Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Elf
    Ferrell makes the damn thing work. Even though he can't get naked or use naughty words, there's a devil of comedy in Ferrell, and he lets it out to play. Director Jon Favreau has the good sense to just stand out of his way.
  2. Curtis ladles sugar over the eager-to-please Love Actually to make it go down easy, forgetting that sometimes it just makes you gag.
  3. At the risk of understatement, The Matrix Revolutions sucks.
  4. Hotly hilarious.
  5. The film never digs deep enough into the pressures on Glass from his family, his peers and himself to achieve psychological depth. But as an inside look into the hothouse of journalism, it's dynamite.
  6. The Human Stain is heavy going. It's the flashes of dramatic lightning that make it a trip worth taking.
  7. There's no arguing that Cuba Gooding Jr. is trying to do right by the mentally disabled James Robert Kennedy.
  8. To those who see no purpose to this film, I say the purpose is learning not to turn a blind eye. The unique and unforgettable Elephant keeps its eyes wide open.
  9. The result, sadly, is a mess.
  10. Paltrow looks glam even in death, which only supports the notion, raised by Plath’s daughter Frieda Hughes, that the movie would be about a "Sylvia Suicide Doll." Good call.
  11. Cate Blanchett is the spark that keeps this well-meaning but by-the-numbers biopic going.
  12. Hackman and Hoffman, old pals in their first film together, make a lively business of their one scene together -– in a toilet, no less. The rest you can flush.
  13. Chainsaw is produced by Michael Bay (Bad Boys I and II), which explains its soullessness. But nothing explains the flaw in this bad boy: How can a movie scare you when you’ve seen it all before?
  14. Holmes nails every laugh without missing the dramatic nuances. She makes April and her movie well worth knowing.
  15. Near the end of this smart, speedy romantic farce, the comic engine hits a wall and sputters. Until then, this Coen brothers film -- easily their silliest -- is fueled by a screwball fizz that keeps the laughs popping.
  16. In Kill Bill, Tarantino brings delicious sin back to movies -- the thrill you get from something down, dirty and dangerous.
  17. Clint Eastwood pours everything he knows about directing into Mystic River. His film sneaks up, messes with your head and then floors you. You can't shake it. It's that haunting, that hypnotic.
  18. It's a kick to watch Denzel Washington do a movie just for the hot, sexy fun of it.
  19. The three actors could not be better. Huge feelings are packed into this small, fragile movie. It's something special.
  20. Character gets sacrificed for just another true-crime drama.
  21. Even education can't kill the demon of fun in Black. Enroll in his class and you won't stop laughing.
  22. The Rock has a flair for action and comedy; he's a real movie star.
  23. Just soak up that Tuscan sun and wonder when Lane will get another movie, like "Unfaithful" or "A Walk on the Moon," that will let her really shine.
  24. It's sad to see risk-taking director Mike Figgis (Leaving Las Vegas, Hotel) do a generic thriller for a paycheck and then not even screw with the rules.
  25. Without an ounce of phony Hollywood uplift, Winterbottom's film cuts right to the heart.
  26. Because Allen hasn't lost his knack for slapstick with a sting, Anything Else hits its mark more often than not.
  27. The film feels more like a thesis than vivid drama.
  28. "Your incompetence is most taxing," says the chief vampire (Bill Nighy). A line that pretty much nails this rusty Blade.
  29. Credible? Not really. But Cage and Rockwell play off each other with devilish finesse. And Lohman (White Oleander) is on fire -- she's a comer.
  30. First-time director Eli Roth turns this cheapie into a greatest-hits of horror. It's a blast of good gory fun that just won't quit.

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