For 4,544 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
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| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,927 out of 4544
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Mixed: 987 out of 4544
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Negative: 630 out of 4544
4544
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Passes muster as an old-style biopic with its heart in the right place. There won't be a dry eye in the house.- Rolling Stone
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Reviewed by
Peter Travers
Where's Sandler in all this? Lost in gimmicks that smack of desperation. Damn it.- Rolling Stone
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Reviewed by
Peter Travers
There may be bigger, costlier, weighter films this year. There's none lovelier.- Rolling Stone
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Reviewed by
Peter Travers
Redford plays the game of filmmaking to reveal what he holds sacred: story, character, feeling, thoughtful pacing, and an alertness of nuances of honor and shame that most movies skip in the rush to the rush.- Rolling Stone
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Peter Travers
These kickass Barbies bring heart to a machine tooled genre.- Rolling Stone
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Reviewed by
Peter Travers
While the first movie steadily tighened its vise, the second loosens its grip through strained acting and incoherent plotting.- Rolling Stone
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Reviewed by
Peter Travers
Ephron, try as she might, can't give her codified champagne spin to a Resnick script that all too quickly runs out of fizz.- Rolling Stone
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Reviewed by
Peter Travers
Green has created a work of startling originality that will haunt you for a good, long time.- Rolling Stone
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Reviewed by
Peter Travers
Crass manipulation can clean up at the box office, so do your part: Nail this flick as a bottom feeder and pay the bad word forward to three others.- Rolling Stone
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Peter Travers
Should have been a fun update on the 1967 Brit farce. Director/co-writer Ramis comes on too strong with the camper trickery.- Rolling Stone
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Reviewed by
Peter Travers
There's not that much that's new in screenwriter Marshall Karp's sitcom-ish memoir, but Alexander keeps the laughs coming.- Rolling Stone
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Reviewed by
Peter Travers
Altman orchestrates Dr. T's odyssey with the precision, heart and lively wit of a virtuoso.- Rolling Stone
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Peter Travers
Until The Contender slips into partisan politics and platitudinous piety, it's a lively, entertaining ride.- Rolling Stone
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Reviewed by
Peter Travers
Bell explodes onscreen in a performance that cuts to the heart without sham tearjerking. Look for Billy to blast off.- Rolling Stone
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Peter Travers
Writer-director Raymond De Felitta creates something wonderfully funny and touching.- Rolling Stone
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Peter Travers
A frustratingly uneven satire with undeniably sharp teeth, isn't afraid to shoot comic darts at its targets until blood is drawn.- Rolling Stone
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Peter Travers
A hilarious hodgepodge, in which De Niro gives his best comic performance to date.- Rolling Stone
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Peter Travers
No one interested in the power and magic of movies should miss it.- Rolling Stone
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Peter Travers
A strong, stinging film, alive with conflicts that defy glib resolutions.- Rolling Stone
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Peter Travers
Shot five years ago by director Michael Ritchie. No release until now. Uh-oh. Disaster? Pretty much.- Rolling Stone
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Peter Travers
Cruz is a dish, but her movie is as soggy and indigestible as Styrofoam.- Rolling Stone
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Peter Travers
Despite melodramatic lapses -- the gripping action recalls Walter Hill's 1981 "Southern Comfort" -- this is Schumacher's most ambitions film since "Falling Down" in 1993, and it plays to his strengths with young actors.- Rolling Stone
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Peter Travers
For all its fancy pedigree, the spellbinding Dancer in the Dark aims right for the heart and aces its target.- Rolling Stone
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