Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Smash acting debut of Combs, who brings ease and charm to a crime lord.
  2. Witherspoon -- though miles from the keen satire of "Election" -- stays one sharp cookie even as her film crumbles.
  3. There's more suspense in watching Brando, who has trouble with physical exertion, get on and off a bar stool than the robbery itself. Still, Brando -- his eyes alive with mischief --is the life of the movie.
  4. But the film exerts a hold. The crux is: for how long?
  5. Auteuil and Depardieu spar hilariously, and writer-director Francis Veber, following "The Dinner Game," offers another delicious treat.
  6. Makes you gag.
  7. From the lowercase lettering of the title to the deadly familiarity of the plot, there is much to grate on your nerves in this TV Afterschool Special trying to pass as a real movie.
  8. Whether audiences are pleased or vexed, very vexed, by A.I., any movie buff worth his salt will want to sift through this fascinating wreck of a movie.
  9. Lacks the cumulative impact of "Boyz," since Singleton allows repetition and sermonizing to dull his theme about the infantilization of black males. But Baby Boy leaves you shaken.
  10. Alleged family fun.
  11. Rob Cohen, who last directed "The Skulls" --ouch! -- can consider this one another career-killing skid mark.
  12. McTeer and the transporting music hold you in thrall.
  13. Slick-dick director Simon West, of "Con Air" and "The General's Daughter" infamy, continues to show no flair at all for blending action and character. Jolie and Lara deserved better. So did we.
  14. Kingsley creates an unforgettable monster. Acting rarely gets this hypnotically explosive.
  15. It's refried comic beans that smell stale and smack of desperation.
  16. They turn what could have been an acting stunt into an intimate and compelling study of bruised emotions.
  17. Exhibits rank incompetence on every level.
  18. Certainly blunt, and since Anderson and Bach are veterans of the porn trade, there is no skimping on the sex.
  19. Reeks like something produced from a squatting position.
  20. Lawrence forgoes his knack for verbal comedy and replaces it with crude nonstop mugging.
  21. Potter gets the period details right, but the film itself has long since flown off the rails, miring good intentions in rank soap opera.
  22. The director finds poetry in the face of his lead actress, whose performance is as luminous and moving as the film itself.
  23. The film has no soul. An epic about this day of infamy should shake you to the core. But the real infamy about Pearl Harbor is that when you exit, you don't feel a thing.
  24. A romantic thriller of more than usual ineptitude.
  25. The grand becomes grandiose and the lyrical turns bombastic.
  26. A world-class charmer that could even seduce the Academy when it hands out the first official animation Oscar next year.
  27. Delivers more suspense than a tombful of mummies.
  28. It's a dumb summer movie done with smarts.
  29. Writer-director Gerard Stembridge keeps the amoral laughs bubbling.
  30. It's a role of fierce demands, and Rampling meets them all. In a summer of crass, Rampling is a true class act.

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