some dice.

Achtung! Cthulhu Tactics is the kind of mash-up property that by all rights should have the right ingredients to hit that sweet spot. By all accounts, the original property actually does manage to do just that. But the digital adaptation lacks on several fronts, not the least of which is the unfortunate underusage of the occult element of its namesake. The grindy battle system with little enemy and environmental variety is also nothing to write home about. Cthulhu Tactics sounds like an intriguing mix of its two titular elements, but fails to deliver on the promise of either.

It looks, runs, and plays fine with the main downsides being the story and script and anything related to them. The problem is that everything Risen 3 does decently has already been done better. It's Assassin's Creed IV without the assassin mechanics or ship battles.

Strategy RPGs and visual novels seem like a suitable match given the history of great stories in this sub-genre. A fine union may still be possible, but Tears to Tiara II is certainly not it, and not because of a lackluster story.

Despite the action trappings, Valkyrie Elysium shows deference to its spiritual ancestors in terms of aesthetic, tone, and emphasis on strategic use of allies in combat. Those looking for an expansive narrative will be disappointed as there is polish missing in the presentation and story, but that does not detract from an exhilarating combat system and enjoyable interactions between the Valkyrie and the Einherjar. Valkyrie Elysium may not be the game long-suffering fans have been asking for, but it represents an organic shift for the series that can appeal to fans and newcomers alike.

Rising takes players to averagetown, population snoozefest and it doesn’t ever get exciting, even after its twenty-hour completion time. While it offers players a beautiful presentation and some ear candy tunes, these elements cannot help elevate Rising as being any more than a fetch-quest-heavy experience with little to no payoff. If I wanted to play Chores: The RPG, I’d just clean my house, because doing that offers considerably more tangible benefits than playing this game to completion did.

Ultimately, Daemon X Machina: Titantic Scion is difficult to recommend. While the bones of combat and customization are well executed, the open world element feels tacked on to an abysmal main narrative, and technical issues hold the game back even further. While these things are forgivable on their own, the full launch price tag feels extremely steep for such an underbaked game that has paid DLC customization options on top of it. Those who enjoy the mech-fighting genre will certainly find something to enjoy here, but others will find a game that feels incredibly undercooked.

Fairy Fencer F is an enjoyable way to spend the roughly twenty-five hours it takes to complete.

At the end of the day, Re: Hollow Fragment is lazy in every sense of the word, and just isn't worth the dollars that Bandai Namco is asking for.

While it wasn’t the game I had thought to spend much of my winter holiday pursuing, Pokémon Legends Z-A turned out to be a pleasant romp, a delightful return to a part of the game world I hadn’t seen in over a decade, and the chance to learn many new and interesting words in French. I shan’t be delving too deep into the post-game or DLC, so others may touch on those as they wish. All I may say is that this was, in the end, a very welcome Christmas present.

Although Maliki: Poison of the Past offers strong storytelling, great art direction, and a stellar soundtrack, it’s still a game, and games need to be fun to play. I want to stress that the strongest elements in Maliki are amazing, and I found myself absolutely loving the characters and their world, but the translation to being a video game wasn’t as smooth as it perhaps could have been. Maliki: Poison of the Past is an ambitious title that can’t overcome its gameplay issues, making it difficult to recommend, but if you’re interested in this series, there are thousands of comic strips to enjoy.

The Awakened Fate Ultimatum draws heavily on tired anime humor and noodling about transcending one's fate. Perhaps a smack with a cake pan or a high-intensity training montage would have fuelled its own will to power.

Those expecting an experience from Ragnarok Tactics on par with Final Fantasy Tactics or Tactics Ogre are likely to come away disappointed. While the game doesn't suffer from any major issues or grievances, there just seems to be a general lack of inspiration or anything to make the game stand out. However, Ragnarok Tactics is a decent time-killer that should at least be able to satisfy any tactical RPG itch, albeit one unlikely to make an impact on many favourites lists.

Dusk Diver inevitably invites comparisons to both Persona and Yakuza. Yet this isn’t necessarily a bad thing, as while it doesn’t have the thematic aspirations of the former or the writing and attention to detail of the latter, the decent combat and low-key charm make it an overall pleasant experience that doesn’t overstay its welcome. Just keep in mind that it is very much cotton candy instead of a full-course meal.

