Ys Memoire: Revelations in Celceta's Switch release is a lot easier to recommend now via backward compatibility on Switch 2, and is well worth getting if you haven't played it before and want a great portable experience. If you have played Celceta before, the new soundtrack option isn't enough to justify a new purchase unless of course you want to revisit the game on Switch 2. I don't recommend playing it on Switch 1 though if you have other options.

If, like me, you found yourself interested in how things might evolve with the sequel I can give my endorsement for Kena: Bridge of Spirits on Switch 2. All in all, it's a solid port for a solid game.

There are aspects about GreedFall: The Dying World that remain compelling -- the overall world-building remains top-notch, the RPG progression systems are well-designed, and fans of GreedFall's established lore will have plenty to latch onto. However, the narrative doesn't carry the same inventiveness as the original game, the combat changes appear to be courting a more niche playerbase, and multiple gameplay and technical shortcomings compromise the experience entirely. If Spiders and Nacon can manage to support the game after release, it's possible that many of these issues could be addressed, but the state in which this game was released doesn't have me feeling optimistic.

Code Vein II is a sequel that learned all the wrong lessons from industry trends. I don’t usually like to compare games directly when evaluating them, but games don’t exist in a vacuum, and Code Vein II releasing right next to Nioh 3 puts it at a disadvantageous position because its direct action RPG competitor is superior in almost every way. Nioh 3 allows players to play with each other effortlessly, while Code Vein II removed it entirely. Code Vein II’s open world approach is a lot more dull to wade through, as Nioh 3’s smaller zones allow players to traverse it much more swiftly. The only thing I can muster is that Code Vein II probably should’ve pushed back its release to vastly improve its performance – something that Nioh 3 also has a leg up on.

Dragon Quest VII Reimagined still encapsulates much of what makes Dragon Quest VII resonant, but with every possible edge sanded off. It succeeds at streamlining a lengthy adventure at the expense of player discovery and friction. Besides being able to reach the credits more quickly, I find it difficult to declare this version as an improvement on what came before.

The Visions of Four Heroes story DLC for Dynasty Warriors: Origins capitalizes on what made the game great. It constantly throws players into battles against overwhelming odds, and they have to find a way to lead their allies to victory. Grand army versus army confrontations never got old in Origins, and this DLC serves them up regularly. The constrained and isolated nature of each DLC campaign does make its fanfiction story beats inherently hollow, though its skewed perspective on alternative “what-if” scenarios does provide some amusing moments for those tapped into the Romance of the Three Kingdoms narrative.

Right now, I don't recommend System Shock remake on Switch 2 if you want to play handheld. If you want to play docked, it is better than last month, but not as stable as it should be. This is definitely one to play on PS5 or Steam Deck if you have access to those platforms. I hope the Switch 2 version improves before the physical cartridge release because I was excited to buy that for my collection. I don't think I will bother if it ships with this current build though.

There's plenty of fun to be had with Mega Dimension; the new sidequests are neat, the new Mega Evolutions are fun to play with, and even if I didn't gel with the story as much as the basegame I still had a good time with it. Yet, if you were already feeling burnt out by the time the original credits rolled - or are even just unsure if you're ready for more of the same - I can't exactly say if this DLC is worth the price of admission.

In its current state after the first major post-launch update, Assassin's Creed Shadows is worth your time handheld on Switch 2 all things considered. If you already own it on another platform, I recommend it on Switch 2 to play on the go and complement the TV experience you get elsewhere. I hope to see some of the performance issues when playing docked addressed and will be revisiting this for the Claws of Awaji expansion in the future.

Atelier Resleriana: The Red Alchemist and the White Guardian is a decent game that is good for short bursts of gameplay. If you're a longtime Atelier fan, this likely has more meaning for you, seeing your favourite characters come together for another adventure. For people not familiar with the series, there's not a lot here to hook you.

Persona 3 Reload for Switch 2 should've been the easiest win for Atlus, but it is lacking in some key areas. If you've not played it before and mostly play docked on Switch 2, it is a good but conservative port, and P3R remains worth your time. The real issue is how Persona 3 Reload for Switch 2 doesn't feel great to play at all right now on the go, the real draw of this new port. Had Atlus included all DLC, it would've been a good excuse to replay the game with different costume and music options, or even made it so those who played the base game last year could experience Episode Aigis on the go.

As much as I enjoyed Disgaea 7's original release last year, I hate that I'm conflicted about Disgaea 7 Complete. On the one hand, this is a great package for newcomers when it comes to value, but it also is annoying to see the free patch and DLC that were released in Japan not be made available at all to the existing base game owners in the West. It is a shame that a re-release of a great modern Disgaea game has a few too many caveats attached to it right now.

For players who grew up loving ’90s anime or those fascinated by experimental mechanics in RPGs, Wander Stars is worth experiencing. It may not fully deliver on the limitless potential of words, but when it hits, it feels as satisfying as the perfect sentence – or punch - landing exactly where it should.

