For 4,534 reviews, this publication has graded:
-
56% higher than the average critic
-
3% same as the average critic
-
41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
-
Positive: 2,923 out of 4534
-
Mixed: 982 out of 4534
-
Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Peter Travers
This hilarious and humane film nails its subject -- not just the unshaved armpits and the lack of underwear -- and marks Moodysson as a talent to watch.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
A blast of comic irreverence that serves as a starring vehicle for two stoner characters who had previously been relegated to the sidelines.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
It's a real charmer from a director who feels that a knockabout romantic farce doesn't have to be mindless -- take that, "America's Sweethearts."- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
A slipshod sequel that looks tossed together over a weekend by people who couldn't care less.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Too crude for the kids and not crude enough for connoisseurs of the "Something About Mary" school of hair jism and balls caught in zippers, Osmosis Jones seems doomed to fall between the cracks.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
Only some bumpy, arid passages in the script keep The Others out of the master class occupied by the likes of "The Sixth Sense" and, my favorite, 1961's "The Innocents."- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
Winds up being faster and funnier than the first time. Chan's acrobatic high jinks play strikingly off of Tucker's wiseass humor.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
With Apocalypse Now Redux — one for the ages when it comes to the moral battles of war — Coppola has reached the finish line at last. It smells like victory.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
With the exception of a battle scene with apes on all fours charging the humans, the film is monumentally silly.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Lulls aside, Wain and Showalter deserve camp kudos for getting the details right.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Chockablock with things we're not supposed to notice: that Roberts is wasted; that she and Cusack have no characters to play, so it's virtually impossible to understand why she loves him or vice versa; that the script provides comedy without bite and romance without resonance.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Mitchell gives this post-punk, neo-glam rock extravaganza everything in his loaded arsenal of talents. He gets the sound right, the look right, the fun right and - this is crucial - the pain right.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Let the unsettling secrets of this outrageously funny and steadily engrossing meditation on the life of two high school misfits after graduation catch you by surprise. It's that good.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Stinks worse than dino dung. Sure, the creatures look good.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
There's more suspense in watching Brando, who has trouble with physical exertion, get on and off a bar stool than the robbery itself. Still, Brando -- his eyes alive with mischief --is the life of the movie.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Smash acting debut of Combs, who brings ease and charm to a crime lord.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Witherspoon -- though miles from the keen satire of "Election" -- stays one sharp cookie even as her film crumbles.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
But the film exerts a hold. The crux is: for how long?- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
Auteuil and Depardieu spar hilariously, and writer-director Francis Veber, following "The Dinner Game," offers another delicious treat.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
From the lowercase lettering of the title to the deadly familiarity of the plot, there is much to grate on your nerves in this TV Afterschool Special trying to pass as a real movie.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Whether audiences are pleased or vexed, very vexed, by A.I., any movie buff worth his salt will want to sift through this fascinating wreck of a movie.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Lacks the cumulative impact of "Boyz," since Singleton allows repetition and sermonizing to dull his theme about the infantilization of black males. But Baby Boy leaves you shaken.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Rob Cohen, who last directed "The Skulls" --ouch! -- can consider this one another career-killing skid mark.- Rolling Stone
- Read full review
-
Reviewed by