While I certainly enjoyed being able to play through the game again, it's difficult to figure out whom Tokyo Twilight Ghost Hunters: Daybreak Special Gigs might be for. The option to have it on PlayStation 4 is welcome and if players missed the original game for whatever reason, this is the version to pick up. However, there's not enough new content for those who did enjoy the original to justify buying it again, and for those who did have issues, virtually all of the likely turn-offs remain.

If you can track down three friends to play with and enjoy this style of gameplay, Phantasy Star Portable might be an enjoyable experience. However, it remains an excessively repetitive grindfest with little lasting appeal, regardless of multiplayer capabilities.

Dragon Star Varnir is exactly what it wanted to be: a safe game. Most of the ambition went into the combat system, where it succeeded. There are moments where players can lose themselves in the story, only for the presentation to bring the excitement to a screeching halt. Most annoying is how it feels like it punishes the player for spending too long exploring through the frustrating little sister system that creates some tension, but is much more tedious than it’s worth. These time constraints make the playable cast feel much smaller due to an inability to use them all consistently. Dragon Star Varnir has it’s positives: witches are all heartwarming and interesting in their own way, while combat is also fun, with devouring dragons for cores a notable perk. It is just not enough to take this game higher than being adequate.

Despite concerns about the battle system and general interaction, YIIK is well worth a look. In under thirty hours, it introduces a cast of characters and an uncaring universe that use a poppy, hallucinogenic ‘90s to speak to contemporary issues, bounce off games past, and just hang out, man. The narrative takes risks with the later acts and Alex’s unlikeability, but if it clicks it’s potent stuff. The audio/visual experience works exceptionally well for this mood, elevating YIIK into the ranks of games that may not be for everyone, but will be there for someone who needs it. Come for the surreal take on contemporary Americana, stay for the chill music, and maybe even learn something.

Fairy Tail 2 has a core problem that it fails to solve. Its identity as an adaptation pits it up against both the original manga and the anime, which concluded far before this game’s release, putting the onus on the game to do something to provide an extra spark. While the gameplay systems are solid, they aren’t enough of a positive to overcome that fans would likely receive a more complete narrative elsewhere. Add to that the game’s technical issues, and Fairy Tail 2 ends up being hard to recommend.

Saying that Sword Art Online: Fatal Bullet is at least playable is the best compliment I can give it, as there's occasional fun to be had from running around and shooting things, though not nearly enough. Almost everything else about the game amounts to a sterile waste of time. The story is vapid, the variety of locations and enemies is practically non-existent, and everything you do in the game feels completely pointless. It's not even content I'd recommend to diehard fans of the series, as there's not really even enough of that here to matter. Fatal Bullet was a chance for the game portion of the Sword Art Online franchise to step up and shine under a new developer with a new gameplay focus, but instead the entire thing shamefully fell flat on its face.

I wish that I could call Atlas Fallen an overlooked gem from an overstuffed year of games, but it doesn’t quite reach that bar. It’s not an unsalvageable project and with some refinement in the gameplay, a stronger script, and some better performances this could be a solid action RPG. I didn’t even have a chance to try out the game’s co-op, which could potentially go some ways to opening up the game’s RPG elements. That doesn’t change that what is there is a fine attempt at something new but one that never fully rises to the occasion.

Borderlands 2 is a great game to play in bursts, and the handheld format lends itself to this type of game perfectly.

This foundation is shaky at best, so White Knight Chronicles needs some work.

Despite some interesting ideas, Biomutant commits the cardinal sin of media — it’s boring, and that ultimately seals its fate. The game has a gorgeous world and adorable character designs, yet it’s soulless and falls far short of its ambitions. What makes it even more depressing is that, although it has potential, it’s plagued by too many poor gameplay elements plus a story that’s bloated with exposition and undermined by poor character development, as well as the rampant technical issues. Offering a main story that can easily be completed in less than fifteen hours, Biomutant is a quick experience but the dullness still comes in that short amount of time. Ambition is a beautiful thing to have, but if you cannot fulfill it, it’s nothing but wasted potential and time.

Overall, Little Town Hero is a lot of great ideas mashed together with a solid story, but unpredictable combat, average graphics and forgettable music drag down and tend to overwhelm the best parts. Reducing the randomness of the largest battles or otherwise streamlining these encounters would have noticeably improved the game’s overall flow. As it stands, Little Town Hero is neither especially great nor particularly bad but harmlessly average; with ample patience in the face of bad luck, there’s the sparkle of an enjoyable gem hidden under the game’s false starts.

