For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Christopher Plummer steals the show without resorting to camp as Nicholas' wounded and wounding Uncle Ralph. It's a great performance and a reminder of Dickens' grandeur. This Cliff's Notes of a film, though lively fun, only hints at that.- Rolling Stone
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Reviewed by
Peter Travers
These three unimprovable actresses make The Hours a thing of beauty.- Rolling Stone
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Reviewed by
Peter Travers
What begins brightly gets bogged down over 140 minutes. A film that took off like a hare on speed ends like a winded tortoise.- Rolling Stone
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Reviewed by
Peter Travers
Despite grim doings involving sexual hysteria and chopped-up body parts (don't ask), Ramsay and Morton fill this character study with poetic force and buoyant feeling.- Rolling Stone
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Peter Travers
A no-bull throwback to 1970s action films. It zips along with B-movie verve while adding the rich details and go-for-broke acting that heralds something special.- Rolling Stone
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Reviewed by
Peter Travers
Gangs of New York is something better than perfect: It's thrillingly alive.- Rolling Stone
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Peter Travers
What catches us in Spider's web -- besides the indelible performances of Fiennes and Richardson -- is the director's sympathy with this freak man-child who struggles to order his confused memories into a kind of truth.- Rolling Stone
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Peter Travers
The uniformly fine performances are a tribute to Washington, who plays the shrink with his customary command.- Rolling Stone
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Peter Travers
In a multiplex filled with empty New Year vessels (take that, Kangaroo Jack), this holdover grabs you hard.- Rolling Stone
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Peter Travers
Spectacular in every sense of the word, even if you don' t know an Orc from a Uruk-Hai.- Rolling Stone
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Peter Travers
The film is just two people talking, but director Jim Simpson finds its grieving heart.- Rolling Stone
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Peter Travers
It is also Nicholson at his bravest and riskiest. By banking his fires and staying alert to the smallest details, he delivers a monumental performance that blasts your expectations and batters your heart.- Rolling Stone
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Peter Travers
The sequel, also directed by Harold Ramis, is painfully padded.- Rolling Stone
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Reviewed by
Peter Travers
Screenwriting this smart, inventive, passionate and rip-roaringly funny is a rare species. It's magic.- Rolling Stone
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Peter Travers
I'd prefer to think of Sandler in "Punch-Drunk Love," the one good movie of the three he did this year.- Rolling Stone
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Peter Travers
Clooney brings raw intensity to his role; his scenes with McElhone are rooted in a fierce romantic yearning.- Rolling Stone
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Peter Travers
Director Michael Hoffman sprays on the tears like a toxic mist. Avoid like the plague.- Rolling Stone
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Peter Travers
Brosnan, in his fourth time up at the Bond bat, hits this one out of the park.- Rolling Stone
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Peter Travers
The actors are outstanding, illuminating four different views of loneliness. But it's Camara's tour-de-force performance that anchors the film, that shocks and unnerves us.- Rolling Stone
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Peter Travers
Caine has never been better, which is saying something. He puts a human face on a tragic era of history in a film that ranks with the year's finest.- Rolling Stone
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Peter Travers
Something lazy, slow, shallow, stupid, amateurish, unfunny, unsuspenseful, uninformed, unspeakably dull and witlessly written, directed and acted (the special effects suck, too).- Rolling Stone
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Peter Travers
Campbell Scott swings at one of the year's juiciest roles and knocks it out of the park.- Rolling Stone
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Peter Travers
Thornton plays this low-ball farce with deceptive, masterful ease. Appreciate it.- Rolling Stone
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Peter Travers
Demme can't sustain the fizz, but seeing a real filmmaker try and fall short is still more fun than watching a hack hit the mark.- Rolling Stone
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Peter Travers
Hamstrung by a script that seems determined to stop at all the big moments in Frida's life (she died in 1954 at age forty-seven) without giving anything time to resonate.- Rolling Stone
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Peter Travers
Leigh isn't breaking new ground, but he knows how a daily grind can kill love. Strong stuff.- Rolling Stone
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Peter Travers
Crossing "A Beautiful Mind" with "Sex Kittens Go to College," first-time director Stephen Gaghan (he wrote Traffic) causes a head-on collision.- Rolling Stone
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Peter Travers
The pickings are slim for scares this Halloween season (Ghost Ship, Below), so The Ring wins first prize by default.- Rolling Stone
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Peter Travers
Michael Gerbosi's script might have reduced Crane to a clueless cliche were it not for the bruised humanity that Greg Kinnear brings to the role. Kinnear is dynamite.- Rolling Stone
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Peter Travers
Rules needs that dose of hilarity. Ellis' satire, filtered through Avary's harsh lens, is hard to stomach, harder to ignore.- Rolling Stone
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