Lost Soul Aside wore on me pretty quickly, with its repetitive arena-to-arena flow, characters I never spent enough time to care about or what happened to them, and unpolished issues and quirks. Except for the aesthetics and decent combat (which had their own drawbacks), I can’t really point to a part of LSA that I can say I genuinely had a good time with. While I wasn’t someone that has been eagerly waiting with bated breath for the game, I still was hopeful and intrigued by what the final game would turn out like after being worked on for so long, and it's disappointing how much it fell flat for me. Sometimes being cool just doesn’t cut it.

When I hit the credits of Towa and the Guardians of the Sacred Tree, I felt a little bit bummed out. I don't regret my 25 hours spent playing the game, but it never elevated beyond just being an acceptable action roguelike. Many of the game's unique components in the combat & structure feel either inconsequential or insignificant. The overall presentation is stellar, and the Shinju Village NPC stories are endearing. However, stale combat, underbaked sub-systems, and a mediocre overall narrative bring down a game that I wish left more of an impression on me.

Shuten Order is a frustrating game to enjoy. The writing team at Too Kyo Games clearly has a lot of ambition, and I respect the kind of game Shuten wants to be. Every route felt hampered by something, held back by execution that didn’t match the full potential. Despite everything, it lands with such a tremendous note that I think it’s worth experiencing this at some point. Your mileage may vary on whether you find the core routes to be predictable, depending on how invested you are in ADV games, but I do respect what they were going for. What it lacks in cohesion, it makes up for in spirit. If you can get past the blemishes, and there are a lot to look past, I can see a certain kind of person really getting a lot out of Shuten Order.

There simply aren’t enough engaging and worthwhile gameplay elements in Edens Zero to make it worth experiencing a worse version of the story. Superfans of the series might find something to love if they dig deep enough – but Konami’s Edens Zero, more than anything, is another grim reminder of the unrealized potential of anime-based video games.

Wuchang: Fallen Feathers is incredibly impressive when viewed as the first game project developed and released by Leenzee. It’s ambitiously put together when it comes to the marriage of its various flexible gameplay systems and a game world that’s constructed seamlessly. Its depiction of the late Ming dynasty is fascinating because it isn’t afraid to show the brutal circumstances that loomed over this time period, even when separated from all of the dark fantasy elements that provide flavor to it. I enjoyed my time a lot with Wuchang: Fallen Feathers, but its horrid performance and optimization on PC unfortunately damaged my overall enjoyment.

All in all, the game is serviceable for what it is, but the tone of the game throws me for a loop, and the dungeon-crawling aspects aren't that interesting to warrant bouncing back and forth from dungeon to school and back again for multiple sessions. While the game is retailing at $50, I still feel that this game is a little too expensive for what it offers. This feels like the perfect game to grab on sale, rather than rushing out to the store and getting it immediately on launch. That said, there's still enough here to satisfy people with a deep urge for dungeon crawling or anime slapstick, I suppose.

It might seem like I’m harsh on this spin-off, but I think I’ve grown more fond of the title the longer it sat with me. To get the most out of No Sleep For Kaname Date, you need to align your expectations in advance. The story isn’t devoid of emotional pay-offs, but it’s hardly going to hit things out of the park as hard as the previous games did. What it sacrifices in the typical mind-bending mystery, it makes up for with excellent comedy writing. This game knows it can’t meaningfully advance the plot of the main series, and it blatantly doesn’t try to. It wants you to have another go with characters you grew fond of throughout two really special games. It wants to make you laugh over the most ridiculous jokes, and applaud as Date powers up with his signature porno mags. As an AI fan who didn't need this to be the next big thing, I can’t help but appreciate what this offers.

While the multiplayer is nice to have back, and the controller support is solid overall, I was otherwise left uninspired. I will always appreciate games becoming easier for new people to experience or getting a console port, but between the harmless-but-still-annoying bugs, the bland menus, and the lack of meaningful quality-of-life updates, I don’t feel like this release lives up to the “enhanced” moniker it's given itself. The package feels like a missed opportunity. Enhanced Edition is okay. It didn’t crash on me (I’m not faulting this game for crashing due to a mod that wasn’t designed for it), so that’s always good, but that’s a pretty low standard to hold. If you want to play Neverwinter Nights 2 with your friends without installing a mod, or on a console/with a controller, sure, pick up the Enhanced Edition. If not, then there is really no reason to buy this version over the Complete Edition that is readily available and at a lower price.

Overall, Tainted Grail: The Fall of Avalon, has the framework necessary to be an excellent game, and provides a sort of different flavor of fantasy setting than a lot of its contemporaries. For those willing and able to put up with rough spots and a general feeling of unfinishedness, there are still 50+ hours of an enjoyable RPG experience here. It just might take some additional time and tweaking in order to fully deliver on its potential.

Is this the worst remake out there? No. The core game is still great, if this is the only way you are able to play it. But this version needed more than a fresh coat of paint and a shrug. Imagine if this series, or even just the original standout third entry, had been given that Star Ocean 2 Remaster level of quality and attention. I’d be fawning over a loving recreation of a PlayStation game that could galvanize a legion of new followers into this heady mecha series. Instead, we got a half-baked museum exhibit.

