Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. You won't know what outrageous fun is until you see Borat. High-five!
  2. Volver is Almodovar's passionate tribute to the community of women -- living and dead -- who nurtured him. Through the transformative power of his art -- carried on the wings of Alberto Iglesias' exhilarating score -- we feel their presence. You do not want to miss this one.
  3. In the year's richest, most complex and ultimately most heartbreaking film, Inarritu invites us to get past the babble of modern civilization and start listening to each other.
  4. For three years, the camera focuses on the Chicks as wives, mothers, entertainers and political flash points. Their fight to stay uncompromised is inspiring.
  5. Shopworn propaganda.
  6. With lyrical intelligence and scrappy wit, Coppola creates a luscious world to get lost in. It's a pleasure.
  7. Too much manic energy runs the movie off the rails.
  8. A film of awesome power and blistering provocation.
  9. Nolan directs the film exactly like a great trick, so you want to see it again the second it's over. I'd call that wicked clever.
  10. Goldthwait's movie, shot on video that makes it look dragged through puppy poop, is an unholy mess. But it also possesses a quick wit and an endearing tenderness toward Amy as honesty wrecks her life. It's sweet, doggone it.
  11. Through haunting home movies, Mina's diaries and interviews with Mike, a raw, riveting portrait emerges of what a child sees in his parents' relationship and what lies beneath.
  12. The film's most pleasing surprise is the beautifully nuanced portrait of Capote's confidante, "To Kill a Mockingbird" author Harper Lee, by Sandra Bullock. You heard me. Bullock gives the film what it otherwise lacks: the ring of truth.
  13. This unnervingly funny and quietly devastating film -- director Todd Field's first since his smash 2001 debut with "In the Bedroom" -- pulls you in like a magnetic-force field.
  14. A new American crime classic from the legendary Martin Scorsese, whose talent shines here on its highest beams.
  15. I laughed once or twice during this flat and fatuous farce, mainly because director and co-writer Greg Coolidge lifted a lot of it from "Office Space."
  16. Putridly written, directed and acted.
  17. If there is such a thing as hard-core with a soft heart, this is it.
  18. One of the best and liveliest movies of the year - funny and touching in ways you can't predict.
  19. Uproarious and unexpectedly biting.
  20. Whitaker is on fire, and as long as he's onscreen, King keeps you riveted.
  21. Overthought, overwrought and thuddingly underwhelming, this high-profile misfire makes a congealed gumbo out of Robert Penn Warren's Pulitzer-winning 1946 novel and the Oscar-winning 1949 movie that followed it, sinking a classy cast in the goo.
  22. The heart of Jackass - the adolescent drive to bash body and soul into the symbolic brick wall of maturity - remains pure.
  23. Messed up as it is, you can't tear your eyes away from this explosion of brutal sounds and images.
  24. Fusing animation and live action with a series of outrageous props, Gondry veers dangerously close to being precious. But make no mistake: Gondry's hallucinatory brilliance holds you in thrall.
  25. Looks and flows great, dripping with the 1940s crime-thriller atmosphere that James Ellroy described in his 1987 novel. On other levels -- plot (overstuffed), suspense (muted), acting (Hilary Swank as a femme fatale? Please!), posing (Scarlett Johansson plays dress-up as a mini Lana Turner), sex (it's all before and after) -- the movie is a bust.
  26. Director Tony Goldwyn tries for the lyrical melancholy he brought to "A Walk on the Moon," but as Michael waits for days on Jenna's porch getting drenched (as irritating a scene as any in recent cinema), only the most rabid chick-flick fan will fail to notice that it's the movie that's all wet.
  27. Lennon's spirit, like his music, shines through this movie like a beacon. Powerful stuff.
  28. The irony is that Affleck's battering at the hands of fame has prepped him beautifully to play Reeves.
  29. Sherrybaby is the kind of pretend-arty Sundance thing that gives indie cinema a bad name.
  30. Kirby Dick's indispensable guerrilla attack on the film-ratings system gives Hollywood a swift, smart and hilarious kick in its institutional, hypocritical ass.

Top Trailers