Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Their (Travolta/Jackson) teamwork was classic. Basic breaks up the team. What's up with that?
  2. Doesn't seem directed at all; you half expect the actors to crash into each other. Still, give me the attempted satire of Head of State over the racial stereotyping of "Bringing Down the House" anyday. You can feel a mind at work when you watch Rock.
  3. It's a no-go. View From the Top boasts a first-class cast, but they're all traveling coach.
  4. Then the aliens show up, chased by Morgan Freeman as a nut-job Army colonel, and the movie degenerates into a sorry, silly, gory, punishingly overlong creature feature.
  5. Want your skin to crawl? This one's for you.
  6. Just a "Rambo" rehash.
  7. Writer-director Gurinder Chadha juggles all the angles with flair and fairness. Like Nagra and Knightley, the movie is a sweetheart.
  8. Director Antoine Fuqua (Training Day) can stage action, but he can't save a trivializing, reactionary script featuring a Hollywood star (read America) as a global savior.
  9. A clumsy package of clichés.
  10. It would be easy and convenient to dismiss Irreversible as blatant sensationalism. But Noe's bruising film is too artfully crafted to write off as exploitation.
  11. A film of wounding power. It stays with you.
  12. Only fitfully funny, except when Ferrell is onscreen -- then you won't stop laughing.
  13. A shock ending may be the best hope for this film, a convoluted mystery that thinks it's way smarter than it is.
  14. What the filmmakers fail to recognize is that history on the page is quite different from what it needs to be onscreen, namely alive and visceral.
  15. Strands Matt Damon and Casey Affleck (both named Gerry) in a desert with little to say and do except lose themselves in an existential wasteland of doomed beauty.
  16. Grating.
  17. When a chick flick goes wrong -- and this one hits a dead end in hell -- it's a wipeout.
  18. Graham, back in the porn territory she aced in “Boogie Nights,” steals the show. In the winter doldrums, you don't kick at a movie that puts a smile on your face.
  19. Fulton and Pepe have created an extraordinary document. Hilarious and heartbreaking.
  20. Guy flicks can be just as galling as the chick variety. Here's Exhibit A in how to lose an audience in ten minutes.
  21. As a thriller, The Recruit is merely an entertaining ride. But remember: Nothing is what it seems. It's the subtext -- two actors from different generations faking each other out with skill and affection -- that counts.
  22. Just one talking head, that's all. But the head in this mesmerizing documentary belongs to Traudl Junge.
  23. Do you really need me to tell you how scary this horror show isn't?
  24. If you ever admired Julia Stiles, Selma Blair and Jason Lee -- and who didn't? -- don't watch them crush their careers in this laugh-free romantic comedy.
  25. It's too bad Martin already made “What's the Worst That Could Happen?” The title really fits this one.
  26. The 'roo doesn't talk, except in a dream sequence…I'm dying here.
  27. Clooney fashions a style all his own: visceral, vital and churning with off-the-wall ideas. That's what makes you want to see Clooney direct again. You can feel his joy in it.
  28. Chicago, based on Bob Fosse's Broadway smash, kills.
  29. Nothing can detract from the film as a portrait of hell so shattering it's impossible to shake.
  30. Max
    "You're an awfully hard man to like, Hitler." Few serious films could survive a line like that. Max certainly doesn't.

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