Raidou Remastered has undoubtedly improved a flawed game, but there’s only so much it could do in keeping to its mission statement to recreate the content of the original title. I respect the lengths Atlus went to provide a largely faithful, yet polished, version of Raidou's debut. It's a fascinating way to revisit that era of games, and in a way, I’m glad Atlus didn’t simpy outright scrap tedious aspects of the original. Raidou Kuzunoha is a tried and true Devil Summoner entry in every way, and I’m glad ATLUS is still willing to revisit this scrappy series.

Fuga 3 is still a great game, but it's hard not to wonder exactly what the point of it all was. Fuga was a daring and highly focused release, and at the time Fuga 2 felt like a similarly tight experience relying on the knowledge that players had already grown accustomed to the gameplay. Yet Fuga 3, in it's attempts to expand its scope feels like it just misses the mark. What should have been a satisfying conclusion to a trilogy feels like a coda to a performance whose curtains had already fallen years ago.

I thought about giving Guardians of Azuma a 7, because what game is here isn't strictly terrible, but unfortunately it is extremely disappointing on a wider scale. Boring dungeons, bland combat, lackluster progression, and thin customization are propped up by a fun cast of characters, pretty good voice acting, and pretty good village editing tools — but it's not enough to make the game fun to play. If you only care about the character interactions and marrying the love of your Azuma life, then the combat and village management is a tedious means towards that end, and if you're looking for engaging progression systems, you'll have to look elsewhere, I'm afraid.

During my time with Elden Ring Nightreign, I was waiting for something to jump out and amaze me like the original game and Erdtree had, but that sensation never came. Nightreign delivers glimpses of what I love about the previous games, but the jump to this new format just never quite landed as well as I had hoped. When I played with my friends or when I finally tackled that Nightlord I had been stuck on, it hit with that same exhilarating sense of accomplishment that I love, but so much else left me wanting. With so many reused enemies and guest bosses, Nightreign feels more like an impressive expansion than a whole new release, and perhaps that is a better way to look at it: an experiment in something new. This first drop into the roguelike genre with the Souls series is intriguing enough to make me consider exploring future explorations into it, but beyond that, I will happily stick with my exploration-heavy and deep character customization options instead.

All told, Blades of Fire is a mixed bag. I by and large enjoyed my time with it, warts and all - but I'd be hard-pressed to recommend the game in its current state. Worse, without some heavy retooling of the map I don't know if I ever could recommend the game at all without significant caveats. On the bright side, the game's PC port is rather good with a notably good HDR implementation. It's even playable on Steam Deck, if you can bother to get the Epic Games Store running on yours. I definitely appreciate any game that doesn't have traversal or shader compilation stutters these days, and from a technical standpoint MercurySteam has delivered a very good experience.

It’s a bummer that Yasha: Legends of the Demon Blade just feels sparse overall. While I enjoyed my time experimenting with each of the three protagonists’ different weapon synergies, the identical progression of every single run gets old very fast. Seeing the same stage layouts, same enemy spawns, same boss patterns, and same… everything every time was disheartening. Even when Yasha tries to punch above its weight narratively through some of its cutscenes, the whole experience of playing it is mind-numbingly repetitive. I wish I liked it more, but what it offers feels so little compared to many, many other games competing in the same Hades-like space.

I struggle to pinpoint any particular facet of Mandragora: Whispers of the Witch Tree that is exceptional. The combat is serviceable, the narrative is adequate, and the exploration is fine. There's some comfort in navigating the map & finding new secrets in a way that search action games tend to be comfortable, and there's some satisfaction in the gameplay in which soulslike games tend to be satisfying, but I'm mostly left with indifference.

I'd wager that while I had fun with the game overall, part of what I'd hoped the game offered at the beginning was a mechanically-dense resource management sim where I have to carefully plan out my actions step-by-step, and while that's certainly how it looks like things will head at the start, in the end the game's actual gameplay mechanics feel like set dressing. It's essentially an excuse to get you out and about driving a Kei truck through a fictional Japanese town. There's nothing wrong with that, and we do cover games that veer towards narrative experiences, but I can't shake the feeling that Promise Mascot Agency wasn't quite what I'd signed up for - even if the end result was an enjoyable romp about reviving a town in its twilight years.

Even though Atomfall didn’t fully click for me, I believe its unique approach to the survival genre will attract a passionate community. I applaud Rebellion for its extensive accessibility settings and innovative “Lead” system, which I hope they refine in future games. However, for every aspect I enjoyed, there were two or three strange omissions or design choices that held the game back. I hope Rebellion revisits this IP in the future, but next time, I’d like to see Atomfall feel more cohesive and fully realized.

The First Berserker: Khazan is a typical Soulslike-inspired action RPG that takes a lot of inspiration from Nioh, and offers nothing new that separates itself from the dozens of others out there. Even in the many aspects it takes from Nioh, it often does them worse. Its beautiful art direction is largely held back by a deliberately dull color palette. Additionally, its combat has some great animations, yet overall feels sluggish because of how restrictive its stamina system is. I was prepared to have a great time with The First Berserker: Khazan, but there’s so little that I enjoyed because it always took two steps back in every step it took forward.

