For 4,545 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,928 out of 4545
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Mixed: 987 out of 4545
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Negative: 630 out of 4545
4545
movie
reviews
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- By Critic Score
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Reviewed by
Peter Travers
Something lazy, slow, shallow, stupid, amateurish, unfunny, unsuspenseful, uninformed, unspeakably dull and witlessly written, directed and acted (the special effects suck, too).- Rolling Stone
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Reviewed by
Peter Travers
Hamstrung by a script that seems determined to stop at all the big moments in Frida's life (she died in 1954 at age forty-seven) without giving anything time to resonate.- Rolling Stone
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Peter Travers
Demme can't sustain the fizz, but seeing a real filmmaker try and fall short is still more fun than watching a hack hit the mark.- Rolling Stone
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Reviewed by
Peter Travers
Thornton plays this low-ball farce with deceptive, masterful ease. Appreciate it.- Rolling Stone
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Reviewed by
Peter Travers
Leigh isn't breaking new ground, but he knows how a daily grind can kill love. Strong stuff.- Rolling Stone
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Reviewed by
Peter Travers
Campbell Scott swings at one of the year's juiciest roles and knocks it out of the park.- Rolling Stone
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Reviewed by
Peter Travers
Crossing "A Beautiful Mind" with "Sex Kittens Go to College," first-time director Stephen Gaghan (he wrote Traffic) causes a head-on collision.- Rolling Stone
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Peter Travers
Michael Gerbosi's script might have reduced Crane to a clueless cliche were it not for the bruised humanity that Greg Kinnear brings to the role. Kinnear is dynamite.- Rolling Stone
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Peter Travers
The pickings are slim for scares this Halloween season (Ghost Ship, Below), so The Ring wins first prize by default.- Rolling Stone
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Peter Travers
It's funny as hell, and like all comedy that stings, sorrowful at its core.- Rolling Stone
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Peter Travers
Off the shelf after two years to capitalize on the popularity of Vin Diesel, Seth Green and Barry Pepper. It should have stayed there.- Rolling Stone
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Peter Travers
Rules needs that dose of hilarity. Ellis' satire, filtered through Avary's harsh lens, is hard to stomach, harder to ignore.- Rolling Stone
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Peter Travers
Anderson orchestrates a comic romance like no other. The effect is intoxicating. Sandler and the movie will knock you for a loop.- Rolling Stone
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- Rolling Stone
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Peter Travers
This volcanically funny and seriously scary look at America's obsession with guns is meant to shake us up good. And it does.- Rolling Stone
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Reviewed by
Peter Travers
For starters, it blows. Madonna continues to mistake a knack for striking poses with the interpretive skill of a real actor.- Rolling Stone
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Peter Travers
Suffers from franchise fatigue. Its rote suspense is strictly a business proposition.- Rolling Stone
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Peter Travers
Jagger the actor is someone you want to see again. Eat your heart out, Madonna.- Rolling Stone
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Peter Travers
Witherspoon has the class, the sass and the full-out talent to sustain a major career. Who else could turn the wimpy Sweet Home Alabama into a date-movie winner? She's one of that select group who is worth watching in anything. Even in this less-than-magic kingdom, Reese rules.- Rolling Stone
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Peter Travers
It should have been an old-fashioned rouser, and sometimes it is. The great cinematographer Robert Richardson (JFK) lights the battle scenes like action paintings. But Kapur weighs down the tale with bogus profundities.- Rolling Stone
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Peter Travers
Whatever you call this one-of-a-kind bonbon spiked with wit and malice, it's classic oo-la-la.- Rolling Stone
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Peter Travers
A film of startling humor and feeling. For that, director Steven Shainberg, who co-wrote the script with Erin Cressida Wilson, owes much to two remarkable performances.- Rolling Stone
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Peter Travers
Miyazaki is the Pied Piper -- see Spirited Away and you'll follow him anywhere.- Rolling Stone
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Peter Travers
Good-natured fun when it isn't stale, which is most of the time, this talky comedy set in a Chicago barber shop is a sitcom pilot disguised as a movie.- Rolling Stone
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Peter Travers
It would be great to see this turd squashed under a truck, preferably a semi.- Rolling Stone
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Peter Travers
The true story of the LaMarcas, well told by the late Mike McAlary in Esquire, has been pounded into TV-crime mush by screenwriter Ken Hixon and director Michael Caton-Jones. Shockingly, the acting doesn't help.- Rolling Stone
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Peter Travers
For all its bile and incoherence, In Praise of Love is filled with haunting images and insights. Godard may be a lion in winter, but the lion still roars.- Rolling Stone
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Peter Travers
Writer-director Andrew Niccol -- gets this Hollywood satire off to a rousing start. But the middle flattens, despite Pacino firing on all cylinders. And the end just nose-dives into something silly and, worse, sentimental.- Rolling Stone
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Peter Travers
Williams gives a performance that is riveting in its recessiveness and, as a consequence, truly, deeply scary.- Rolling Stone
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Peter Travers
Maud and Roland's search for an unknowable past makes for a haunting literary detective story, but LaBute pulls off a neater trick in Possession: He makes language sexy.- Rolling Stone
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