Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Sometimes a movie comedy just clicks. Welcome to one of those times.
  2. The film rambles, but rambling with the mischievous Roos is still a tricky and winning proposition.
  3. It's original, outrageous and murderous fun.
  4. In a movie with more subtext than "Rosemary's Baby," nearly everyone, including Tim Roth as Dahlia's lawyer, harbors secrets. Salles unleashes a torrent of suspense for one purpose: to plumb the violence of the mind.
  5. It's those dark visions of destruction that stick, even when Spielberg pushes the script to an unlikely happy ending. Great foreplay, failed orgasm.
  6. There's no way to take your eyes off it.
  7. Michael Moore might want to look into this before more animal docs steal his thunder.
  8. Performance artist Miranda July hits a grand slam as the writer, director and star of her first film. It's a moonbeam romance laced with startling wit and gravity.
  9. The buildup is steadily engrossing. That's because Nolan keeps the emphasis on character, not gadgets. Gotham looks lived in, not art-directed.
  10. Only Vince Vaughn registers hilariously as John's boss.
  11. There's a word for the kind of comic, dramatic, romantic, transporting visions Miyazaki achieves in Howl's: bliss.
  12. It's the classic American tale of the family man triumphant, and Howard makes sure that it hits you right in the heart.
  13. Hardwicke whips up a frenzy of crazy-cool board action, with Alva choreographing the stunts. Even when the slippery-slope-of-success cliches halt the film's momentum, the ready-to-rock actors rev it up again.
  14. You cheered Jack Black in "School of Rock," now give it up for Paul Green in the real thing.
  15. Working from a deft script by Delia Ephron, director Ken Kwapis labors hard so that guys won't cringe (too much) as four teen girls, of different body types, pass along the same pair of lucky jeans during a summer of love and loss.
  16. What links the two films in fun and ferocity is the big game, a ripsnorter that is irresistibly entertaining.
  17. Less like "Shrek," meaning hilarious and heartfelt, and more like "Shark Tale," meaning manic and exhausting, Madagascar will keep kids distracted without transporting them to wonderland.
  18. Until the last half-hour, when Lucas actually does establish a emotional connection between the landmark he created in 1977 and the prequel investment portfolio he laid out in 1999, the movie is one spectacularly designed letdown after another.
  19. It's a hoot to watch Fonda cut loose and mix it up with J. Lo, even when the laughs turn mean-spirited.
  20. Li is action poetry in motion. Damn them for spoiling our popcorn fun with salty tear-jerking.
  21. Listening to the kids talk is a treat in itself, but watching them strut their stuff in the final competition is enough to make you stand up and cheer.
  22. Funny, touching, vital.
  23. The acting is dynamite, notably by Dillon and Newton in their shocking second encounter. Despite its preachy moments, the film is a knockout.
  24. Purists, be warned: This scare-flick quickie has as much relation to the 1953 Vincent Price classic with the same title as Paris Hilton does to acting.
  25. Odd as it is to say, Kingdom of Heaven loses its momentum the more Balian gets religion.
  26. Director Vadim Jean is lucky that his low-octane comedy is long on Short.
  27. Go with the whimsical flow that includes a hilariously morose robot named Marvin, voiced by the great Alan Rickman with the weight of the galaxy resonating in every bored, cynical syllable. Adams would be pleased.
  28. The Interpreter bristles with the smart, steadily engrossing tension that marked such 1970s goodies as "All the President's Men," "The Parallax View" and Pollack's own "Three Days of the Condor."
  29. As the film stopped counting back in years and switched to months, I panicked that it would slog on to weeks, hours and seconds before reaching its inevitable end. I was wrong. About A Lot Like Love leaving you wanting a lot less, I am right.
  30. It's scarier than "The Amityville Horror," as scandalous as "Fahrenheit 9/11" and loaded with more conspiracies than "The Interpreter."

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