Keeping a quick pace helps to emphasise Fallen Legion's strengths and mitigate its weaknesses. There are times where the game's interesting flavour can't quite mask the lack of substance in certain areas, but despite this it remained enjoyable to play throughout. It's certainly a title worth checking out, and should provide a good few evenings worth of entertainment. Plenty of neat ideas and an interesting, if underutilised, world mark a solid debut title for the developer and put it in good standing for future titles.

For those looking for a game to engage their minds over a couple of days or evenings, SwapQuest fits the bill very nicely.

Overall, Corruption 2029 will mainly appeal to the hardcore fans of Mutant Year Zero or those tactics fans desperate for a new game. This game feels like a watered-down Mutant Year Zero without the plot and charm. Depth is lacking as mission objectives, enemies, and maps are put on repeat, and the tactical stealth gameplay mechanic constantly acts to slow down completing mission objectives by slowly sneaking around and waiting to pick off enemies. There are some foundations of a good game here, but the characters could be better fleshed out, and the game could offer more incentive for the player to keep progressing in the form of a more compelling plot, more character growth, and more varied missions and mechanics.

Those hoping for a solid all-around RPG experience will find Masquerada lacking. However, as a relatively quick narratively-focused experience — clocking in at a bit over ten hours, or more depending on how players approach the combat — the game does an entertaining job.

Though it departs from the previous two games in the series, Seven Pirates H still manages to carve out its own niche in the adult-minded gaming space. While the differences between past games and this one may seem jarring at first, overall many of the gameplay tweaks come as welcome changes. Just consider whether it’s worth trying to explain the Chest Growth system to your seatmate on that next plane ride.

Redemption Reapers took the relentless pessimism as its core tenet and pushed it as far it would go. Many stories would have heroes rise from the ashes like a Phoenix, in here The Ashen Hawks have a saying “Burn away your fear…and survive among the ashes” which easily alludes to they’re what remains after hope has left. This murky defeatist outlook at survival provides consistent entertainment with its harrowing combat and great soundtrack, but ultimately leaves players with a grave taste in their mouths due to the bleak subject matter. Taking something this dark and not taking it far enough to have truly invested characters or plot is a shame. It is fun to see the lengths a dark theme like this will go, but there’s little light to be found beyond the thrills of surviving to fight another day.

Mercenaries Wings: The False Phoenix is another small step forward as Rideon continues to slowly refine what is already a very strong base. It has great combat that incorporates ample customization and depth without being intimidating or getting bogged down with needless subsystems that ultimately add little. While the story may not match the heights of the genre, the characters are likable and it’s well-paced to keep moving toward the next mission. Simply put, Mercenaries Wings is strategy RPG comfort food for any RPGamers hungry for a fix.

It's a fun game that fans of the original two are sure to enjoy, but there's absolutely no reason for anyone not fond of the first ones to play The Baconing, nor is there any reason for new players to jump in at The Baconing rather than the original game.

The problem with Yakuza: Dead Souls is that it's a game full of wasted potential. The story is fun and the atmosphere is excellent, but the broken controls and awkward camera make this game more frustrating than fun.

It's difficult to recommend this particular title to newcomers in the series — they would be best served jumping in with an earlier entry — but easy to recommend the series as a whole.

Forspoken has plenty of other glaring issues like its occasionally janky platforming that results in Frey falling off buildings or its less than memorable soundtrack. It also has a number of additional points to praise like the scale of its cities and the cast of cute cat chimeras that Frey can lay down and cuddle with. This duality of fantastic ideas with less-than-stellar execution places Forspoken in a place where very few games end up — smack dab in the middle. It’s not so bad that it should be burned by fire, but not nearly good enough to make anyone’s game of the year list.

It’s a good game on its own merits, but pales just a bit when compared to its forebears; the added Dark Souls combat mechanics aren’t a problem, but what feels like slight moves away from the Zelda-esque puzzle solving and Metroidvania-style exploration are noticeable.

Hellpoint clearly does take inspirations from multiple other works, but some of these influences don’t go far beyond the superficial. The sci-fi horror vibe is appreciated, but for my taste the game doesn’t lean far enough into the dread and scares this could afford. Instead, it adheres fairly strictly to that familiar Souls-like quality, though it does admittedly do so successfully. Environments and the thrill of exploring them shine as a particular highlight, while combat is, if nothing else, serviceable. Some missed opportunities in world-building and being a bit too open-ended are among the few blemishes present, making Hellpoint a solid recommendation for those who aren’t afraid to try something a bit darker.

