Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. It's tough to imagine a guy who won't squirm through this tale of 1950s housewife Evelyn Ryan.
  2. Other films this year will have to sweat bullets to match the explosive power and subversive wit of David Cronenberg's A History of Violence. It slams you like a body punch and then starts messing with your head.
  3. It's unlikely audiences will be echoing a starving Oliver's most famous line: "Please, sir, I want some more."
  4. Wood, whose mostly mute turn is defined by his black suit and glasses, can only stare in stupefaction at Schreiber's jittery mix of broad laughs and sentiment. Audiences will share the feeling.
  5. Madden directed Paltrow in the play on the London stage, but he does his "Shakespeare in Love" goddess no favors by filling the screen with big close-ups that betray the theatrical origins of the piece and drain the movie of life and urgency. Proof hasn't been filmed at all -- it's been embalmed.
  6. Niccol is too good a screenwriter (The Truman Show, Gattaca) not to know that Hollywood cliches are hell on a film's political bite. They muzzle it.
  7. It's warped and wonderfully effervescent. Ditto the songs by Danny Elfman, who sings the role of Bonejangles, the frontman for a skeleton jazz band at a swinging underworld club. Best of all is the love story.
  8. Pucci is an actor to watch: He rides this spellbinder without softening the truths that plague the thumbsucker in all of us.
  9. Watson and Everett, both superb, bring ferocity and feeling to their roles. But the one you won't forget is Wilkinson (In the Bedroom) in a towering performance of grace and grit that deserves to put him on Oscar's shortlist. Good show.
  10. It's not just that Jennifer Lopez looks lost and out of her league acting with Robert Redford and Morgan Freeman. That's to be expected. It's the drag-ass solemnity of this turgid family drama that makes you crazy.
  11. Oh, how good actors can trap themselves in drivel.
  12. Keane means to shakes us, and does.
  13. Director Fernando Meirelles and screenwriter Jeffrey Caine put a human face on John le Carre's novel of sex, lies and dirty politics in modern Africa. Prepare for a thrilling ride.
  14. If you're a Gilliam junkie, as I am, you go with it, even when the script by Ehren Kruger (The Skeleton Key) loses its shaky hold on coherence.
  15. Steve Carell, best known as a team player on "The Daily Show," "The Office" and such movies as "Anchorman," earns top-banana status as Andy. He is flat-out hilarious.
  16. The gripping, seat- clutching suspense in this baby will pin you to your seat.
  17. What holds us are the actors, including Terrence Howard as a cop who grew up with the brothers.
  18. Herzog conducts his own expedition into knowing the unknowable -- the true task of any filmmaker. Herzog makes it an art.
  19. Just know that Pulse possesses the dark art to make your pulse pound and your hair stand on end -- with no cheating.
  20. There is no wrong time to flush this turd. The only bright spot comes during the outtakes over the final credits.
  21. Broken Flowers may be too low-key for laugh junkies, but Jarmusch fills his sharply observed comedy with wonderful mischief. The mix of humor and heartbreak brings out the best in Murray.
  22. An appallingly clumsy and stupid take on drugs, kidnapping and suicide in suburbia.
  23. It's a frisky romantic comedy with a great title and wonderfully appealing performances.
  24. Killer-funny documentary.
  25. Indefensible on a moral level, Rob Zombie's perversely watchable follow-up to his much-reviled cult hit "House of 1000 Corpses" is loaded with filmmaking energy.
  26. Explosive entertainment.
  27. A borrowed idea -- hello, "Blade Runner," hi there, "Matrix" -- but an idea nonetheless.
  28. The mischief Thornton does make adds up to wild, rowdy fun.
  29. Van Sant, following "Gerry" and the superb "Elephant," is on the same elliptical quest. His journey is labored but undeniably hypnotic.
  30. Depp and Burton fly too high on the vapors of pure imagination. But it's hard to not get hooked on something this tasty.

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