Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Turitz keeps it comic and romantic in just the right doses. Looking for a fun date flick? You found it.
  2. Give the girls a cheer, but remember: "Bring It On" is still the poo, Missy. Take a big whiff.
  3. In crafting a fierce, fragmented, downbeat film about a character who makes the wrong decision as a man by being right as a cop, Penn flies in the face of what sells in Hollywood. Godspeed.
  4. Ritchie's got something all his own: a go-for-broke energy that cuts through the cliches of the crime genre.
  5. A black-comedy gem.
  6. Gives us good reason to believe that January really is the month Hollywood studios use to bury their cheesiest mistakes.
  7. Carter can't sidestep the script's cliches, so he wisely cuts to the fancy footwork whenever possible.
  8. Draws an electric performance from Peter Mullan.
  9. It's a mesmerizing spectacle.
  10. It doesn't help that Damon and Cruz fail to generate sparks or that the second half of the film, in which John and Lacey face hell in a Mexican prison, feels bluntly edited to fit a two-hour running time.
    • Rolling Stone
  11. This putrid dish marks a new low for director Roland Joffe.
  12. The humor is slight, but the actors make the blarney go down easy.
  13. Nothing new here except model-turned-actress Bellucci. To call her noteworthy would be an understatement.
  14. In uniting to honor Arenas, Bardem and Schnabel create something extraordinary.
    • Rolling Stone
  15. The House of Mirth is not one of those teacup and doily movies; it's harsh and disturbing. Davies does superlatively right by Wharton. There's blood on the walls.
    • Rolling Stone
  16. Dracula may stay undead in the new millennium, but there's not a sign of life - oh, that bloodless acting - in this sorry mess.
  17. I'd rather be buried in a mound of Floridian chad than watch director Donald Petrie force Bullock to jump through another desperately unfunny comic hoop.
    • Rolling Stone
  18. You may want to revisit this profanely hilarious Hollywood satire. . .just to catch the zingers the audience often drowns out with laughter. Hollywood corrupts absolutely, and Mamet turns the toxic process into the year's best and smartest comedy.
  19. It's a wild, whacked-out wonder. Coenheads rejoice.
  20. Starting to feel sick? Just you wait.
    • Rolling Stone
  21. The ending leans to soap opera, but Van Sant, revisiting the closet-genius theme of "Good Will Hunting" is too keen an observer of character to let this funny and touching film go soft.
  22. The Gift delivers the lurid goods as a scary, sexy, twist-a-minute whodunit.
  23. Ed Harris, who plays Pollock and makes his debut as a director - doing both jobs superbly, by the way - is angst incarnate.
  24. A sinfully scrumptious bonbon.
  25. Pulls off thrilling stunts that will leave you a sweaty-palmed mess. It's top-tier movie escapism.
    • Rolling Stone
  26. Slim pickings.
    • Rolling Stone
  27. Ang Lee, a world-class director working at the top of his elegant form, has done something thrilling. For all the leaping action, it's the film's spirit that soars.
    • Rolling Stone
  28. It's rare that a a movie leaves you pinned to your seat, wanting to see it again -- right now, this minute -- to work out the pieces of the puzzle. Unbreakable is one of those movies.
    • Rolling Stone
  29. A savage comedy of sexual extremes; the barbed laughs draw blood.
    • Rolling Stone
  30. Offers action in the Arnold Schwarzenegger style. Well, not right away.
    • Rolling Stone

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