Tales of Symphonia deserves to be available to the widest audience, yet the lack of attention or care demonstrated here is troubling. Remastered feels like a cheap and lazy port, and that alone makes this version disappointing, despite the strengths of the game itself. Why should gamers reward these tactics when there are remasters of PSP games and more recently, other GameCube games, that are truly modernized? There was an opportunity here to release the definitive version of Symphonia on modern consoles for fans and first-timers. Instead, Bandai Namco has doled out an inferior port of a decade old re-release at double the price it is sold elsewhere. If the math doesn’t add up to you either, don’t worry: the PC version is still available.

There’s nothing inherently wrong with its focus on button-mashing action; in fact, the addition of the calculator to bribe enemies into joining you is a welcome idea that has merit. But each time the game hits its stride and lets the player feel a sense of fun, it’s quickly dashed by repetitive gameplay, dull story, or another crushing difficulty spike.

Sands of Destruction could have been excellent, and some aspects of it indeed do approach greatness. Unfortunately, its many irritations in combat cause the game to fall short of the lofty status it wanted to achieve.

All in all, it’s hard to imagine many players will get a lot out of Bleak Faith: Forsaken. It successfully pushes to the forefront an alien and otherworldly experience which is indeed as bleak as its name implies, but this alone does not an enjoyable time make. With large-scale issues embedded within its narrative structure, progression, exploration, and combat, the cons easily outweigh the pros. There are reasons to praise the design team’s overall effort — particularly given the game’s scope and the extreme limitations they had to cope with — but beyond an academic appreciation, Bleak Faith simply isn’t a fun game to play. With no shortage of far superior similar titles available on the market, this one may be relegated to go down as a hopeful starting point for its creators, but not one that will stand tall on its own merits.

Overall, Arcadian Atlas is a good indie game to recommend for fans of turn-based tactical RPGs. Its focus on narrative is the best aspect of the game as the plot twists become interesting to see when characters make unexpected decisions. Combat is not too difficult and provides variety for players to customize their units with job classes to their liking. Arcadian Atlas delivers an intriguing tale of treachery and mystery through the power of the Atlas.

As a huge River King fan, trying to find a fishing RPG that gave me a boatload of mellow emotions has been challenging over the years. Moonglow Bay really feels like a lot of thought and care went into every aspect of the game. While not everything is perfect, it’s hard to deny the comfort that comes from chilling in your boat, catching some crazy species of fish, and sailing around to take the blues away. Moonglow Bay is the comfort food that you didn’t know you needed, and a game that constantly reminds you that you’re never alone, and even when you are, you can sail away to a better place and time.

There are a huge number of other issues plaguing the game: sparse save points, a quest-based structure with hardly any quests, and a difficulty curve heavily dependent on level are just a few. But the most obnoxious thing about Blue Dragon: Awakened Shadow, beyond the clunky mechanics, beyond the poor localization, is how blatantly it attempts to mimic Dragon Quest IX, and how poorly it does it.

Citizens of Space is an ambitious game in many ways that delivers an incredible variety of systems both in and out of combat to occupy players. To be sure, the game oozes with creativity at nearly every turn. But it takes a risk in going with a story focused primarily on humor, which unfortunately doesn’t pay off, and is instead overburdened with mostly predictable punchlines and tired, overused phrases. The end result leaves the game without much of a narrative, characters with flat personalities, fights that can drag on for a little too long, and lackluster presentation throughout.

Those with any passing interest in dungeon crawlers should find a lot of enjoy in The Lost Child, though it’s certainly not perfect. Some may be tempted to write it off as an SMT knock-off, but this doesn’t strike as being fair given how its systems go a long way to stamping its own mark on everything and to make it stand out. Gameplay and the narrative both work well for the most part, though certain aspects could’ve benefitted greatly from just a little more polish. The Lost Child is a game that should find plenty of fans out there.

Fire Emblem: Shadow Dragon & the Blade of Light may have been a decent game from 30 years ago, but even with the added quality-of-life improvements and a good translation, it has aged more like mouldy bread rather than fine wine. It still has a good strategy system and is playable overall, but there are loads of better games, including just about every other Fire Emblem game in existence. This is definitely not a game for newcomers, but die-hard fans of the Fire Emblem series may find enjoyment, along with gaming historians who simply want to experience a time piece of how the whole tactical RPG franchise started.

