For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
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- By Critic Score
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- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Hunt's flat delivery is mercilessly cruel to Wilde's delicious epigrams. That sound you hear is Oscar spinning madly in his grave.- Rolling Stone
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Peter Travers
A potent and provocative look at life unhinged. Bubble is said to be the first in a series of six low-budget films from Soderbergh. If they all rock the boat like this one, bring 'em on.- Rolling Stone
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Peter Travers
Howard struggles with the role Kidman nailed. And the graphic nude scene in which "proudy slave" Timothy (Isaach De Bankole) puts a towel over Grace's head before ravishing her pale body is as rugged on the audience as it is on the actors.- Rolling Stone
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Reviewed by
Peter Travers
It's really inventive and bizarre and marvelously entertaining.- Rolling Stone
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Reviewed by
Peter Travers
This Brooks is a comedian who forgets the golden rule of "know your audience." He thinks he'll get his laughs if he keeps doing the same act with better lighting.- Rolling Stone
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Peter Travers
Why We Fight deserves high praise for making it that much tougher to wear blinders.- Rolling Stone
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Reviewed by
Peter Travers
Josh Lucas plays Haskins with a no-bull vigor that comes in handy when the script saddles him with all-bull platitudes.- Rolling Stone
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Peter Travers
This unique and devastating look at the Holocaust is drawn from the autobiographical novel of 2002 Nobel Prize winner Imre Kertesz.- Rolling Stone
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Peter Travers
Woody Allen's best movie in years means to trip us up: Sexual sizzle. London instead of Manhattan. Brit actors. Dark humor with a sting that leaves welts. You bet it's a change. And it looks good on the Woodman.- Rolling Stone
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Peter Travers
Ledger's comic flair is a big plus in a film that is fanatically busy and fatally sexless.- Rolling Stone
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Peter Travers
Following "Derailed," this comic turd makes it two strikes for Jennifer Aniston. She looks great, but her acting is board-stiff.- Rolling Stone
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Peter Travers
Malick and cinematographer Emmanuel Lubezki -- a grandmaster at blending color and natural light -- craft a tone poem that may throw some audiences through its use of interior monologues.- Rolling Stone
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Peter Travers
Writer-director Richard Shepard gives Brosnan his meatiest role ever, and he digs in with relish.- Rolling Stone
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- Rolling Stone
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Peter Travers
Casts a spell that grips you and won't let go. The film works as a provocation, on a personal and a political level.- Rolling Stone
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Peter Travers
It's getting harder to sustain a rooting interest in the career of Johnny Knoxville.- Rolling Stone
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Peter Travers
There's something pernicious about a toxic mix of sitcom and snickering sex jokes getting packaged and effectively sold as wholesome fun for the family.- Rolling Stone
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Peter Travers
Build a comedy around Jim Carrey in manic mode and they will come. Case in point: Fun With Dick and Jane, a pointless, painfully unfunny and yet inexplicably popular remake of the 1977 fizzle with Jane Fonda and George Segal.- Rolling Stone
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Peter Travers
Richardson -- acting with her mother, Vanessa Redgrave, who plays her aunt, and her aunt Lynn Redgrave, who plays her mother -- finds the story's grieving heart. Fiennes is her match in soulful artistry.- Rolling Stone
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Peter Travers
Keaton, a sorceress at blending humor and heartbreak, honors the film with a grace that makes it stick in the memory.- Rolling Stone
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Peter Travers
Sam Peckinpah lives! The rampaging spirit of the late filmmaker, known as Bloody Sam for films such as "The Wild Bunch" and "Bring Me the Head of Alfredo Garcia," is all over this blistering modern Western from first-time director Tommy Lee Jones.- Rolling Stone
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Peter Travers
Stroman should have studied the original Producers that Brooks directed in 1968, with Zero Mostel and Gene Wilder. It answers the question "Where did they go right?"- Rolling Stone
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Peter Travers
Here is the jaw-dropping, eye-popping, heart-stopping movie epic we've been waiting for all year.- Rolling Stone
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Peter Travers
Ang Lee's unmissable and unforgettable Brokeback Mountain hits you like a shot in the heart. It's a landmark film and a triumph for Heath Ledger and Jake Gyllenhaal.- Rolling Stone
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Peter Travers
Any doubts about three Chinese actresses speaking English with Japanese accents vanish in the face of their deeply felt performances and the world Marshall conjures with magical finesse.- Rolling Stone
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Peter Travers
The subplot involving a tragic romance between a soldier and one of the living statues (the lovely Kelly Reilly) is hell on the humor and on a movie that stays content to do the trite thing.- Rolling Stone
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Peter Travers
This PG-rated movie feels safe and constricted in a way the story never does on the page. It leaves out the deep magic of a good movie, or a good sermon: the feeling that something vital is at stake.- Rolling Stone
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Peter Travers
Even a nice chianti couldn't help you wash down this lump of tear-jerking twaddle.- Rolling Stone
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