For 4,545 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,928 out of 4545
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Mixed: 987 out of 4545
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Negative: 630 out of 4545
4545
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Despite over-ripe narration and an understandable urge to cram too much in, Ghosts of the Abyss is a thrilling documentary.- Rolling Stone
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Reviewed by
Peter Travers
It's good fun for a while, especially the therapy sessions that feature Luis Guzman as a gay hood with a paunch he covers in Day-Glo spandex and John Turturro as Dave's "anger buddy." John C. Reilly also scores as a bully turned Buddhist monk.- Rolling Stone
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Reviewed by
Peter Travers
Farrell is a dynamo. And Kiefer Sutherland, whose sniper role is essentially a voice on the phone, matches Farrell subtle shift for subtle shift.- Rolling Stone
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Reviewed by
Peter Travers
It's slick girlie stuff, but the cast makes it go down easy.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
It's a little early for self-parody in the career of Vin Diesel. But he's a calamitous cliché in A Man Apart.- Rolling Stone
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Reviewed by
Peter Travers
Nolte brings a raspy authority to the role, and director Neil Jordan (The Crying Game) surrounds him with colorful characters.- Rolling Stone
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Reviewed by
Peter Travers
Duvall missteps in trying to mesh suspense with a love story that also involves the woman (Kathy Baker) John J. lives with and her young daughter (Katherine Micheaux Miller), on whom he disturbingly dotes.- Rolling Stone
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Reviewed by
Peter Travers
The Core -- with its by-the-numbers plot and performances -- isn't offensive, just unblushingly tacky and derivative.- Rolling Stone
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Reviewed by
Peter Travers
Doesn't seem directed at all; you half expect the actors to crash into each other. Still, give me the attempted satire of Head of State over the racial stereotyping of "Bringing Down the House" anyday. You can feel a mind at work when you watch Rock.- Rolling Stone
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Reviewed by
Peter Travers
Writer-director Peter Sollett takes the familiar and turns it into hot, heartfelt movie magic.- Rolling Stone
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Reviewed by
Peter Travers
Their (Travolta/Jackson) teamwork was classic. Basic breaks up the team. What's up with that?- Rolling Stone
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Reviewed by
Peter Travers
It's a no-go. View From the Top boasts a first-class cast, but they're all traveling coach.- Rolling Stone
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Reviewed by
Peter Travers
Then the aliens show up, chased by Morgan Freeman as a nut-job Army colonel, and the movie degenerates into a sorry, silly, gory, punishingly overlong creature feature.- Rolling Stone
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- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Writer-director Gurinder Chadha juggles all the angles with flair and fairness. Like Nagra and Knightley, the movie is a sweetheart.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
It would be easy and convenient to dismiss Irreversible as blatant sensationalism. But Noe's bruising film is too artfully crafted to write off as exploitation.- Rolling Stone
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Peter Travers
Director Antoine Fuqua (Training Day) can stage action, but he can't save a trivializing, reactionary script featuring a Hollywood star (read America) as a global savior.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
What the filmmakers fail to recognize is that history on the page is quite different from what it needs to be onscreen, namely alive and visceral.- Rolling Stone
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Reviewed by
Peter Travers
Only fitfully funny, except when Ferrell is onscreen -- then you won't stop laughing.- Rolling Stone
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Reviewed by
Peter Travers
A shock ending may be the best hope for this film, a convoluted mystery that thinks it's way smarter than it is.- Rolling Stone
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Reviewed by
Peter Travers
Strands Matt Damon and Casey Affleck (both named Gerry) in a desert with little to say and do except lose themselves in an existential wasteland of doomed beauty.- Rolling Stone
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Peter Travers
When a chick flick goes wrong -- and this one hits a dead end in hell -- it's a wipeout.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Guy flicks can be just as galling as the chick variety. Here's Exhibit A in how to lose an audience in ten minutes.- Rolling Stone
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Reviewed by
Peter Travers
Fulton and Pepe have created an extraordinary document. Hilarious and heartbreaking.- Rolling Stone
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Reviewed by
Peter Travers
Graham, back in the porn territory she aced in “Boogie Nights,” steals the show. In the winter doldrums, you don't kick at a movie that puts a smile on your face.- Rolling Stone
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