Empire of Sin is a good game held back only by a lack of variety in ways to win, leaving most forms of diplomacy and expansion feeling useless long-term. This makes it feel like the game is punishing the player for playing slowly and methodically as enemy factions will only get stronger as game continues, though it lets players keep each playthrough unique by varying how deep they go into the intricate systems the game provides. However, the combat system is lot of fun and prohibition era Chicago has never felt more alive, so many will find it worth their time diving into the unique setting.

For those who want to see how it all started, Ys I & II Chronicles is the way to experience it. Ys I lasts just over five hours and Ys II boasts a little longer playtime at around eight, but with the game's fast pace, it doesn't outstay its welcome.

Ultimately, Skyhill is best played in short doses, well past bedtime. Its psychological strengths are enhanced, while its more soporific mechanics become less vexing.

However, this is a game that will have great appeal to those who appreciate a decent, unimposing visual-novel style story and enjoy seeing new takes on tactical gameplay. Those looking for a series of entertaining tales and a different type of strategy to that commonly seen in RPGs will do well to check the game out.

Weapon Shop de Omasse boasts a great premise and for the most part it succeeds at its JRPG sitcom goals.

River City: Knights of Justice succeeds in many ways as a retro piece of nostalgia, but it fails at having enough variety to keep it engaging. It lacks the humour of the previous games in the series by instead amping up the cheesy factor, and while that's fine and dandy, I wish it hadn't been so straight-laced in its approach. While I am glad the game clocks in around six hours, I feel like the amount of repetition and padding is still a large issue in Knights of Justice. While it's fun to transplant a series into a new setting, it's hard not to expect that more be done with it. Knights of Justice is a simple, straight-forward title that is mostly unremarkable. There isn't enough here that makes it different from other River City Ransom titles and that really is the true shame in all of this.

I found myself truly struggling with how I felt overall while playing The Lonesome Guild. On one hand, it’s a game with adorable characters who build their own bonds to push back a very real threat in the form of loneliness. It wears its heart on its sleeve, and while a lot of what happens in the story is fairly cliché, there’s also a warmth and kindness that cannot be understated and is truly the focal point of the game. On the other hand, the combat is uninspired, the dodge mechanic is fussy, the puzzles are often so poorly explained, and the rewards offered to the player have no real value in the grand scheme of things. The Lonesome Guild is a game that will find its audience through its visual appeal, but those wanting much deeper gameplay and story may be disappointed.

Despite these flaws, the game as a pure tactical scenario actually manages to rise above more prominent choices on the DS such as the Luminous Arc series, delivering a unique and enjoyable tactical experience that should engross devotees of the genre.

Warsaw starts well enough. Its eye-catching premise and style do a good job getting players’ initial attention, while the brisk gameplay loop gets players up to speed quickly. However, the loop gets tiresome a short while in, with rather shallow depth and no narrative to support it, and so the experience of the game itself will not linger too long in the memory. But if nothing else, Warsaw still gives encouragement for others to learn more about one of the darker times in history and find further respect for those who fought through it.

Sometimes a game becomes a bit too ambitious for its own good. Poison Control is one of these games, as the anime-inspired story and musical accompaniment are well worth being held in high regard. Those can only take a game so far, however, and are brought down by the clunky gameplay and copy-and-paste visuals accompanying them. Depending on which aspects the player values more it can either be a fun and engaging romp through a wonderful world with unique characters that grow, or it can feel like a slog repeating the same thing over and over ad nauseam until the energy drains out of the player and the game is shut off. Ultimately it balances out to an average game with a few unique mechanics, an entertaining if niche story, and a stellar soundtrack.

Moco Moco Friends shines in a way that many games do not with its completely genuine approach to storytelling, and I loved it for that alone. While it may not be the most complex RPG I've played, it has a ton of heart, and sometimes that can go a long way.

Overall, Chantelise will tickle those who are gluttons for punishment, but with its unfriendly game design, it'll leave many newcomers starving for something more approachable.