Phantom Brave: The Lost Hero is a solid game, but the Switch performance really detracts from the overall experience. If you have the ability to grab this on another platform, you should do so. This is otherwise a very enjoyable game with a decent amount of depth if a bit lacking in difficulty due to poor enemy pathing. If you're into SRPGs, it's worth a look into if you have the time.

Like a Dragon: Pirate Yakuza is difficult for me to evaluate. The aspects of the main narrative it chooses to dwell on seems unevenly paced, and strangely misguided at times. Its combat system is slick, especially with all the tools that the brand-new Sea Dog style brings to the table - yet the balance of power feels lopsided in Majima’s favor to the point that enemy AI can’t keep up. A lot of its pirate-oriented systems feel like a jack-of-all-trades; they’re all competent and serviceable, though only provide a surface-level layer of satisfaction. I like a lot of what Pirate Yakuza in Hawaii is putting down, but I can’t ignore the numerous significant misfires either.

Mario & Luigi Brothership is the biggest and boldest the series has ever been, with some novel battle mechanics and colorful presentation. However, an overstuffed runtime and exhausting pacing severely dilute the experience in both narrative and gameplay. Had Brothership been a snappier, more compact entry, it could have been one of the best in the series, but as it is, we're left with an enjoyable game that overstays its welcome once again.

Though it's ultimately held back its shortcomings, the other highs of Dragon Age: The Veilguard - its characters, its storytelling, and its sense of personality - make the game easy to like despite the flaws. The issues may be harder to look past for some, but others will find joy in the things it does do well.

While individually Card-en-Ciel's decks offer a fun and engaging time as you learn to play around them, if anything Grand Battle dungeons seem emblematic of the game's own worst flaws. Inti-Creates had a great idea for a gameplay system, and it's charming to see them use their own IPs as fodder for the cards to populate these systems - but at the end of the day, it feels like they simply didn't know how to design a full game around the system they'd envisioned. Card-en-Ciel isn't a bad game by any means, but you can very much feel the limits of what the team could deliver; maybe the gameplay will be enough to make it worth your while, but it's hard to give a strong recommendation when so much of the experience feels disjointed and threadbare.

I come away from Ys X: Nordics more than satisfied with its renewed battle mechanics, but unfulfilled with most of the rest of the game that surrounds it. Ship navigation and island exploration never manage to become compelling, and the narrative largely falls flat. If you come to the Ys series primarily for entertaining combat, you'll have a blast - I just wish it was a little less lopsided.

Enotria: The Last Song, is ultimately another serviceable entry in the genre that can be embraced by Soulslike fans with a colorful aesthetic and original storyline. The clunky combat should annoy me more, but the game’s commitment to the bit won me over by the end. It may not always sing, but Enotria: The Last Song deserves credit for at least being able to carry a tune.

That Time I Got Reincarnated as a Slime Isekai Chronicles strives to retell a chunk of Rimuru’s story, but does so through this medium to limited success. A relatively static presentation and repetitive combat system make this a difficult entry point for series newcomers, while fans of the series may question some of the design choices as missed opportunities to fully translate Rimuru’s adventure from page to screen.

Gundam Breaker 4 is like watching an old friend rebound from tough times. It may not be as great as its mainline predecessors in some regards, but it is a solid course correction from the last few dire entries. The repetitive stages and diluted weapon options are a noticeable step back, yet so many quality-of-life improvements to this new entry in the gunpla action RPG series make it much a smoother experience to play. While completing the main story took me roughly around 17 hours, I'm just about to reach the 60 hour mark because I keep making entire new gunpla builds to take on the highest difficulty stages on their own. It takes virtual model kit building to the next level and the potential of crafting something truly masterful, or horrific, is only limited by a person’s imagination.

A game with peaks and valleys like this is, as I've stated throughout the review, frustrating. I can see a 10/10 in this game somewhere, but multiple questionable-level design and game design choices combined with a hefty amount of performance issues and bugs unfortunately drag it down. Black Myth: Wukong is a beautiful, somber, fascinating tale to experience — you just have to muddle your way through a forest of problems to enjoy it.

Flintlock: The Siege of Dawn is an approachable action RPG with satisfying combat but a narrative that unfortunately left little impression on me. While combat itself is enjoyable, battle variety is somewhat lacking, quests feel typical, and the narrative is forgettable.

I came away from Trails Through Daybreak with many unanswered questions and mysterious hints dropped in the game's last moments. Despite my issues with some of the characters, Almata, and the underlying Xipha system, I still enjoyed my time at Calvard, seeing old friends and meeting new ones, and I am eager to return. The Trails series is one of my favorite long-form fictional works, and I look forward to the months and years' worth of discussions and seeing how all the new teases and hints end up paying off in Daybreak II, Kai no Kiseki, and beyond.

Cryptmaster was a game I had hoped I would enjoy more. In the end, it's a solid proof of concept with a few hints of what it could be in the future. Cryptmaster is a game with a lot to say, but much like with the game's undead protagonists - it feels like its a bit confused on how to say it.

