For 4,545 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,928 out of 4545
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Mixed: 987 out of 4545
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Negative: 630 out of 4545
4545
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Build a comedy around Jim Carrey in manic mode and they will come. Case in point: Fun With Dick and Jane, a pointless, painfully unfunny and yet inexplicably popular remake of the 1977 fizzle with Jane Fonda and George Segal.- Rolling Stone
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Peter Travers
Richardson -- acting with her mother, Vanessa Redgrave, who plays her aunt, and her aunt Lynn Redgrave, who plays her mother -- finds the story's grieving heart. Fiennes is her match in soulful artistry.- Rolling Stone
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Peter Travers
Keaton, a sorceress at blending humor and heartbreak, honors the film with a grace that makes it stick in the memory.- Rolling Stone
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Peter Travers
Sam Peckinpah lives! The rampaging spirit of the late filmmaker, known as Bloody Sam for films such as "The Wild Bunch" and "Bring Me the Head of Alfredo Garcia," is all over this blistering modern Western from first-time director Tommy Lee Jones.- Rolling Stone
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Peter Travers
Stroman should have studied the original Producers that Brooks directed in 1968, with Zero Mostel and Gene Wilder. It answers the question "Where did they go right?"- Rolling Stone
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Peter Travers
Here is the jaw-dropping, eye-popping, heart-stopping movie epic we've been waiting for all year.- Rolling Stone
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Peter Travers
Ang Lee's unmissable and unforgettable Brokeback Mountain hits you like a shot in the heart. It's a landmark film and a triumph for Heath Ledger and Jake Gyllenhaal.- Rolling Stone
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Peter Travers
Any doubts about three Chinese actresses speaking English with Japanese accents vanish in the face of their deeply felt performances and the world Marshall conjures with magical finesse.- Rolling Stone
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Peter Travers
The subplot involving a tragic romance between a soldier and one of the living statues (the lovely Kelly Reilly) is hell on the humor and on a movie that stays content to do the trite thing.- Rolling Stone
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Peter Travers
This PG-rated movie feels safe and constricted in a way the story never does on the page. It leaves out the deep magic of a good movie, or a good sermon: the feeling that something vital is at stake.- Rolling Stone
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Peter Travers
Even a nice chianti couldn't help you wash down this lump of tear-jerking twaddle.- Rolling Stone
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Peter Travers
The movie's soul is with Huffman. Speaking in a low voice, her posture as stiff as her vocabulary, her eyes a pool of sadness and hope, she turns this small, resonant film into a cry from the heart.- Rolling Stone
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Peter Travers
If there were an ounce of taste left in Hollywood, the magnificent Vera Farmiga would be a front-runner for the Best Actress Oscar.- Rolling Stone
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Peter Travers
This one-of-a-kind spellbinder from first-time director Laurence Dunmore is not afraid to shock. Depp is a raunchy wonder, especially in a time-capsule-worthy opening monologue.- Rolling Stone
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Peter Travers
Takes off with the lightning speed of a thriller, the gonzo force of frontline journalism and the emotional wallop of a drama that puts a human face on shocking statistics.- Rolling Stone
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Peter Travers
With the cast getting looser and the mind games kinkier, it's hard to resist.- Rolling Stone
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Reviewed by
Peter Travers
Witherspoon has nailed it before, notably in "Election," but her portrayal of June is astounding in its vitality and richness.- Rolling Stone
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Peter Travers
In substance and style, the movie is more than a few tears short of Jordan's "The Crying Game." But Murphy is an actor to watch. Even in heels.- Rolling Stone
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Peter Travers
Romantic yearning hasn't looked this sexy onscreen in years.- Rolling Stone
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Peter Travers
The strapping Owen as a guy who can't handle himself and cutie-pie Aniston as a witchy woman? I don't think so. Talk about derailed.- Rolling Stone
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Peter Travers
Fine directors Scott McGehee and David Siegel take a detour into mumbo jumbo.- Rolling Stone
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Peter Travers
Sarah Silverman is the most outrageously funny woman alive.- Rolling Stone
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Peter Travers
The film is shockingly light on music and heavy on crime scenes that play as bogus.- Rolling Stone
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Peter Travers
Even when the script slips into sermonizing -- a Swoff voice-over informs us that we're all still "in the desert" -- Mendes keeps invading us with emotions. The jolt of Jarhead is undeniable, and it comes when you least expect it.- Rolling Stone
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Peter Travers
The actors could not be better. Sarsgaard, Scott and the luminous Clarkson negotiate the film's razor-sharp laughs and bone-deep tragedy with resonant skill. Lucas' powerfully haunting film gets under your skin.- Rolling Stone
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Peter Travers
Younger knows it's fun to watch Rafi and David cross lines of age, culture and religion. He also knows it's painful. That's what makes his movie hilarious and heartfelt.- Rolling Stone
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Peter Travers
Cage works hard to find traces of humanity in a man that God forgot, as do screenwriter Steven Conrad and director Gore Verbinski. But in the face of a character no one cares about, can audiences be faulted for asking: Why should we?- Rolling Stone
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Peter Travers
Shot in the West Bank, the film radiates authenticity. Even when he plays the action like a thriller, Abu-Assad is in search of a deeper truth.- Rolling Stone
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Peter Travers
The script, co-written by Antonioni and Peter Wollen, focuses on a TV journalist (a superb Jack Nicholson).- Rolling Stone
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Peter Travers
Even the film's missteps (the score, by Barrington Pheloung, is cringe-inducing) can't stop this meditation on love -- Martin calls it "Jane Austen for the twenty-first century" -- from melting into heartbreak.- Rolling Stone
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