For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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- Rolling Stone
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Reviewed by
Peter Travers
It's a modern horror story that gets you where you live.- Rolling Stone
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Reviewed by
Peter Travers
A triumph for the machines, more proof that we do indeed live in the Matrix.- Rolling Stone
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Reviewed by
Peter Travers
Leave it to a g-rated cartoon to give the live-action epics a lesson in action, fun and bracing originality.- Rolling Stone
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Peter Travers
Everything sly and low-key about The In-Laws, a 1979 comedy...is supersized and coarsened in Andrew Fleming's remake.- Rolling Stone
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Peter Travers
The Wachowskis have put together a mix of culture, kung fu, sci-fi and speculation, that makes them the warped wonders they are. When the film ends with a "To Be Continued," the hooks are in for The Matrix Revolutions on November 5th. Maybe I've been programmed to say it, but I am so there.- Rolling Stone
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Peter Travers
Murphy looks comatose delivering the played-out poopy jokes.- Rolling Stone
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Peter Travers
The actors nail the comic sting in every line, punctuated by eleven prime Elvis Costello songs.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
What starts as freshly spun cotton candy ends as something pink, sticky and indigestible. You leave the theater wanting to puke it up.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
A summer firecracker. It's also a tribute to outcasts -- teens, gays, minorities, even Dixie Chicks. It's not without thought or feeling, except when its mind gets bent by the gods of box office. Then it's craven and empty.- Rolling Stone
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Peter Travers
Bruckner is an amazement, piercing the heart without begging for sympathy. This small gem of a movie is the perfect setting for her breakthrough performance.- Rolling Stone
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Peter Travers
By the time they're onstage, your pulse is pounding right along with theirs. Spell this movie: g-r-e-a-t.- Rolling Stone
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Peter Travers
Scenes with Burns crackle with the toxic energy that makes Confidence a game worth playing.- Rolling Stone
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Peter Travers
Here's a fireball documentary about the 1970s, when filmmakers were stoked by sex, drugs, rock and, oh, yeah, social conscience.- Rolling Stone
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Peter Travers
Lukas Moodysson, a young Swedish director, crafts a stunner of a film out of familiar turf.- Rolling Stone
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- Rolling Stone
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Peter Travers
I've seen A Mighty Wind only twice so far. Maybe it is less fresh than "Guffman," more strained than "Best in Show." Who cares? It's still a gift from comedy heaven.- Rolling Stone
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Peter Travers
It's good fun for a while, especially the therapy sessions that feature Luis Guzman as a gay hood with a paunch he covers in Day-Glo spandex and John Turturro as Dave's "anger buddy." John C. Reilly also scores as a bully turned Buddhist monk.- Rolling Stone
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Peter Travers
Lin is a talent to watch. There's a sting to this film that gets to you.- Rolling Stone
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Peter Travers
Despite over-ripe narration and an understandable urge to cram too much in, Ghosts of the Abyss is a thrilling documentary.- Rolling Stone
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- Rolling Stone
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Peter Travers
It's slick girlie stuff, but the cast makes it go down easy.- Rolling Stone
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Peter Travers
Farrell is a dynamo. And Kiefer Sutherland, whose sniper role is essentially a voice on the phone, matches Farrell subtle shift for subtle shift.- Rolling Stone
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Peter Travers
It's a little early for self-parody in the career of Vin Diesel. But he's a calamitous cliché in A Man Apart.- Rolling Stone
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Peter Travers
Nolte brings a raspy authority to the role, and director Neil Jordan (The Crying Game) surrounds him with colorful characters.- Rolling Stone
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Peter Travers
The Core -- with its by-the-numbers plot and performances -- isn't offensive, just unblushingly tacky and derivative.- Rolling Stone
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Peter Travers
Writer-director Peter Sollett takes the familiar and turns it into hot, heartfelt movie magic.- Rolling Stone
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Peter Travers
Duvall missteps in trying to mesh suspense with a love story that also involves the woman (Kathy Baker) John J. lives with and her young daughter (Katherine Micheaux Miller), on whom he disturbingly dotes.- Rolling Stone
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