Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Despite over-ripe narration and an understandable urge to cram too much in, Ghosts of the Abyss is a thrilling documentary.
  2. It's good fun for a while, especially the therapy sessions that feature Luis Guzman as a gay hood with a paunch he covers in Day-Glo spandex and John Turturro as Dave's "anger buddy." John C. Reilly also scores as a bully turned Buddhist monk.
  3. Farrell is a dynamo. And Kiefer Sutherland, whose sniper role is essentially a voice on the phone, matches Farrell subtle shift for subtle shift.
  4. It's slick girlie stuff, but the cast makes it go down easy.
  5. A dreary film that's damn near torture to sit through.
  6. It's a little early for self-parody in the career of Vin Diesel. But he's a calamitous cliché in A Man Apart.
  7. Nolte brings a raspy authority to the role, and director Neil Jordan (The Crying Game) surrounds him with colorful characters.
  8. Duvall missteps in trying to mesh suspense with a love story that also involves the woman (Kathy Baker) John J. lives with and her young daughter (Katherine Micheaux Miller), on whom he disturbingly dotes.
  9. The Core -- with its by-the-numbers plot and performances -- isn't offensive, just unblushingly tacky and derivative.
  10. Doesn't seem directed at all; you half expect the actors to crash into each other. Still, give me the attempted satire of Head of State over the racial stereotyping of "Bringing Down the House" anyday. You can feel a mind at work when you watch Rock.
  11. Writer-director Peter Sollett takes the familiar and turns it into hot, heartfelt movie magic.
  12. Their (Travolta/Jackson) teamwork was classic. Basic breaks up the team. What's up with that?
  13. It's a no-go. View From the Top boasts a first-class cast, but they're all traveling coach.
  14. Then the aliens show up, chased by Morgan Freeman as a nut-job Army colonel, and the movie degenerates into a sorry, silly, gory, punishingly overlong creature feature.
  15. Want your skin to crawl? This one's for you.
  16. Just a "Rambo" rehash.
  17. Writer-director Gurinder Chadha juggles all the angles with flair and fairness. Like Nagra and Knightley, the movie is a sweetheart.
  18. A clumsy package of clichés.
  19. It would be easy and convenient to dismiss Irreversible as blatant sensationalism. But Noe's bruising film is too artfully crafted to write off as exploitation.
  20. Director Antoine Fuqua (Training Day) can stage action, but he can't save a trivializing, reactionary script featuring a Hollywood star (read America) as a global savior.
  21. A film of wounding power. It stays with you.
  22. What the filmmakers fail to recognize is that history on the page is quite different from what it needs to be onscreen, namely alive and visceral.
  23. Only fitfully funny, except when Ferrell is onscreen -- then you won't stop laughing.
  24. A shock ending may be the best hope for this film, a convoluted mystery that thinks it's way smarter than it is.
  25. Strands Matt Damon and Casey Affleck (both named Gerry) in a desert with little to say and do except lose themselves in an existential wasteland of doomed beauty.
  26. When a chick flick goes wrong -- and this one hits a dead end in hell -- it's a wipeout.
  27. Grating.
  28. Guy flicks can be just as galling as the chick variety. Here's Exhibit A in how to lose an audience in ten minutes.
  29. Fulton and Pepe have created an extraordinary document. Hilarious and heartbreaking.
  30. Graham, back in the porn territory she aced in “Boogie Nights,” steals the show. In the winter doldrums, you don't kick at a movie that puts a smile on your face.

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