There are many unique mechanics introduced here that have a lot of potential, but between the lack of interesting ways in which said mechanics are used and the terrible controls, they only work to hinder the game. The game is also one of the buggiest games I’ve played; its litany of bugs range from falling through walls, to abilities that don’t work correctly or unintentionally trivialize encounters and obstacles, and even bugs of the game-breaking kind. This is a game with great ideas but horrid execution, both from a technical and a design perspective, and it’s really a shame. Here’s hoping the developers will take what’s good here and execute better on it in the future.

Overall, Dex is a worthwhile game featuring a compelling, beautifully rendered universe and setting, a well-paced immersive story, and deep characters. It offers a very enjoyable experience that will keep players driven to explore its world and progress in its narrative. The core foundations of its gameplay styles are fun, and chock-full of potential, even if that potential isn't fully realized in some areas. In many ways, Dex's main flaw is that the game doesn't deliver more of the possibilities promised by its strong foundations, and that is not the worst flaw for a game to have.

Dynasty Warriors: Godseekers is a lot friendlier to players than many tactical RPGs, though some would argue too much so, and it's impressive how well it manages to evoke its parent series' formula of powerful warriors sweeping through opposing forces. The campaign doesn't take too long to get through and is balanced both in difficulty and experience awarding so that players won't have to spend ages getting their roster up to speed. Hardcore tactical fans will likely want more challenge than the game seems to provide, but for those looking for a lighter tactical experience, Dynasty Warriors: Godseekers fits the bill nicely.

Fans of games such as older Elder Scrolls titles and even Legend of Zelda: Breath of the Wild will likely find this an enjoyable experience. While Outward lacks the polish of those titles, it shares the vision of making a harsh, open-world experience into something memorable. It makes every victory feel like an accomplishment, and it allows the player to write their own story in a new and unforgiving land. And, for some, that is all they need from their RPGs to feel happily satisfied.

At the end of the day, Dead Island: Riptide has a lot of good ideas, especially in its latter half. The combat, while repetitive and often frustrating with the annoying inventory management, still manages to provide exciting encounters. It just seems as if the developer didn't trust players enough to fully immerse them with the survival horror title suggested by the mechanics.

At the end of the day, Super Neptunia RPG does quite a few things differently than other titles in the series; a few that improve the experience, a few that make it more frustrating. For those who have previously enjoyed the tales of Neptune and her crew, it’s possibly worth a try, but for those uninitiated, this won’t create any new Nep Nep fans. While I went into this game excited to try a different type of Neptunia, it hardly held my attention for more than a half-hour at a time, requiring a lot more stamina and time than it should to complete a game that clocks in well under twenty hours.

Knights of Pen and Paper is a sweet little throwback to the days of pen and paper gaming, but its simple approach may not be enough to entice every RPGamer. Yes, the combat is simplistic, but it's fast and easy to roll with.

Moon Hunters is a gem, and deserves to be a memorable constellation in the indie games scene.

Ultimately, Torchlight III is a game of simple pleasures. Simple gatherings with friends to take out enemies for greater loot. A simple, easy-going story that helps the game flow along faster. Simply going through just one more dungeon to have fun in and use the hero created to rain destruction down for better gear, and do it all over again. If something simple and fun that can be taken in small doses is what players are looking for then Torchlight III fits the bill. However, many may wish to wait for some big patches to fix the issues with multiplayer before getting too invested, or just take a favorite hero through the single-player campaign or a Dun’Djinn until the game lives up to its full potential.

The overall feeling that endures throughout Conception II is that it's a game that is by no means bad, but also not great.

Ultimately, Conception Plus feels like its skating by on the curiousness of its premise rather than using it to build a strong experience. The Star Children are easily the most interesting thing about the game, but it gets bogged down with gameplay that doesn’t provide any reason to stick around longer than necessary. The characters are given nothing useful to do in a predictable and irreverent main plot, and though the dating sim aspects are more interesting, it’s still hard to call them any better than ok. Conception Plus works best as something to do while having something else going on at the same time, but it’s simply not strong enough to warrant full attention for long stretches of time.

For as simple as a game it is, the game runs fine on the Switch. The draw distances of the levels and the pop-in is noticeable but really doesn’t impede gameplay in any meaningful way. The music and sound design is as bland as they come, leaving so little an impression that all that’s left is the admittedly fun creature design. But engaging with enemies isn’t entertaining and the levels offer no fun secrets to explore. Hyakki Castle promises an interesting premise but can deliver on little else besides some pretty loading screen concept art.

