For 4,545 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,928 out of 4545
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Mixed: 987 out of 4545
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Negative: 630 out of 4545
4545
movie
reviews
- By Date
- By Critic Score
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- Rolling Stone
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Reviewed by
Peter Travers
The battle, expertly shot by Dean Semler, captures the chaos of guerrilla warfare paralleled in "Black Hawk Down" and gives the film a scarring documentary realism.- Rolling Stone
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Peter Travers
Yup, director Michael Lehmann, far from the glory days of "Heathers," has made a movie about a hard-on, in which he relentlessly pounds a flaccid premise.- Rolling Stone
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- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Director Gregory Hoblit ("Primal Fear") is merely arranging cliches in new patterns until the surprise ending blows enough pro-military fervor up the audience's ass to make Colin Powell call a halt.- Rolling Stone
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Peter Travers
Broken Lizard does it with a shit-faced integrity that's worth a salute.- Rolling Stone
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Reviewed by
Peter Travers
John Q. is as fake as that tear, an exploitative mess trying to pass as social activism.- Rolling Stone
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Peter Travers
Walken is so funny, he almost makes you forget this flick is one joke stretched thinner than Calista Flockhart.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Abort! Abort! It's that time of year when Hollywood releases movies it should never have made in the first place.- Rolling Stone
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Peter Travers
Keep your eye on Kidman, whose kinky, kittenish performance turns unexpected emotional corners that pull you up short.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Veering on the maudlin, the film ultimately succeeds by striking a universal chord on the subject of inconsolable loss. It's a stirring, humane testament from a surprising source.- Rolling Stone
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Peter Travers
This mumbo-jumbo plays like The X Files on Prozac. No wonder the actors look narcotized.- Rolling Stone
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Peter Travers
A movie that advances the career of a demonstrably gifted filmmaker, a fearlessly funny movie whose laughs draw blood, a bracingly provocative movie that won't apologize for its bad temper.- Rolling Stone
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Peter Travers
The new Count moves with the smooth, plastic efficiency of a TV miniseries. Inspiration and originality may be in short supply, but the movie gets the job done.- Rolling Stone
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Peter Travers
These melancholy Danes create something sweetly sexy, funny and touching.- Rolling Stone
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Peter Travers
This new take on horror is more of the bloody same.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
The result is a film of surprise and wonder, lyrically attuned to the ticking intensity of romance.- Rolling Stone
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Peter Travers
Director Gary Fleder ("Don't Say a Word") pushes the same old cliches in "Blade Runner" packaging.- Rolling Stone
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Peter Travers
Director Gillian Armstrong turns Sebastian Faulks' pungent novel about World War II into a soporific.- Rolling Stone
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Peter Travers
Contrived, manipulative and shamelessly sentimental, this film is notable for the courageous reach of Sean Penn, who gives a bold, heartfelt performance.- Rolling Stone
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Peter Travers
A personal best for producer Jerry Bruckheimer, a triumph for Scott and a war film of prodigious power. You will be shaken.- Rolling Stone
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Peter Travers
Gosford Park abounds in scenes to savor. It's a feast, and one of Altman's best.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
The language is leaden, the pace glacial and the characters indecipherable. It's easier to read the actors -- they all seem eager to win an Oscar. Fat chance.- Rolling Stone
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Peter Travers
Ali is a bruiser, unwieldy in length and ambition. But Mann and Smith deliver this powerhouse with the urgency of a champ's left hook.- Rolling Stone
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Peter Travers
Director and co-writer James Mangold (Girl, Interrupted) is supplying comfort food for bruised romantics.- Rolling Stone
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