Soul Covenant is one of those games that is frustratingly close to delivering what I wanted it to. RPG progression, while basic, would be engaging if the game had enough content outside of the main story to compliment it through its runtime; the story could've been so much more with more scenes to sell it. Despite it all, Soul Covenant managed to recapture at least some of the feelings I remembered from Soul Sacrifice - but in a way that makes the whole package all the more disappointing. I believe the team had the capabilities to deliver something truly special here. It's just a shame that what they ultimately released is such a mixed bag.

Narrative nitpicks and shortfalls aside, Stellar Blade is an action RPG that excels where it matters most: Looking gorgeous and facilitating supremely satisfying combat interactions. Bolstered by the capable fusion of its inspirations, its weaknesses keep it from transcending them. But those willing to make their peace with those disappointments will find a nearly stellar experience.

If you're looking to take Neptunia Sisters vs Sisters on the go with you, this isn't a bad port. Compromises have been made to the game from its original versions on PlayStation 4 and 5, but the game itself still functions adequately. I'm not sure if the next Neptunia game will happen to run any better on Switch after the lessons learned here, but one can hope that the games will improve for the remainder of the Switch's lifecycle.

In the end I’m not really sure how to feel about The Legend of Legacy HD Remastered. There were points where I enjoyed myself, but I’m also not sure I’d beat it if I didn’t have to for this review. I don’t really mind the game's minimalist approach to narrative, but the dungeon design, repetitive battles, and difficulty walls I hit made it hard to press on. If the skill progression system sounds fun to you, The Alliance Alive HD Remastered is a much better option if you have yet to play it. But, if you’re looking for a game that gives you turn-based combat without much fluff, this would be still a fine choice.

At first, my time with Bandle Tale felt like a slow drudge, especially as I got blockaded by skill requirements and hit many “I can’t do anything with this yet” spots. Once I could zoom through the Bandle City center and knew how to best unlock skills, I enjoyed my time a bit more but I’m not entirely sure if that’s just because I knew I was reaching the end, or if progression was actually enjoyable. Bandle Tale: A League of Legends gameplay and story can feel pretty mediocre, reminding me of childhood favorites but never as entertaining.

I come away from Banishers: Ghosts of New Eden endeared to its characters and storytelling, but disappointed in the game's world structure and combat. Antea and Red are captivating characters, and I applaud the game's narrative style & direction, but mundane world exploration, tedious combat, and average questing pull down a game that I had higher hopes for.

Eastward Octopia is a fun little distraction, that doesn't stray too far from the usual farming sim formula. Changes to certain important side jobs like fishing and mining help to elevate it, but the lack of constant progress mid-way really drags the experience down. I’d really not rather wait around for a game to let me play it, and in my sixteen hour playthrough (which you can continue after the credits roll), at least a couple hours were spent heading straight to bed each day until something changed. On it’s own as a farming game Octopia isn’t really comparable to the major hitters, even if it does get most systems right, it’s still not competing with them on the same level. If you’re a fan of Eastward who also happens to enjoy farming games, this is a light recommendation. For anyone else, you should definitely try Eastward first.

Silent Hope is a decent budget title that can scratch your itch for a quick action RPG. If Diablo IV's price is a bit too steep to pull the trigger on and you want a quick fix, Silent Hope will satisfy you. While Silent Hope's light story and simple gameplay may not be the most exciting, it's a charming game that can still hook you with its gameplay loop.

At the end of the day, Persona 5 Tactica is a solid game, with some unique ideas for the Tactical RPG genre; if you're a huge fan of Persona 5 and have been interested in getting into these types of games then you could do far worse than starting here, but part of me is disappointed that despite the game's strong start, that ultimately Tactica fails to follow-up on its most fascinating quirks. It's a good game, but with just that extra push it very easily could have been a great one. Maybe P-Studio will revisit the concept in the future - and I hope they will.

If you really enjoyed Tales of Arise's cast or combat, then you may come away from Beyond The Dawn satisfied, as there are certainly more battles and banter. But stale questing, trite plotting, and thin content overall mostly left me apathetic more than anything else.

If there was a succinct way to sum up Like A Dragon Gaiden: The Man Who Erased His Name, it’d be a celebration of Kiryu’s legacy. There are subtle callbacks of his past adventures that don’t intrude on the central themes and internal struggles that he faces as the title connects the past to the present. While it may not be his grandest adventure, Like A Dragon Gaiden sets an important milestone for the Dragon of Dojima. We’ll meet him again in Like A Dragon: Infinite Wealth, but Gaiden establishes an essential foundation and roadmap in what’s next for this legendary character.

I wanted to praise Front Mission 2: Remake for being the superior sequel to Front Mission 1st: Remake that it ought to have been. Instead, I’m left with a game that, due in large part to its dry, flavorless, and commonly confusing wordage, trades in some of the boring simplicities of that adventure for moments of head-scratching bewilderment.

I went into Dark Envoy curious about the title, but I came away apathetic and annoyed. There are some interesting class & skill systems in place, but tedious encounter design, a sluggish narrative, forgettable characters, and a multitude of performance issues, all make this title a difficult RPG to recommend.

