Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Nothing can save this repetitive bore. Dude, where's your memory?
  2. Pointed and hilarious.
  3. Diapers, even from three babies, can't stink worse than this.
  4. Shocking and indispensable viewing.
  5. Lacks the active verb it promises. It defines blah.
  6. Tsunashima is superb, and a never-better Collette (The Sixth Sense, About a Boy, The Hours) has a radiant intensity that hits you right in the heart. She burns this movie into your memory.
  7. Altman, showing the ardor and assurance of a master, pulls us into his film with seductive power. You won't want to miss a thing.
  8. The title of this limp retread of "Minority Report" -- both films are based on stories by Philip K. Dick -- presumably refers to the reason the big names involved did this movie.
  9. The specter of war haunts Cold Mountain, but you remember it for the heat of its romantic yearning and the mysteries that wrap themselves around you until you're lost in another world.
  10. Despite a hint that Peter (Jeremy Sumpter) and Wendy (Rachel Hurd-Wood) might get it on, there's nothing to crow about.
  11. There's Theron, like a force of nature, compelling us to go beyond TV-movie supposition and look Wuornos straight in the eye. Her raw and riveting performance makes Monster an experience you won't forget.
  12. It will knock you for a loop like no other movie this year.
  13. "Irritating" doesn't begin to describe Julia Roberts as Katherine, an art-history prof who arrives at Wellesley in 1953.
  14. Before it runs off course into excess, this brilliantly acted film version of the 1999 novel by Andre Dubus III moves with a stabbing urgency.
  15. This is a film in which ideas resonate as well as action. Gandalf’s words to Pippin about death have a muscular poetry.
  16. Jewison dodges the issues in the script by Ronald Harwood (The Pianist) to focus on cat-and-mouse chases that kill interest.
  17. In an era of dumb farce, Something's Gotta Give is something special.
  18. Near the end, when Griet puts on that earring and Johansson magically morphs into the figure on that canvas, you'll be knocked for a loop.
  19. Director Tim Burton finally hooks the one that got away: a script that challenges and deepens his visionary talent.
  20. When the script, by Zwick, Marshall Herskovitz and John Logan, doesn't sabotage the images, and the great cinematographer John Toll turns action into poetry, The Last Samurai emerges as a haunting silent movie.
  21. Wayne Kramer, who co-wrote the scrappy script with Frank Hannah, makes a potent directing debut and strikes gold with the cast.
  22. It's comic, touching and a visual knockout.
  23. An emotional wipeout.
  24. If you've had it with all that feel-good holiday sludge, hook up with the combustibly nasty Bad Santa. It could become a Christmas perennial for Scrooges of all ages.
  25. You won't see more explosive acting this year.
  26. Stupefyingly stupid thriller.
  27. It's a feast of smart, sexy, glorious talk. The Oscar for best foreign film belongs right here.
  28. Talk about your quick-buck exploitation.
  29. Even Cate Blanchett can't save this misbegotten horse opera.
  30. Lazin's remarkable achievement is to catch Tupac in the act of discovering himself. It's something to see.

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