For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
The movie's soul is with Huffman. Speaking in a low voice, her posture as stiff as her vocabulary, her eyes a pool of sadness and hope, she turns this small, resonant film into a cry from the heart.- Rolling Stone
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Reviewed by
Peter Travers
If there were an ounce of taste left in Hollywood, the magnificent Vera Farmiga would be a front-runner for the Best Actress Oscar.- Rolling Stone
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Reviewed by
Peter Travers
This one-of-a-kind spellbinder from first-time director Laurence Dunmore is not afraid to shock. Depp is a raunchy wonder, especially in a time-capsule-worthy opening monologue.- Rolling Stone
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Reviewed by
Peter Travers
Takes off with the lightning speed of a thriller, the gonzo force of frontline journalism and the emotional wallop of a drama that puts a human face on shocking statistics.- Rolling Stone
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Reviewed by
Peter Travers
With the cast getting looser and the mind games kinkier, it's hard to resist.- Rolling Stone
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Reviewed by
Peter Travers
Witherspoon has nailed it before, notably in "Election," but her portrayal of June is astounding in its vitality and richness.- Rolling Stone
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Reviewed by
Peter Travers
In substance and style, the movie is more than a few tears short of Jordan's "The Crying Game." But Murphy is an actor to watch. Even in heels.- Rolling Stone
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Reviewed by
Peter Travers
Romantic yearning hasn't looked this sexy onscreen in years.- Rolling Stone
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Reviewed by
Peter Travers
The strapping Owen as a guy who can't handle himself and cutie-pie Aniston as a witchy woman? I don't think so. Talk about derailed.- Rolling Stone
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Reviewed by
Peter Travers
Fine directors Scott McGehee and David Siegel take a detour into mumbo jumbo.- Rolling Stone
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Reviewed by
Peter Travers
Sarah Silverman is the most outrageously funny woman alive.- Rolling Stone
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Reviewed by
Peter Travers
The film is shockingly light on music and heavy on crime scenes that play as bogus.- Rolling Stone
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Reviewed by
Peter Travers
Even when the script slips into sermonizing -- a Swoff voice-over informs us that we're all still "in the desert" -- Mendes keeps invading us with emotions. The jolt of Jarhead is undeniable, and it comes when you least expect it.- Rolling Stone
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Reviewed by
Peter Travers
The actors could not be better. Sarsgaard, Scott and the luminous Clarkson negotiate the film's razor-sharp laughs and bone-deep tragedy with resonant skill. Lucas' powerfully haunting film gets under your skin.- Rolling Stone
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Reviewed by
Peter Travers
Younger knows it's fun to watch Rafi and David cross lines of age, culture and religion. He also knows it's painful. That's what makes his movie hilarious and heartfelt.- Rolling Stone
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Reviewed by
Peter Travers
Cage works hard to find traces of humanity in a man that God forgot, as do screenwriter Steven Conrad and director Gore Verbinski. But in the face of a character no one cares about, can audiences be faulted for asking: Why should we?- Rolling Stone
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Reviewed by
Peter Travers
Shot in the West Bank, the film radiates authenticity. Even when he plays the action like a thriller, Abu-Assad is in search of a deeper truth.- Rolling Stone
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Reviewed by
Peter Travers
The script, co-written by Antonioni and Peter Wollen, focuses on a TV journalist (a superb Jack Nicholson).- Rolling Stone
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Reviewed by
Peter Travers
Even the film's missteps (the score, by Barrington Pheloung, is cringe-inducing) can't stop this meditation on love -- Martin calls it "Jane Austen for the twenty-first century" -- from melting into heartbreak.- Rolling Stone
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Reviewed by
Peter Travers
Some people find this twisty and twisted psychological thriller arty and pretentious. I find it arty and provocative.- Rolling Stone
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Reviewed by
Peter Travers
Shane Black creates a movie that is defiantly smartass and too cool for the room. I couldn't have liked it more.- Rolling Stone
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Reviewed by
Peter Travers
The movie is full of possibilities. Frustratingly, only a few of them are realized.- Rolling Stone
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Peter Travers
The film's problems lie with the lack of spark between a wired Dunst and a bland Bloom, and the meltdown of Drew's mother (Susan Sarandon), who grieves by tap-dancing.- Rolling Stone
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Peter Travers
This movie isn't over-the-top -- it doesn't know where the top is. Trash addicts will eat up every graphic minute, even if they prefer to wait for the DVD.- Rolling Stone
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Peter Travers
Any similarities between Josey and Lois Jenson, the real woman who made Eveleth Mines pay for their sins in a landmark 1988 class-action suit, are purely coincidental. Instead, we get a TV-movie fantasy of female empowerment glazed with soap-opera theatrics.- Rolling Stone
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Peter Travers
In ninety-three tight, terrifically exciting minutes, Clooney makes integrity look mighty sexy.- Rolling Stone
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Peter Travers
It's Hanson's astute directing that makes the film's life lessons go down painlessly, turning the smartly entertaining In Her Shoes into a comfy fit for both sexes.- Rolling Stone
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Peter Travers
Without jerking tears or reducing the acid content of his wit, Baumbach's humane movie gets under your skin.- Rolling Stone
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Reviewed by
Peter Travers
You will laugh yourself silly.- Rolling Stone
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- Rolling Stone
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