Despite the narrative not fully coming together in the end, as well as some repetitive gameplay structure, Crymachina manages to be a compelling RPG. It's possibly my favorite FuRyu title to date, and certainly one of the more interesting ones. Regardless of its uneven nature and short duration, I think it may leave a lasting impression on me - at least a little bit.

I enjoyed my time with Detective Pikachu Returns, in spite of its lackluster presentation and mediocre meandering. Not just because of some silly scenes like the divorce mac and cheese, but because it’s Pokemon, and it’s always fun to see Pokemon living normal lives around human characters (or without). Nonetheless, Detective Pikachu Returns just isn’t a very good game, it fails to meet the presentation quality of the original despite having better hardware, and the gameplay gimmicks don’t make up for the back and forth that lack any real detective work. At the very least it should have combined the first game to make for a complete experience.

I didn’t have any preconceptions about the game before experiencing it for myself, which given the changes to the game since early access is likely a good thing. The hand-holding was grating, but the overall story is good, mostly grounded, and the combat was decently balanced with every party member being viable outside of their strong connections. If you’re looking for a narrative-focused RPG that touches on modern issues, that have been long ongoing, Long Gone Days is a great option.

The Baten Kaitos games deserve better than this remaster gives them, but for new and returning players alike, it is still a great addition to any RPG fan’s Switch library. Hopefully, this collection isn’t the last we see of the Magnus-slinging series and is instead the beginning of a bright future ahead for the series.

While the subject matter was interesting, giving a reason for such a world to exist, it just wasn’t as thought-provoking as the subtitle “An Ineffable Tale of the Inexpressible Divine Moments of Truth” might suggest, though that could simply be tongue-in-cheek. Everhood Eternity Edition allows more players to experience this tale about doing the right thing, along with more battles for those who enjoy it. I however didn’t feel the need to keep repeating the cycle, and while I found some enjoyment in the later part of the game, it didn’t hit all the right notes for me.

The only aspects I really enjoyed from Infinity Strash were its visuals, music, and spamming Popp’s spells because the game allowed me to shorten his cooldowns. Every other aspect was either lackluster, subpar, or in a few instances, downright terribly designed. I am extremely bummed out because I consider myself a big fan of The Adventure of Dai and Infinity Strash feels like it’s absurdly hamstrung because of how closely it had to be tied to the show. Hell, I even liked how well the game marked locations on the overworld map to provide Dai fans with a better look at where things occurred throughout the story. Regardless, I wouldn’t say that Infinity Strash is infinitely trash… but sometimes I got real tempted to.

Virgo Vs The Zodiac is quite unique, and for the most part is better for it. Personally, I don’t see how a game that lets you ride an alpaca and purge heretics could’ve gone wrong. The morality system isn’t super complex but it does change what boss fights you can experience, as well as who lives and dies. Meaning the changes aren’t quite enough that I want to get right back into the game but I do plan on experiencing the perhaps more righteous paths myself in the future. The combat is a fun system that requires good timing but doesn’t force you to shake up your tactics on more than a few occasions. For fans of eccentric little rpgs or someone hoping to experience a story with a main character who is less personable than average, Virgo VS The Zodiac is a fun time.

Atlas Fallen is an average action RPG with some interesting Momentum combat mechanics, a respectable open-world design, subpar presentation, and a disappointing narrative. In some ways, it feels like a step down from The Surge titles, and I'll always look forward to what Deck13 works on next, but Atlas Fallen didn't land as strongly for me as I hoped it would.

With limited role-playing components, a so-so narrative, dialogue choices that don't seem to have significant impact, and a lack of replayability, Strays Gods: The Roleplaying Musical doesn't quite come together as well as it could. Still, this unique blend of styles will scratch those with an itch for an urban fantasy musical with entertaining songs.

Aside from several gameplay design decisions that irked me and a mediocre story didn’t do anything for me, my time with Arcadian Atlas was pleasant and admittedly insignificant. I don’t have any strong feelings for what I played. It took me roughly 12 hours to finish with all the sidequests done. The music had a nice jazz-infused flavor that made it more memorable than I expected. If you’re looking for a new strategy RPG and are willing to give a new independent studio’s first shot a genuine chance, this one is alright.

The simplicity of the Atelier series in its base form requires you to manage your time and discover things for yourself. Like the original, Atelier Marie Remake has a pretty small scope, with a playthrough easily taking less than ten hours and most players aren’t likely to do more than two playthroughs. The changes to this game make it a joy to look at and smooth to play with very few issues. Some people might enjoy the shorter run time, but pairing it with the price, I don’t think it should be a nearly full-priced game. However, it is a mostly relaxing experience that still keeps the essence of why people enjoy Atelier games.

As someone who is a bit of a lapsed fan of the Trails series and greatly enjoyed the recently localized Trails from Zero and Trails to Azure, I was partially hoping to have Reverie be the game to reignite that spark I used to have for this series. Instead, after completing Trails into Reverie, I find myself mostly grateful to move onto brighter pastures after Reverie ended up spending most of its run-time spinning its wheels, while its few contributions to the overall series largely fell flat.

