Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Affleck is modest and engaging, which keeps the movie out of "Gigli" territory. But it's close.
  2. It's as if the brothers admired the Swiss-watch precision of the original and wanted to take it apart to see how the pieces would work in a new setting. As an experiment, it's fascinating. But damn if the fiddling doesn't suck the life out of the laughs.
  3. Kidman gives the most emotionally bruising performance of her career in Dogville, a movie that never met a cliche it didn't stomp on.
  4. Chases so many ideas that it threatens to spin out of control. But with our multiplexes stuffed with toxic Hollywood formula, it's a gift to find a ballsy movie that thinks it can do anything, and damn near does.
  5. If you can buy the pillow-lipped Angelina Jolie as a psychic FBI agent in Montreal to hunt a serial killer, then you can swallow the other implausibilities in this retread thriller.
  6. It’s sexy, suspenseful fun, and gorgeous-looking to boot.
  7. Imagine David Mamet rewriting his political satire "Wag the Dog" -- in which a president and his advisers declare war to distract the media from the prez's horn-dog activities -- as a joke-free kidnap drama.
  8. Were detective Dave Starsky (Paul Michael Glaser) and his partner, Ken Hutchinson (David Soul), hot for each other when they started working undercover in Bay City?... you can watch Starsky and Hutch on the big screen and see subtext stiffen into hard and hilarious evidence.
  9. An adventure that never met a cliche it couldn't saddle, mount and ride for a butt-numbing two hours and sixteen minutes.
    • 39 Metascore
    • 50 Critic Score
    Luna and Garai struggle to look like they're having the time of their life. But the movie, more wan than wicked, proves you can't go home again.
  10. Powerfully moving and fanatically obtuse in equal doses. The typical star rating doesn't apply, because scenes range from classic to poor and all stops in between.
  11. Critics and audiences should unite to KO this loser.
  12. A comedy so devoid of wit and point that not mentioning the other actors trapped in this rathole would be an act of charity.
  13. It's a kick to see the adorably sexy Barrymore back in relaxed form again after the "Duplex" debacle and that calamitous "Charlie's Angels" sequel. Right now, she's the closest thing to sunshine you'll find at the movies.
  14. It’s feels like the New Puritanism (recently repped by the outcry over Janet Jackson’s "wardrobe malfunction" at the Super Bowl) is seeping in. But in the barbershop? Say it isn’t so.
  15. You keep rooting for the team, mostly because director Gavin O’Connor (the terrific Tumbleweeds) cast real athletes instead of actors, a canny decision that pays major dividends when the big game is re-created.
  16. The Dreamers may go slack when you most want it to soar, but it also seduces with eroticism and resonates with ideas.
  17. Except for a rare scene of shaggy charm, nothing works. Nothing.
  18. The actors, especially Grace, fight hard against a schizoid script (the kids are rubes one sec, hipsters the next) and cotton-candy direction from Robert Luketic (Legally Blonde). It's a losing battle.
  19. Nothing can save this repetitive bore. Dude, where's your memory?
  20. Pointed and hilarious.
  21. Lacks the active verb it promises. It defines blah.
  22. Diapers, even from three babies, can't stink worse than this.
  23. Shocking and indispensable viewing.
  24. Tsunashima is superb, and a never-better Collette (The Sixth Sense, About a Boy, The Hours) has a radiant intensity that hits you right in the heart. She burns this movie into your memory.
  25. The specter of war haunts Cold Mountain, but you remember it for the heat of its romantic yearning and the mysteries that wrap themselves around you until you're lost in another world.
  26. The title of this limp retread of "Minority Report" -- both films are based on stories by Philip K. Dick -- presumably refers to the reason the big names involved did this movie.
  27. Despite a hint that Peter (Jeremy Sumpter) and Wendy (Rachel Hurd-Wood) might get it on, there's nothing to crow about.
  28. Altman, showing the ardor and assurance of a master, pulls us into his film with seductive power. You won't want to miss a thing.
  29. There's Theron, like a force of nature, compelling us to go beyond TV-movie supposition and look Wuornos straight in the eye. Her raw and riveting performance makes Monster an experience you won't forget.

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