Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Subversive and diabolically funny.
  2. A Dirty Shame is Waters unleashed, and wicked, kinky fun for anyone except the twits who rated it NC-17.
  3. Never achieves liftoff.
  4. Throbs with action, suspense and a seductive rhythm all its own.
  5. Blast of fright and fun.
  6. A mesmerizing look at an asthmatic, rich-boy medical student in the act of discovering his insurgent spirit.
  7. This spark-free film has no place to go on their resumes except under the heading of "Cringing Embarrassment."
  8. It's a gimmick, it's not a movie.
  9. There's no script to speak of, just two appealing actors volleying comic-romantic cliches at each other.
  10. The real action in Silver City happens on the fringes, where the mischief is. Daryl Hannah is spice incarnate as Dickie's sexy screw-up sister. Billy Zane plays a lobbyist with insinuating soullessness. And Dreyfuss feasts on the snappiest lines.
  11. Here's the problem: The movie was made just four years ago by Argentinian director Fabian Bielinsky. It is called "Nine Queens," and it is vastly superior to this blah U.S. remake from director Gregory Jacobs.
  12. The callous inequity of what you see and hear will floor you. It can't happen here. But it did. It does.
  13. In an effort to blend Thackeray and "Sex and the City," Vanity Fair ends up nowhere.
  14. Potent if hardly evenhanded documentary.
  15. The film never musters the intimate feel the gifted director brought to such early films as "Raise the Red Dragon" and "Ju Dou." You cheer his accomplishment in Hero without ever feeling close to it.
  16. By the time Fry lets darkness encroach on these bright young things, the fizz is gone, and so is any reason to make us give a damn.
  17. There is nothing new in Robert Greenwald's sobering doc.
  18. Darroussin is killer good and director Cedric Kahn turns Georges Simenon's seminal novel into a darkly comic spellbinder that pins you to your seat.
  19. The film, sometimes talky and overemphatic, is also literate, erotic, brutally funny and touched by brilliance in its quartet of live-wire performances.
  20. What doesn't spark is the love story. Morton still seems soggy from her "Minority Report" role as a drenched pre-cog. Who wants romance in a future where glum is the word?
  21. Here's a comedy of punishing tedium that pretends to be hip when it's so five minutes ago.
  22. The ending -- a more devastating surprise than "The Village" could manage -- caps eighty sweat-job minutes of imaginative, jolting suspense.
  23. No crime film in years boasts a cooler vibe than Michael Mann's dazzling Collateral.
  24. The Village, even when its step falters, is on to something more provocative than seeing dead people. Its power, unrelated to digital monsters, comes from the tension building inside the characters.
  25. This riveting film is marred by compromises -- such as a switch of assassins to create an unpersuasive upbeat ending -- that keep it in the shadow of its predecessor.
  26. When a Spike Lee film doesn't fly, it sinks like a stone.
  27. It's a hilarious and heartfelt ode to twentysomething angst. Braff has himself a winner.
  28. Not to be catty about it, but the stench of the litter pan is all over this big-screen $90 million disaster-in-waiting.
  29. How many movies these days leave you wanting more? The funny and heartfelt Home is a small treasure.
  30. Kitano is a riveting spectacle. So's the movie.

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