For 4,534 reviews, this publication has graded:
-
56% higher than the average critic
-
3% same as the average critic
-
41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
-
Positive: 2,923 out of 4534
-
Mixed: 982 out of 4534
-
Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Peter Travers
If you have to ask why this sucks, you deserve to waste your money. Why not also check out "Like Mike," "Juwanna Man" and "Hey Arnold! The Movie"?- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
So what's not to like? There's the bad CGI, the choppy pacing, the comically intense acting, the repetition, the dullness and mostly the idiot plot about how there's only one male dragon and everything will be fine if they kill the Big Dick. Wha? Somebody get a hose and put this Fire out.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Has the juice to get its hooks into you, knock you off balance and keep you that way for two hours. It's a triumph for director Sam Mendes. The passion and precision of his Road work is staggering.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
It's visual magic, and director Barry Sonnenfeld, who followed his MIB high with the lows of "Wild Wild West" and "Big Trouble," revels in it. He doesn't so much direct MIBII as load it with cool stuff and flit around to whatever takes his fancy. As summer escapism goes, you could do worse.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
In this painfully funny and touching look at the vanities and insecurities that a mother (Brenda Blethyn) can pass on to her daughters in the name of love, writer-director Nicole Holofcener ("Walking and Talking") does a chick flick right.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
In a summer of clones, Harvard Man is something rare and riveting: a wild ride that relies on more than special effects.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
It's not just that the movie itself is wicked awful, it's that Mr. Deeds brings out the worst in Adam Sandler.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
After a lively start -- the sorority sisters, shaken by the slightest imperfection in themselves, cannot cope with handicapped athletes -- the film smooths its rough edges and reduces complex characters to sitcom stooges. Call it an opportunity missed.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
You can feel the heat that ignites this gripping tale, and the humor and humanity that root it in feeling. Sayles knows how to use his social conscience: He lets it rip.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
First-time director Peter Care crafts something darkly funny and touching from a coming-of-age fable that might have drifted into formula without deeply felt performances from Culkin and Hirsch and dazzling animation from Todd McFarlane (Spawn) that brings the boys' comic fantasies to jolting life.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Director Doug Liman -- the hip skipper of "Swingers" and "Go" -- makes all the familiar dirty business seem fun and almost human. In these dog days, Bourne earns what passes as high praise: It doesn't suck.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
It's Bettany's portrait of the monster as a young man that rivets attention. So remember the name, or don't. Just watch Bettany strut his stuff. You'll know a star when you see one.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Get out your pooper-scoopers. Doo happens June 14th, warn the ads for Scooby-Doo. And they say there's no truth in Hollywood.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
The motor of the plot, involving nuclear terrorism, not only knocked Bad Company out of last year's release schedule due to 9/11 sensitivity, it stops Rock and Hopkins from sustaining a comic rapport. The waste is criminal.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Except for Ashley Judd, who shows true grit as Vivi in her babe days, the effect is like being buried in molasses. For guys whose pain threshold is way low when it comes to the bonding of Steel Magnolias, Ya-Ya is a definite no-no.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
How the hell did Ben Affleck, 29, wind up replacing Harrison Ford, 59, as our hero? Who's next as Ryan -- Ozzy Osbourne's guppy son, Jack? Chronology hasn't been this royally fucked with since Memento.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Writer-director Roman Coppola is trying to capture a time he's too young to remember, when the French New Wave reinvigorated film art.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
It takes a while for this oddball film -- a mosaic of stories in the style of "Magnolia" -- to take hold, but when it does, it grabs you hard.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Say the word, girl (Lopez), the next time you're offered one of these barrel scrapers: Enough!- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
Everett, whose scenes with Firth are a droll delight, nails every sly laugh. And Witherspoon adds her own legally blond American sparkle to this British party.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
The acid comedy of Grant's performance carries the film. It helps also that newcomer Hoult is that rare child actor who mercifully underplays the pathos of his role.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
The dark fantasist in Lucas makes a comeback after years of once-over-lightly.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Lane is a force of nature. Her slow-burning, fiercely erotic performance charges the movie.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Old master Eric Rohmer, 82, uses new tricks in the form of painted backdrops inserted digitally to create a virtual reality. Rohmer goes Lucas - who could have guessed?- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Thanks to the clever, caring touch of director Ismail Merchant, working from a script by Caryl Phillips, this steadily engrossing film captures the book's bracing humor and humanity.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
Maguire and Dunst keep Spider-Man on a high with their sweet-sexy yearning, spinning a web of dazzle and delicacy that might just restore the good name of movie escapism.- Rolling Stone
- Read full review
-
Reviewed by