Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. If you have to ask why this sucks, you deserve to waste your money. Why not also check out "Like Mike," "Juwanna Man" and "Hey Arnold! The Movie"?
  2. So what's not to like? There's the bad CGI, the choppy pacing, the comically intense acting, the repetition, the dullness and mostly the idiot plot about how there's only one male dragon and everything will be fine if they kill the Big Dick. Wha? Somebody get a hose and put this Fire out.
  3. Has the juice to get its hooks into you, knock you off balance and keep you that way for two hours. It's a triumph for director Sam Mendes. The passion and precision of his Road work is staggering.
  4. It's visual magic, and director Barry Sonnenfeld, who followed his MIB high with the lows of "Wild Wild West" and "Big Trouble," revels in it. He doesn't so much direct MIBII as load it with cool stuff and flit around to whatever takes his fancy. As summer escapism goes, you could do worse.
  5. In this painfully funny and touching look at the vanities and insecurities that a mother (Brenda Blethyn) can pass on to her daughters in the name of love, writer-director Nicole Holofcener ("Walking and Talking") does a chick flick right.
  6. In a summer of clones, Harvard Man is something rare and riveting: a wild ride that relies on more than special effects.
  7. It's not just that the movie itself is wicked awful, it's that Mr. Deeds brings out the worst in Adam Sandler.
  8. After a lively start -- the sorority sisters, shaken by the slightest imperfection in themselves, cannot cope with handicapped athletes -- the film smooths its rough edges and reduces complex characters to sitcom stooges. Call it an opportunity missed.
  9. You can feel the heat that ignites this gripping tale, and the humor and humanity that root it in feeling. Sayles knows how to use his social conscience: He lets it rip.
  10. The code talkers deserved better than a hollow tribute.
  11. First-time director Peter Care crafts something darkly funny and touching from a coming-of-age fable that might have drifted into formula without deeply felt performances from Culkin and Hirsch and dazzling animation from Todd McFarlane (Spawn) that brings the boys' comic fantasies to jolting life.
  12. Director Doug Liman -- the hip skipper of "Swingers" and "Go" -- makes all the familiar dirty business seem fun and almost human. In these dog days, Bourne earns what passes as high praise: It doesn't suck.
  13. It's Bettany's portrait of the monster as a young man that rivets attention. So remember the name, or don't. Just watch Bettany strut his stuff. You'll know a star when you see one.
  14. Get out your pooper-scoopers. Doo happens June 14th, warn the ads for Scooby-Doo. And they say there's no truth in Hollywood.
  15. The motor of the plot, involving nuclear terrorism, not only knocked Bad Company out of last year's release schedule due to 9/11 sensitivity, it stops Rock and Hopkins from sustaining a comic rapport. The waste is criminal.
  16. Except for Ashley Judd, who shows true grit as Vivi in her babe days, the effect is like being buried in molasses. For guys whose pain threshold is way low when it comes to the bonding of Steel Magnolias, Ya-Ya is a definite no-no.
  17. How the hell did Ben Affleck, 29, wind up replacing Harrison Ford, 59, as our hero? Who's next as Ryan -- Ozzy Osbourne's guppy son, Jack? Chronology hasn't been this royally fucked with since Memento.
  18. CQ
    Writer-director Roman Coppola is trying to capture a time he's too young to remember, when the French New Wave reinvigorated film art.
  19. It takes a while for this oddball film -- a mosaic of stories in the style of "Magnolia" -- to take hold, but when it does, it grabs you hard.
  20. Say the word, girl (Lopez), the next time you're offered one of these barrel scrapers: Enough!
  21. It's taut, tense and terrific.
  22. Everett, whose scenes with Firth are a droll delight, nails every sly laugh. And Witherspoon adds her own legally blond American sparkle to this British party.
  23. The acid comedy of Grant's performance carries the film. It helps also that newcomer Hoult is that rare child actor who mercifully underplays the pathos of his role.
  24. Unique and unforgettable.
  25. The dark fantasist in Lucas makes a comeback after years of once-over-lightly.
  26. Lane is a force of nature. Her slow-burning, fiercely erotic performance charges the movie.
  27. Old master Eric Rohmer, 82, uses new tricks in the form of painted backdrops inserted digitally to create a virtual reality. Rohmer goes Lucas - who could have guessed?
  28. Thanks to the clever, caring touch of director Ismail Merchant, working from a script by Caryl Phillips, this steadily engrossing film captures the book's bracing humor and humanity.
  29. Funny but perilously slight.
  30. Maguire and Dunst keep Spider-Man on a high with their sweet-sexy yearning, spinning a web of dazzle and delicacy that might just restore the good name of movie escapism.

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