Miasma Chronicles is a demanding but well-balanced tactical RPG that should scratch the itch of XCOM fans or anyone seeking a modest challenge. It's disappointing that the narrative elements don't hold up on their end, because they easily detract from an otherwise satisfying game.

For all its ambition, Forspoken doesn't bring much new to the genre, and instead falls into various pitfalls common with open-world games. While the combat is serviceable and fun in spurts, the game's narrative, characters, and exploration all come up short. It's too bad it seems like Forspoken won't get a second chance, because I think there is some potential sitting dormant underneath all the imperfections, but it looks like Frey's journey will remain a missed opportunity.

At the end of the day, I find myself conflicted with Fairy Fencer F: Refrain Chord’s very existence. It’s not a bad game, it’s actually a solid TRPG - but it’s not the follow-up that I believe many Fairy Fencer F fans had been hoping for. Taken on its own merits I’d still give it a recommendation for fans truly looking for more out of the franchise, but it’s hard to not think about what could have been. Refrain Chord is a good Fairy Fencer F game, but perhaps not what the series needed right now.

Star Trek: Resurgence goes boldly, but the refit Resolute’s shakedown cruise can be a bumpy one. Yet, for all the game's faults, Jara Rydek and Carter Diaz won me over in full, and I bet they’ll win you over, too.

I come away from Trinity Trigger largely apathetic. It's a simple game with some nostalgic charm, but irritating ally behavior, tedious weapon/rune systems, and a mundane plot make it an easy pass, especially as a single-player game. If you have a local friend to play with, Trinity Trigger may offer an easygoing 20-hour experience you can play together, but otherwise there's not much to latch onto here.

All in all, it feels like - even if Lightfall isn’t perfect by any means, it’s a perfectly capable entry point for new and returning players, or at least as much as you could expect with the current state of the game. Longtime Destiny 2 players have assuredly already been playing the expansion for themselves over the last month, but for anyone that was already on the fence, Lightfall delivers a solid if not flawed update to the Destiny universe.

Neptunia: Sisters vs Sisters is the first Neptunia game in a long time that I really enjoyed playing. Like every other spin-off title, this entry in the series isn't going to convince anyone who hasn't played the series to jump in. However, I believe this game is on the right track for a return to a future mainline entry. It has the feel of one when it comes to its story and portrayal of the characters. Just like mk2, the CPU Candidates have revived my hope for the series once again. For any Neptunia fan, I believe this is a must-play entry in the series. For everyone else not invested in the series, this will likely not do anything for you.

Redemption Reapers is a strange, sometimes interesting, and sometimes frustrating tactical RPG. It has several intriguing components conceptually, both in its narrative and mechanics. But, in places, it falters in execution, leaving behind an uneven though interesting experience.

I will never not love Tales of Symphonia and appreciate that it introduced this wonderful series to me. I will forever love Raine’s manic professor mode, Colette’s clumsiness, and the fact that Lloyd is voiced by Robin from Teen Titans. That said, Tales of Symphonia Remastered has made me realize that unless Bandai Namco deems it worthwhile to do a ground-up remake of the game, I think I’m fine sunsetting Symphonia and letting other worthwhile Tales shine in the spotlight for a while.

At its best, Wild Hearts feels like it's poised to give Monster Hunter a proper run for its money; but as it stands, it feels like the game is being held back from its true potential. What Wild Hearts does deliver is promise; in spades, and then some. It's already a great game, but with just enough improvements it could be something truly special.

Through the animations alone I can see there was a lot of care put into creating this game, with some serious attention to detail (even down to Sanji refusing to damage the sole female enemy in the game). But there are some very basic design decisions, especially regarding game progression that hamper the experience greatly. The backtracking continues throughout even all the way to the very end, to the point that I really wondered what the extra padding was for. I’m not even interested in the post-game quest of fighting tougher opponents since all the boss fights prior were so basic. The great cast just isn’t enough to not make certain parts of the game feel like a chore. For the One Piece fan who can handle a bit of tedium and lackluster bosses, I can recommend it, for anyone else I wouldn’t suggest it.

I wanted to enjoy Monochrome Mobius more than how things turned out. I think I still enjoyed my time with it as a whole, but the best thing I can say about the experience is that it’s a promising first attempt at Aquaplus expanding their development capabilities and that many of my issues with the title can easily be fixed with the eventual follow-up. I want to hope that the next title can be something truly special; Aquaplus is a company with a storied history, and I want nothing more than to see them successfully take that next step in expanding. Monochrome Mobius just wasn’t quite the game I’d hoped it could be.

I managed to get through the campaign in twenty hours, even though I went out of my way to complete some quest chains. Thankfully there’s a decent post-game with more quest lines, and an endless dungeon you can challenge. While there are performance issues and lackluster bosses, I always treasure a game that encourages exploration and gives me plenty to do. Dragon Quest Treasures has some trash in the hoard but is a quality addition to the series.

