Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Bouchareb's film helped shame the French government into raising pensions for more than 80,000 of these veterans. Here's that rare movie that really did change things. I'll be damned.
  2. Von Donnersmarck has crafted the best kind of movie: one you can't get out of your head.
  3. In telling a tale of love across time, Aronofsky is sometimes guilty of creating arty, pretentious psychobabble. But in visual terms, he's trying to expose his own raw, romantic heart. Folly? Maybe. But a risk worth taking.
  4. The film can't hide its stage origins, and in cutting almost an hour on the journey from stage to screen some resonance is lost. But Bennett's dialogue sparkles and skewers with killer wit. Dig in.
  5. Craig gives us James Bond in the fascinating act of inventing himself. This you do not want to miss.
  6. It's less an expose of junk-food culture than a human drama, sprinkled with sly, provoking wit, about how that culture defines how we live.
  7. Catherine O'Hara is comic perfection as Marilyn Hack.
  8. Estevez means well. But having your heart in the right place is no excuse for insipid ineptitude.
  9. The scenery is glorious; you can almost feel the sunshine and smell the wine. But Crowe and Scott are bulls in Mayle's china shop. Like an assertive Burgundy served with a delicate fish, they're a classic wrong pairing.
  10. This is a Ferrell you've never seen before, nailing a role that calls for breakneck humor in the final race against the clock and touching gravity in the love scenes with Gyllenhaal.
  11. Downey makes something lively, sexy and moving out of a role that's just a thin concept. But the movie feels like it's still in the darkroom.
  12. You won't know what outrageous fun is until you see Borat. High-five!
  13. Volver is Almodovar's passionate tribute to the community of women -- living and dead -- who nurtured him. Through the transformative power of his art -- carried on the wings of Alberto Iglesias' exhilarating score -- we feel their presence. You do not want to miss this one.
  14. In the year's richest, most complex and ultimately most heartbreaking film, Inarritu invites us to get past the babble of modern civilization and start listening to each other.
  15. For three years, the camera focuses on the Chicks as wives, mothers, entertainers and political flash points. Their fight to stay uncompromised is inspiring.
  16. Shopworn propaganda.
  17. With lyrical intelligence and scrappy wit, Coppola creates a luscious world to get lost in. It's a pleasure.
  18. Too much manic energy runs the movie off the rails.
  19. A film of awesome power and blistering provocation.
  20. Nolan directs the film exactly like a great trick, so you want to see it again the second it's over. I'd call that wicked clever.
  21. Goldthwait's movie, shot on video that makes it look dragged through puppy poop, is an unholy mess. But it also possesses a quick wit and an endearing tenderness toward Amy as honesty wrecks her life. It's sweet, doggone it.
  22. Through haunting home movies, Mina's diaries and interviews with Mike, a raw, riveting portrait emerges of what a child sees in his parents' relationship and what lies beneath.
  23. The film's most pleasing surprise is the beautifully nuanced portrait of Capote's confidante, "To Kill a Mockingbird" author Harper Lee, by Sandra Bullock. You heard me. Bullock gives the film what it otherwise lacks: the ring of truth.
  24. A new American crime classic from the legendary Martin Scorsese, whose talent shines here on its highest beams.
  25. This unnervingly funny and quietly devastating film -- director Todd Field's first since his smash 2001 debut with "In the Bedroom" -- pulls you in like a magnetic-force field.
  26. I laughed once or twice during this flat and fatuous farce, mainly because director and co-writer Greg Coolidge lifted a lot of it from "Office Space."
  27. Putridly written, directed and acted.
  28. If there is such a thing as hard-core with a soft heart, this is it.
  29. One of the best and liveliest movies of the year - funny and touching in ways you can't predict.
  30. Uproarious and unexpectedly biting.

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