For 4,545 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,928 out of 4545
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Mixed: 987 out of 4545
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Negative: 630 out of 4545
4545
movie
reviews
- By Date
- By Critic Score
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- Rolling Stone
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Reviewed by
Peter Travers
Everett, whose scenes with Firth are a droll delight, nails every sly laugh. And Witherspoon adds her own legally blond American sparkle to this British party.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
The acid comedy of Grant's performance carries the film. It helps also that newcomer Hoult is that rare child actor who mercifully underplays the pathos of his role.- Rolling Stone
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Reviewed by
Peter Travers
The dark fantasist in Lucas makes a comeback after years of once-over-lightly.- Rolling Stone
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Reviewed by
Peter Travers
Old master Eric Rohmer, 82, uses new tricks in the form of painted backdrops inserted digitally to create a virtual reality. Rohmer goes Lucas - who could have guessed?- Rolling Stone
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Reviewed by
Peter Travers
Lane is a force of nature. Her slow-burning, fiercely erotic performance charges the movie.- Rolling Stone
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Reviewed by
Peter Travers
Thanks to the clever, caring touch of director Ismail Merchant, working from a script by Caryl Phillips, this steadily engrossing film captures the book's bracing humor and humanity.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Maguire and Dunst keep Spider-Man on a high with their sweet-sexy yearning, spinning a web of dazzle and delicacy that might just restore the good name of movie escapism.- Rolling Stone
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Reviewed by
Peter Travers
It's Vincent D'Onofrio as Pooh-Bear, a drug lord who's snorted so much meth his nose had to be replaced by a plastic one, who kicks ass.- Rolling Stone
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Peter Travers
Like Vardalos and Corbett, who play their roles with vibrant charm, the film, directed by Joel Zwick, is heartfelt and hilarious in ways you can't fake. It's a keeper.- Rolling Stone
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- Rolling Stone
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- Rolling Stone
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- Rolling Stone
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Peter Travers
What we're watching, however charming, is a fancifully costumed theater piece that cuts off the oxygen needed to make a play breathe onscreen.- Rolling Stone
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Peter Travers
Elegant, funny and unexpectedly touching, this whodunit about a murder aboard the yacht of William Randolph Hearst represents a bracing comeback for Peter Bogdanovich.- Rolling Stone
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Peter Travers
What these guys do for revenge during one hellish day in the Big Apple makes the panic room look like Barney's toy box. The film itself goes off the deep end way before the end credits.- Rolling Stone
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Reviewed by
Peter Travers
Though the material isn't up to Mr. Show's high standards, some great laughs abound.- Rolling Stone
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Reviewed by
Peter Travers
The big problem with Big Trouble, despite a fine cast and director (Sonnenfeld made "Get Shorty" and "Men in Black"), is that the damn thing isn't funny.- Rolling Stone
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- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Watching Haneke's film is, aptly enough, a challenge and a punishment. But watching Huppert, a great actress tearing into a landmark role, is riveting.- Rolling Stone
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Peter Travers
Recoing gives a performance that won't soon be forgotten. Neither will Time Out. It's a great movie.- Rolling Stone
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Peter Travers
This black-comic assault on family entertainment is going to set a lot of teeth on edge -- If only his (De Vito's) material were better this time.- Rolling Stone
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Peter Travers
Panic Room is Fincher's high-style testament to the cool things movies can do to make us jump out of our seats in the dark.- Rolling Stone
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Peter Travers
Does he (Hartley) succeed? Not with a movie this plodding, peevish and gimmicky. Is it fun to watch him try? Me, I'll take failed ambition over hack efficiency any day.- Rolling Stone
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Peter Travers
Director Elie Chouraqui, who co-wrote the script, catches the chaotic horror of war, but why bother if you're going to subjugate truth to the tear-jerking demands of soap opera?- Rolling Stone
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Peter Travers
Add Showtime to the pile of Hollywood dreck that represents nothing more than the art of the deal.- Rolling Stone
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Peter Travers
Cuaron's hot-blooded, haunting and wildly erotic film revels in the pleasures of the flesh without losing touch with thought and feeling.- Rolling Stone
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