For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Last stand? My ass. Billed as the climax of a trilogy, the third and weakest chapter in the X-Men series is a blatant attempt to prove there is still life in the franchise.- Rolling Stone
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Reviewed by
Peter Travers
Gore keeps us riveted by being charming, literate and profoundly persuasive on a topic that's scarier than anything in a dozen Japanese horror flicks. Vote Gore on this one.- Rolling Stone
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Peter Travers
There's no code to decipher. Da Vinci is a dud -- a dreary, droning, dull-witted adaptation of Dan Brown's religioso detective story.- Rolling Stone
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Reviewed by
Peter Travers
You'll end up entertained if you forgive the cliches and let Petersen grab you with the visuals.- Rolling Stone
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Reviewed by
Peter Travers
Bury the nostalgia. Like the rap twist Kayne West puts into the film's classic theme, this movie is best when it stirs it up.- Rolling Stone
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Peter Travers
Down in the Valley is a wild thing that sticks with you long after it's over. You know, a real movie.- Rolling Stone
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Reviewed by
Peter Travers
Far from being exploitive, the effect is inspiring: This is the best of us.- Rolling Stone
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Peter Travers
From the first sight of German soldiers goose-stepping past the Arc de Triomphe to a postscript that spells out the fate of characters whose moral confusion is all too real, Army of Shadows is a movie of its time -- and ours.- Rolling Stone
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Peter Travers
Don't worry. It just sounds like another bad Sharon Stone movie. Kinky Boots trips on its contrived plot, but this blend of trash and sass is a comfy fit.- Rolling Stone
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Peter Travers
Harron needed just the right actress to play Bettie. And she lucked out big time. Gretchen Mol (The Shape of Things) is hot stuff in every sense of the term. She delivers the first performance by an actress this year that deserves serious Oscar consideration.- Rolling Stone
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Peter Travers
If "Pulp Fiction" impregnated "The Usual Suspects," the spawn would look a lot like Lucky Number Slevin. Great genes, but you keep wondering when the kid is going to grow up and find an identity of his own.- Rolling Stone
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Peter Travers
Inspired by a true story (translation: a lot of it is made up), the movie shucks its corn straight from the cob. But it's no less engaging for that, thanks to the enthusiasm of the young cast and the fusion of classic dance with hip-hop moves courtesy of Rich and Tone Talauega.- Rolling Stone
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Peter Travers
Smart, witty and alert to the buried resentments that poke through the shiny surface of affluence, Holofcener's film recognizes that money is the new sex.- Rolling Stone
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Peter Travers
The laughs to be had in this deliciously awful sequel are all unintentional. A bummer for film buffs, but a ball for fans of the misbegotten.- Rolling Stone
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Peter Travers
"Sensational" is the word for Joseph Gordon-Levitt (equally striking in Mysterious Skin), who stars as Brendan, the teen outsider who becomes a budding Bogart.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
No wonder Kurt Cobain was a fan. But it's the way Feuerzeig walks with him on the line between creativity and madness that digs this haunting and hypnotic film into your memory.- Rolling Stone
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Peter Travers
The suspense crackles, the acting sizzles and the script, by promising first-timer Russell Gewirtz, keeps tossing surprises like grenades.- Rolling Stone
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Peter Travers
Buscemi does not act in Lonesome Jim, but his sly humor and keen eye for nuance resonate in every frame. I can't recall having a better time at a movie about depression.- Rolling Stone
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Peter Travers
Renier and Francois give deeply affecting performances that help soften the film's harsh blows. But only in the compassionate eye of the Dardennes do these three children achieve a state of grace.- Rolling Stone
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Peter Travers
Could 1960s-style sex, drugs and rock & roll really have been this dull?- Rolling Stone
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Peter Travers
Sadly, Lumet's skill at bringing out the juice in actors isn't enough to save the film from overkill.- Rolling Stone
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Peter Travers
There I sit, suffering total numbness of body and brain, no longer having to wonder what it might be like to be buried alive in gooey marshmallow.- Rolling Stone
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Peter Travers
The explosive V for Vendetta is powered by ideas that are not computer-generated. It's something rare in Teflon Hollywood: a movie that sticks with you.- Rolling Stone
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Peter Travers
Both sides of the political fence will feel royally skewered. All that's lacking is a warning from the Surgeon General: This film will make you laugh till it hurts.- Rolling Stone
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Peter Travers
What good is a wallow in sicko sadism if you take all the fun out of it?- Rolling Stone
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Peter Travers
The film, which is literary to a fault, includes an earthquake, but if the earth moves at all, thank Hayek, who gives the tale a smoldering life that finally lifts it from the page.- Rolling Stone
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Peter Travers
Until Richard Wenk's script drives the characters into a brick wall of pukey sentiment, it's a wild ride.- Rolling Stone
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Peter Travers
Based on a play by Athol Fugard, Tsotsi is South Africa's entry in this year's Oscar race for Best Foreign-Language Film. This remarkable movie means to shake you, and boy does it ever.- Rolling Stone
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Peter Travers
Roth takes three powerhouse actors -- Julianne Moore as the mother, Samuel L. Jackson as the cop who interrogates her and Edie Falco as another woman who lost her son -- and reduces their talents to rubble and their characters to screeching cliches.- Rolling Stone
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