Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Off the shelf after two years to capitalize on the popularity of Vin Diesel, Seth Green and Barry Pepper. It should have stayed there.
  2. This volcanically funny and seriously scary look at America's obsession with guns is meant to shake us up good. And it does.
  3. It's funny as hell, and like all comedy that stings, sorrowful at its core.
  4. For starters, it blows. Madonna continues to mistake a knack for striking poses with the interpretive skill of a real actor.
  5. The estrogen overload damn near did me in.
  6. Anderson orchestrates a comic romance like no other. The effect is intoxicating. Sandler and the movie will knock you for a loop.
  7. Suffers from franchise fatigue. Its rote suspense is strictly a business proposition.
  8. Jagger the actor is someone you want to see again. Eat your heart out, Madonna.
  9. Witherspoon has the class, the sass and the full-out talent to sustain a major career. Who else could turn the wimpy Sweet Home Alabama into a date-movie winner? She's one of that select group who is worth watching in anything. Even in this less-than-magic kingdom, Reese rules.
  10. It should have been an old-fashioned rouser, and sometimes it is. The great cinematographer Robert Richardson (JFK) lights the battle scenes like action paintings. But Kapur weighs down the tale with bogus profundities.
  11. A film of startling humor and feeling. For that, director Steven Shainberg, who co-wrote the script with Erin Cressida Wilson, owes much to two remarkable performances.
  12. Whatever you call this one-of-a-kind bonbon spiked with wit and malice, it's classic oo-la-la.
  13. Miyazaki is the Pied Piper -- see Spirited Away and you'll follow him anywhere.
  14. Good-natured fun when it isn't stale, which is most of the time, this talky comedy set in a Chicago barber shop is a sitcom pilot disguised as a movie.
  15. The true story of the LaMarcas, well told by the late Mike McAlary in Esquire, has been pounded into TV-crime mush by screenwriter Ken Hixon and director Michael Caton-Jones. Shockingly, the acting doesn't help.
  16. For all its bile and incoherence, In Praise of Love is filled with haunting images and insights. Godard may be a lion in winter, but the lion still roars.
  17. It would be great to see this turd squashed under a truck, preferably a semi.
  18. Writer-director Andrew Niccol -- gets this Hollywood satire off to a rousing start. But the middle flattens, despite Pacino firing on all cylinders. And the end just nose-dives into something silly and, worse, sentimental.
  19. Williams gives a performance that is riveting in its recessiveness and, as a consequence, truly, deeply scary.
  20. Bosworth is a star in the making, but even she can't outshine the surfing footage, which is flat-out spectacular.
  21. Maud and Roland's search for an unknowable past makes for a haunting literary detective story, but LaBute pulls off a neater trick in Possession: He makes language sexy.
  22. Like the music, the film is outspoken, roaringly funny, defiantly sexual and relentlessly in your face. I couldn't have liked it more.
  23. xXx
    It's hard to hate a movie, even one this droolingly crass, that knows how to laugh at itself.
  24. There are times when The Good Girl is so low-key it damn near flatlines. Luckily, White creates compelling characters with a few deft brush strokes. The actors fill in the rest.
  25. It's all part of the joke. Soderbergh may have created a bit of a mess with Full Frontal, but it's a playful and scrappy mess.
  26. Think "Sex and the City" with men, only in Italian and with lots more hollering and hand gestures.
  27. Follow Shyamalan's Signs. It will take a piece out of you.
  28. This stuff is golden. Directors Brett Morgan and Nanette Burstein make sure the movie goes down like potato chips. It's great fun and compulsively watchable. And don't leave before Dustin Hoffman makes a hilarious appearance as the credits roll.
  29. The gifted Myers lets his once and (I hope) future shag king get lost in an elephantine Hollywood franchise. The first time was the charm, baby.
  30. Tadpole may be small, but it's something special -- a cheeky comedy knockout.

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