Creature Keeper demonstrates a promising foundation, but it requires considerable refinement to truly realize its potential and become a consistently enjoyable adventure.

Mato Anomalies has some good moments but all have caveats. Many quality-of-life features that current turn-based RPGs have are implemented in odd ways, and what new things the game tries tends to fall flat. Combat is enjoyable, but a disjointed user interface and repetitive ability use make it stale sooner rather than later. This is a game that is very dense, with a time-consuming interface and a story that tries way too hard to be something grand, throwing strained dialogue and empty contrivances together to the point where most of the meaning is lost. There’s some fun here, but mostly it is an unintentional headache that is hard to take as seriously as it’s trying to be.

Astor: Blade of the Monolith feels like a game that needed a few more months to cook. The gameplay is underdeveloped, there are multiple bugs, and and the plot really could’ve done with some punching up. While this adventure has potential for improvement, but it’s very difficult to find reasons to recommend it in its current state.

With the release of Seven Knights: Time Wanderer, Netmarble attempts to replicate their free-to-play title’s success with this console offering. Unfortunately, the game underserves both the source material and players on the Switch. While fans of the Seven Knights mobile game may enjoy this title, there are scores of more fulfilling experiences available on the console.

Morbid: The Seven Acolytes could have been a highly enjoyable foray into the 2D side of Souls-like action. It features a compelling world, presented through stylish pixel art and good sound design, and really nails the highly entertaining bits of lore sprinkled throughout the world to make it come alive. However, some rather important missteps with the combat make the experience far too toothless, annulling the sense of fast-paced action and dramatically lowering stakes upon defeat. Rather than rising to the level of its loft inspiration, it instead feels buried alive, flatlining into a state of rigor mortis due to its plodding combat.

Unchained Blades isn't unenjoyable, and its subsystems are an inventive take on what less skilled hands would have turned into a bare slog. However, a game as long as this one needs something greater to keep the inevitable hours of filler at bay. Deeper, more nuanced characters would have been been one route. Alternately, a smoother difficulty curve would've limited the opportunities to switch on autopilot.

Weird enemies, fast combat, and tank customization don’t save Metal Max Xeno from being an unbalanced disaster. The game also manages to end on a particularly poor note with an ill-conceived boss-rush followed by a monstrous final battle that requires expertly tuned tanks not needed anywhere else in the story. I spent nearly as much time trying to beat the final boss as I did on the rest of the game. It’s just another in a host of bad design decisions. There are some interesting parts that could have formed the basis of a good game — the tank battles against giant monsters festooned with cannons are fun — but those parts are buried by all the other terrible decisions.

Class of Heroes is about the gameplay, though, not the story or visuals or sound, and it triumphs magnificently.

Ar tonelico Qoga is a worthy finale to the series... providing you can find the true ending, of course. Its strengths are many, and NIS America has done its best to keep a polished localization.

The final word to describe Deiland the game is one that has been used several times already in this review: charming. Chibig has captured some of the charm and emotion to be found in the work of Antoine de St.-Exupery, mixed it with a blend of RPG and cultivation elements, and given the world another, smaller world to enjoy. Could it have been bigger? Yes. Could it have had more to it? Indubitably. But for what it is, Deiland is a nice diversion from heavier experiences in the genre, and that may well have been what the developers were aiming for.

The Witch and the Hundred Knight 2 is the worst gaming experience I’ve had in recent memory. The longer I played the game, the more negative my opinions became. While it started out as a harmless, bland action RPG, it beat me into submission with repetitive dungeons, bad combat, and poorly-designed boss encounters. While there may be a few interesting ideas in the story, it’s not worth suffering through the dungeons and needlessly verbose scenes to experience them.

Ragnarok Odyssey ACE is a good game to play in bursts because it doesn't demand a lot of one's attention or time. It's even more enjoyable when you have a friend to share it with. Unfortunately, there's just not enough variety in terms of missions or gameplay to keep the game engaging.

Braveland Trilogy is ultimately a game that is sunk and buoyed by its earlier rough edges and eventual success. While the original Braveland is short and mediocre, the second game Braveland Wizard shows great promise and improves on nearly everything, while the third game Braveland Pirate shines with personality, sparkles with witty dialogue and shows great growth, finally fulfilling the potential glimpsed in the original game. Providing players can bear through the original title, Braveland Trilogy is an entertaining romp through the hexagonal combat made popular in classic Heroes of Might & Magic games.