Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Result? It's not scary, just busy.
  2. The film looks and feels authentic, but Duchovny has powered his undeniably personal journey with a counterfeit heart.
  3. Solondz likes to put the screws to moral hypocrisy. As always, he goes too far. As always, you don't want to look away.
  4. McConaughey, despite alarmingly orange makeup, does justice to the role, a hard-drinking, shipwreck- hunting senator's son with a 007 way with the ladies.
  5. The movie is so soggy and anonymous, I had to remind myself that the Farrelly brothers, Peter and Bobby, directed it. It's sad to watch the kingpins of gross-out try to dial down to cute. Swung at and missed.
  6. Does the plot spin out of control? You bet. But dumb fun this smart is a gift.
  7. The worst thing I can say about this savage, sexy and ferociously funny screen translation of three stories from Frank Miller's Sin City series of graphic novels is that it's too much of a good thing.
  8. It's the whooshing terror that fries your nerves to a frazzle. Antal's control never falters.
  9. This bonbon spiked with malice is a triumph for Jaoui, who takes witty and wounding measure of the small betrayals that leave bruises on us all.
  10. As always with Park Chanwook, you just hold on and let him rip.
  11. Guess what? It's almost bearable.
  12. You might think there's no downside to a movie that peeks up the skirts of babes in micro-minis, but writer-director Angela Robinson's dimwitted satire is libido-killing proof to the contrary.
  13. If "Sideways" made you curious about vino, this fierce, funny and challenging doc opens up a world worth debating.
  14. You have to admire Nakata's skill at letting the dead run free while hinting that we may have more to fear from the living. With a braver step in that direction, this middling movie would ring more than box-office bells.
  15. With Melinda and Melinda he's (Allen) not just going through the motions. He's saying the game isn't over before you laugh till it hurts.
  16. Take a tired formula...Stir with a director, Florent Siri, who has no shame about stealing every sadistic suspense trick from the Die Hard series. Serve to a gullible audience willing to pay top dollar for secondhand goods.
  17. A fiercely funny human comedy with jokes that sting and leave marks.
  18. It looks like a documentary...Don't let anyone tell you more.
  19. The film is a mesmerizing erotic odyssey given gravity and heart by Cruz.
  20. The funny and heartbreaking Off the Map, directed with a poet's eye and a keen ear for nuance by Campbell Scott, resonates with something rare in today's movies: simplicity.
  21. You know a sequel isn't working when, ten minutes into the movie, a voice inside your head starts screaming, "Please make it stop!"
  22. Though shot for maximum moodiness by the gifted Peter Deming ("Mulholland Drive"), the movie straps you in for a head trip that promises hallucinatory wonders but delivers the same old Hollywood formula with sugar on top.
  23. It just plain sucks.
  24. What could have been a sentimental train wreck emerges as a funny and touching portrait of three bruised people.
  25. A riveting and indispensable record of the war in Iraq because it comes from the men who lived it.
  26. The acting is electric. By the end of this haunting, hypnotic film, you feel you have watched lives being lived, not just imagined.
  27. The choice for the uninitiated is simple: Take the ride for its fitful thrills and dark elements, or just say the hell with it.
  28. Lightweight but utterly beguiling.
  29. Will Smith has an easy charm, and this labored romantic farce works it hard. Too hard.
  30. The film goes beyond historical anecdotes. Besides fresh and funny insights from the likes of Norman Mailer and John Waters, it shows how little censorship politics have changed from Nixon to Bush.

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