For 4,545 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,928 out of 4545
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Mixed: 987 out of 4545
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Negative: 630 out of 4545
4545
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
There is no wrong time to flush this turd. The only bright spot comes during the outtakes over the final credits.- Rolling Stone
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Reviewed by
Peter Travers
Broken Flowers may be too low-key for laugh junkies, but Jarmusch fills his sharply observed comedy with wonderful mischief. The mix of humor and heartbreak brings out the best in Murray.- Rolling Stone
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Reviewed by
Peter Travers
An appallingly clumsy and stupid take on drugs, kidnapping and suicide in suburbia.- Rolling Stone
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Reviewed by
Peter Travers
It's a frisky romantic comedy with a great title and wonderfully appealing performances.- Rolling Stone
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- Rolling Stone
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Peter Travers
Indefensible on a moral level, Rob Zombie's perversely watchable follow-up to his much-reviled cult hit "House of 1000 Corpses" is loaded with filmmaking energy.- Rolling Stone
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- Rolling Stone
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Peter Travers
A borrowed idea -- hello, "Blade Runner," hi there, "Matrix" -- but an idea nonetheless.- Rolling Stone
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- Rolling Stone
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Peter Travers
Van Sant, following "Gerry" and the superb "Elephant," is on the same elliptical quest. His journey is labored but undeniably hypnotic.- Rolling Stone
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Peter Travers
Depp and Burton fly too high on the vapors of pure imagination. But it's hard to not get hooked on something this tasty.- Rolling Stone
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Reviewed by
Peter Travers
Sometimes a movie comedy just clicks. Welcome to one of those times.- Rolling Stone
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Reviewed by
Peter Travers
The film rambles, but rambling with the mischievous Roos is still a tricky and winning proposition.- Rolling Stone
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- Rolling Stone
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Peter Travers
In a movie with more subtext than "Rosemary's Baby," nearly everyone, including Tim Roth as Dahlia's lawyer, harbors secrets. Salles unleashes a torrent of suspense for one purpose: to plumb the violence of the mind.- Rolling Stone
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Peter Travers
It's those dark visions of destruction that stick, even when Spielberg pushes the script to an unlikely happy ending. Great foreplay, failed orgasm.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Michael Moore might want to look into this before more animal docs steal his thunder.- Rolling Stone
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Reviewed by
Peter Travers
Performance artist Miranda July hits a grand slam as the writer, director and star of her first film. It's a moonbeam romance laced with startling wit and gravity.- Rolling Stone
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Peter Travers
The buildup is steadily engrossing. That's because Nolan keeps the emphasis on character, not gadgets. Gotham looks lived in, not art-directed.- Rolling Stone
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- Rolling Stone
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Peter Travers
There's a word for the kind of comic, dramatic, romantic, transporting visions Miyazaki achieves in Howl's: bliss.- Rolling Stone
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Peter Travers
It's the classic American tale of the family man triumphant, and Howard makes sure that it hits you right in the heart.- Rolling Stone
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Peter Travers
Hardwicke whips up a frenzy of crazy-cool board action, with Alva choreographing the stunts. Even when the slippery-slope-of-success cliches halt the film's momentum, the ready-to-rock actors rev it up again.- Rolling Stone
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Peter Travers
You cheered Jack Black in "School of Rock," now give it up for Paul Green in the real thing.- Rolling Stone
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Peter Travers
Working from a deft script by Delia Ephron, director Ken Kwapis labors hard so that guys won't cringe (too much) as four teen girls, of different body types, pass along the same pair of lucky jeans during a summer of love and loss.- Rolling Stone
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Peter Travers
What links the two films in fun and ferocity is the big game, a ripsnorter that is irresistibly entertaining.- Rolling Stone
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Peter Travers
Less like "Shrek," meaning hilarious and heartfelt, and more like "Shark Tale," meaning manic and exhausting, Madagascar will keep kids distracted without transporting them to wonderland.- Rolling Stone
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Peter Travers
Until the last half-hour, when Lucas actually does establish a emotional connection between the landmark he created in 1977 and the prequel investment portfolio he laid out in 1999, the movie is one spectacularly designed letdown after another.- Rolling Stone
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Peter Travers
It's a hoot to watch Fonda cut loose and mix it up with J. Lo, even when the laughs turn mean-spirited.- Rolling Stone
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