Front Mission 1st: Remake is a good time, if not quite a great one. For all its bumps in the road, and in a strange way, perhaps in part because of them, there is immense satisfaction in clearing each stage. Regardless, I’m glad the series is getting some love again, and I’m pretty pleased with Forever Entertainment’s crack at things overall. If their quality of work is maintained going forward, I suspect we’re in for some real treats with the second and third installments.

These are games that anyone that has ever considered themselves a Pokemon fan deserves to play; but not today, and not in this state. One can only hope that a day will come when that recommendation can come easily; I’d like nothing more than to be able to do so.

These are games that anyone that has ever considered themselves a Pokemon fan deserves to play; but not today, and not in this state. One can only hope that a day will come when that recommendation can come easily; I’d like nothing more than to be able to do so.

Star Ocean: The Divine Force impressed me far more than I was expecting it to. I was hoping for an experience that wasn’t as dull as the previous game, and I came away with fond memories and hope for the series again. It doesn’t quite reach the highs of the first few Star Ocean games, but it easily is my favorite of the more modern entries of the franchise. I once again look forward to sailing through the ocean of stars.

Asterigos: Curse of the Stars is a better experience than I expected it to be. Despite its shortcomings, such as excessive dialogue, translation oddities, quest issues, and some awkward area design, for those looking for a comfortable action RPG with a satisfying story & competent combat, Asterigos deserves a chance.

Despite its various shortcomings, I came away from The DioField Chronicle satisfied with its uniquely refreshing take on strategy RPGs. DioField's storytelling style was specifically a highlight for me, and its take on tactical combat offers something different from its contemporaries. While its mission design, sidequest variety, and some skill systems hold it back, DioField is worth a try for anyone looking for something just a bit different in their tactical RPGs.

Valkyrie Elysium is an okay game with a fun battle system. Its biggest strength is that it’s fun to play when there are enemies on-screen. Everything else about it is relatively lackluster. This new take on the Valkyrie series is a solid gameplay foundation while leaving a lot of room for improvement in many other areas. Still, I think the developers at Soleil have done a decent job as newcomers taking their own interpretation of the series. I don’t think I’d want Valkyrie Elysium to completely overtake the Valkyrie Profile series moving forward, though I’d be happy with a peaceful co-existence as each strives to improve themselves - given that Square Enix greenlights more Valkyrie titles, of course.

Voice of Cards: The Beasts of Burden is an overall more streamlined experience than the other entries. With the frequency of releases in the series compared to the number of improvements made, the cards are starting to wear a bit thin. My playtime sat at around eleven hours, including filling in the whole map, clearing every difficulty in the mini-game, and doing half a quest line. This could perhaps be the shortest of the (so far) three games, and I feel if you’re going to make three entries in less than a year, paring things down is probably not the best approach. While I’m a fan of these games, I do hope there’s a bit more of a break before they go fish another one out. It’s still an enjoyable game but this third entry sits distinctly in third place to me.

Made in Abyss: Binary Star Falling into Darkness is certainly not a game for everyone. It is a challenging balancing act between being faithful to Made in Abyss and being a “fun” video game. It does an admirable job in implementing the “systems” and “rules” of Made in Abyss’s world into a game, but the overall result just feels underwhelming in its presentation and execution. Fans of Made in Abyss will enjoy Binary Star Falling into Darkness if they are seeking the hardcore survival aspect of being a Cave Raider in that world, but it has little to offer for complete newcomers.

I come away from Steelrising feeling satisfied but not enamored. It's an adequate foray into the Souls-like space, and it incorporates its own traversal gimmicks well enough, but lackluster quests, boss encounters, and level design hold it back from being an exceptional entry in the genre.

Despite its flaws, SD Gundam Battle Alliance provides a fairly unique experience in just being a challenging game in general. This is one of the few games in Gundam that heavily encourages multiplayer co-op. I hope it finds a healthy community in all the platforms it is released on, because this is not a great experience if you are intending to play it only alone. There are certainly problems on a fundamental level besides its oddly tuned balance; the AI partners and camera often perform poorly, while some of its environments are straight up borderline visually unnavigable. Yet, I am left impressed with how technical the gameplay is and how carefully Artdink designed the game’s framework to emphasize teamwork and synergy above all throughout fun Gundam crossover stages. It’s not perfect, but I am thankful that this kind of game can still exist.

For a game that places so much weight on its cast and writing , Digimon Survive struggles to engage with poor characterization and weak storytelling.

Depending on your perspective, Soul Hackers 2 can be seen as a happy medium between dungeon crawler, RPG, and social simulation. Or it can be seen as being in a sort of no man's land, where it incorporates elements of each while not quite excelling at anything. I come away feeling more toward the latter here, where no singular element of the game really managed to excite me beyond base satisfaction. Soul Hackers 2 is an adequate, experimental Megaten entry with some bright spots, but it doesn't quite all come together as well as I hoped it would.

Though not a lot of the time spent felt like I was really playing an RPG, I enjoyed the slightly over seven hours I spent playing. The focus of this game is largely on style, but it’s not entirely devoid of substance. It is however held back a little by some annoying controls and Kenta’s railroading. RPG Time: The Legend of Wright is nonetheless an enjoyable journey both inside and outside of the pages.