For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
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- By Critic Score
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Reviewed by
Peter Travers
Off the shelf after two years to capitalize on the popularity of Vin Diesel, Seth Green and Barry Pepper. It should have stayed there.- Rolling Stone
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Reviewed by
Peter Travers
This volcanically funny and seriously scary look at America's obsession with guns is meant to shake us up good. And it does.- Rolling Stone
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Reviewed by
Peter Travers
It's funny as hell, and like all comedy that stings, sorrowful at its core.- Rolling Stone
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Reviewed by
Peter Travers
For starters, it blows. Madonna continues to mistake a knack for striking poses with the interpretive skill of a real actor.- Rolling Stone
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- Rolling Stone
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Peter Travers
Anderson orchestrates a comic romance like no other. The effect is intoxicating. Sandler and the movie will knock you for a loop.- Rolling Stone
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Reviewed by
Peter Travers
Suffers from franchise fatigue. Its rote suspense is strictly a business proposition.- Rolling Stone
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Reviewed by
Peter Travers
Jagger the actor is someone you want to see again. Eat your heart out, Madonna.- Rolling Stone
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Peter Travers
Witherspoon has the class, the sass and the full-out talent to sustain a major career. Who else could turn the wimpy Sweet Home Alabama into a date-movie winner? She's one of that select group who is worth watching in anything. Even in this less-than-magic kingdom, Reese rules.- Rolling Stone
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Peter Travers
It should have been an old-fashioned rouser, and sometimes it is. The great cinematographer Robert Richardson (JFK) lights the battle scenes like action paintings. But Kapur weighs down the tale with bogus profundities.- Rolling Stone
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Peter Travers
A film of startling humor and feeling. For that, director Steven Shainberg, who co-wrote the script with Erin Cressida Wilson, owes much to two remarkable performances.- Rolling Stone
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Peter Travers
Whatever you call this one-of-a-kind bonbon spiked with wit and malice, it's classic oo-la-la.- Rolling Stone
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Peter Travers
Miyazaki is the Pied Piper -- see Spirited Away and you'll follow him anywhere.- Rolling Stone
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Peter Travers
Good-natured fun when it isn't stale, which is most of the time, this talky comedy set in a Chicago barber shop is a sitcom pilot disguised as a movie.- Rolling Stone
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Peter Travers
The true story of the LaMarcas, well told by the late Mike McAlary in Esquire, has been pounded into TV-crime mush by screenwriter Ken Hixon and director Michael Caton-Jones. Shockingly, the acting doesn't help.- Rolling Stone
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Peter Travers
For all its bile and incoherence, In Praise of Love is filled with haunting images and insights. Godard may be a lion in winter, but the lion still roars.- Rolling Stone
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Peter Travers
It would be great to see this turd squashed under a truck, preferably a semi.- Rolling Stone
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Peter Travers
Writer-director Andrew Niccol -- gets this Hollywood satire off to a rousing start. But the middle flattens, despite Pacino firing on all cylinders. And the end just nose-dives into something silly and, worse, sentimental.- Rolling Stone
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Peter Travers
Williams gives a performance that is riveting in its recessiveness and, as a consequence, truly, deeply scary.- Rolling Stone
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Peter Travers
Bosworth is a star in the making, but even she can't outshine the surfing footage, which is flat-out spectacular.- Rolling Stone
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Peter Travers
Maud and Roland's search for an unknowable past makes for a haunting literary detective story, but LaBute pulls off a neater trick in Possession: He makes language sexy.- Rolling Stone
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Peter Travers
Like the music, the film is outspoken, roaringly funny, defiantly sexual and relentlessly in your face. I couldn't have liked it more.- Rolling Stone
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Peter Travers
It's hard to hate a movie, even one this droolingly crass, that knows how to laugh at itself.- Rolling Stone
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Peter Travers
There are times when The Good Girl is so low-key it damn near flatlines. Luckily, White creates compelling characters with a few deft brush strokes. The actors fill in the rest.- Rolling Stone
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Peter Travers
It's all part of the joke. Soderbergh may have created a bit of a mess with Full Frontal, but it's a playful and scrappy mess.- Rolling Stone
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Peter Travers
Think "Sex and the City" with men, only in Italian and with lots more hollering and hand gestures.- Rolling Stone
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- Rolling Stone
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Peter Travers
This stuff is golden. Directors Brett Morgan and Nanette Burstein make sure the movie goes down like potato chips. It's great fun and compulsively watchable. And don't leave before Dustin Hoffman makes a hilarious appearance as the credits roll.- Rolling Stone
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Peter Travers
The gifted Myers lets his once and (I hope) future shag king get lost in an elephantine Hollywood franchise. The first time was the charm, baby.- Rolling Stone
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Peter Travers
Tadpole may be small, but it's something special -- a cheeky comedy knockout.- Rolling Stone
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