For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
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- By Critic Score
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Reviewed by
Peter Travers
Timberlake walks off with the movie. Too bad it's not worth stealing.- Rolling Stone
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Reviewed by
Peter Travers
Leave it to Hilary Swank. Even when her film's pace lags behind its cliches, she sparks this true story, about a California teacher who sparks her students, with the passion the subject demands.- Rolling Stone
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Peter Travers
Del Toro never coddles the audience. He means us to leave Pan's Labyrinth shaken to our souls. He succeeds.- Rolling Stone
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Peter Travers
If you want to see explosive acting, just watch Judi Dench and Cate Blanchett ignite in this film version of Zoe Heller's 2003 novel.- Rolling Stone
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Reviewed by
Peter Travers
Cuarón has a gift only the greatest filmmakers share: He makes you believe.- Rolling Stone
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Reviewed by
Peter Travers
Shepherd wants to say something profound about the effect of a deceitful government on human values. But it's tough to slog through a movie that has no pulse.- Rolling Stone
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Peter Travers
No go. Marshall deserved better than this misbegotten tribute.- Rolling Stone
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Peter Travers
O'Toole gives a staggering performance -- fearless, defiantly untamed and in its own way a work of art.- Rolling Stone
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Peter Travers
The final effect is stunning, but also sadly impersonal.- Rolling Stone
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Peter Travers
Eastwood's direction here is a thing of beauty, blending the ferocity of the classic films of Akira Kurosawa (Seven Samurai) with the delicacy and unblinking gaze of Yasujiro Ozu (Tokyo Story).- Rolling Stone
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Peter Travers
The Painted Veil has the power and intimacy of a timeless love story. By all means, let it sweep you away.- Rolling Stone
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Peter Travers
Just when you're ready to puke, the old Bill Conti theme ("Gonna Fly Now") kicks in -- are you feeling it? -- Stallone steps in the ring and every day is Christmas. All together now: Rock-ee! Rock-ee!- Rolling Stone
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- Rolling Stone
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Peter Travers
This is Soderbergh's show, and a haunting and hypnotic show it is.- Rolling Stone
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Peter Travers
The actors, especially Binoche, do their damnedest to bring urgency to their roles. But despite Minghella's admirable attempt to tackle major themes on an intimate scale, the film goes down like weak tea. There's no kick in it.- Rolling Stone
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Peter Travers
Smith wins our hearts without losing his dignity, as Chris suits up for success by day and fights off despair by night. The role needs gravity, smarts, charm, humor and a soul that's not synthetic. Smith brings it. He's the real deal.- Rolling Stone
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Peter Travers
DiCaprio is terrific, but he can't save this lecture from the shame of using Africa as a vehicle for another white man's redemption.- Rolling Stone
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Peter Travers
Gibson has made a film of blunt provocation and bruising beauty.- Rolling Stone
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Peter Travers
Bouchareb's film helped shame the French government into raising pensions for more than 80,000 of these veterans. Here's that rare movie that really did change things. I'll be damned.- Rolling Stone
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Peter Travers
My advice, in the face of such hallucinatory brilliance, is that you hang on.- Rolling Stone
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Peter Travers
Von Donnersmarck has crafted the best kind of movie: one you can't get out of your head.- Rolling Stone
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Peter Travers
In telling a tale of love across time, Aronofsky is sometimes guilty of creating arty, pretentious psychobabble. But in visual terms, he's trying to expose his own raw, romantic heart. Folly? Maybe. But a risk worth taking.- Rolling Stone
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Peter Travers
The film can't hide its stage origins, and in cutting almost an hour on the journey from stage to screen some resonance is lost. But Bennett's dialogue sparkles and skewers with killer wit. Dig in.- Rolling Stone
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Peter Travers
Craig gives us James Bond in the fascinating act of inventing himself. This you do not want to miss.- Rolling Stone
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Peter Travers
It's less an expose of junk-food culture than a human drama, sprinkled with sly, provoking wit, about how that culture defines how we live.- Rolling Stone
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Peter Travers
Catherine O'Hara is comic perfection as Marilyn Hack.- Rolling Stone
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Peter Travers
Estevez means well. But having your heart in the right place is no excuse for insipid ineptitude.- Rolling Stone
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Peter Travers
The scenery is glorious; you can almost feel the sunshine and smell the wine. But Crowe and Scott are bulls in Mayle's china shop. Like an assertive Burgundy served with a delicate fish, they're a classic wrong pairing.- Rolling Stone
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Peter Travers
This is a Ferrell you've never seen before, nailing a role that calls for breakneck humor in the final race against the clock and touching gravity in the love scenes with Gyllenhaal.- Rolling Stone
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Peter Travers
Downey makes something lively, sexy and moving out of a role that's just a thin concept. But the movie feels like it's still in the darkroom.- Rolling Stone
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