I hope that there is a special place in hell for the those who made this train-wreck.

Different drawing style and monk-like garments of the main villain, which caused a stir among fans before the game’s release, are actually the least of its problems.

The moment when Space Hulk loses its charm, is two to three missions in, when you suddenly realize that you’ve already seen everything this game has to offer.

It feels like they conceived this game on a remote island or in a fallout shelter; it is absolutely devoid of any modern ideas, but offers many wild mutations of outdated ones.

The soundtrack is the only good thing in the new Rise of the Triad.

A tedious tomb raiding adventure starring an Indiana Jones parody.

A stellar example of a game that is totally not worth your time. No one will reward you for suffering through ho-hum gameplay with a well-crafted story, and there is not enough humor to make up for all the flaws.

An overly difficult, monotonous shooter married with an equally primitive endless runner.

The developers should stick to what they do best – make more desktop wallpapers.

An ugly-looking, tedious, monotonous, incredibly empty game. I see no reason to shell out for it, when you can get Dynasty Warriors 8: Empires or Samurai Warriors 4: Empires.

Son of Nor is an unpleasant nostalgic romp which brings memories of shoddy games made at the turn of the century. Level and gameplay design, camera movements, graphics… There is not much to see or to do here.

Weak story is the worst thing in Neon Struct, complete with two-dimensional characters, huge plot holes, and bad writing.

A low budget horror — in all senses of the word.

As an introduction to old-school classics, Evoland is just too boring, and most veterans are not that nostalgic to blindly forgive its shoddy attempts at game design.

Bladestorm: Nightmare has lots of concepts that could have made it a very special game. Unfortunately, most of them don’t work, and some are even useless.

Inspired by the great adventures and platformers of the last decade, The Great Perhaps doesn’t have even an ounce of their charm and magic.

There is no way Miner Wars 2081 is a modern reincarnation of the Descent series. It is a flawed, incomplete product that somehow was approved in Steam Greenlight.

Aside from (mostly useless) experiments with weaponry, The Weaponographist has nothing going for it.

Even if Last Knight were the only ‘endless runner’ in the world, it still would not have been worthy of your time.

There was a time when Steam was an upscale digital store, and now it looks more and more like a flea market. You never know what you’re going to get there, and sometimes you run into a sly salesman asking an arm and a leg for some musty old stuff. Like, you know, Triple Town.

Even the cooperative mode can't smooth out the many bumps of Tempest.

Obduction is a good-looking, mysterious, boring, annoying, sadistic adventure game that doesn't give a damn if you're having fun or not.

Space engineers are trending in horror games, but you'd be better off spending your time with Amanda Ripley from Alien: Isolation or Isaac Clarke from the Dead Space series.

Limited Run Games generally releases the laziest new editions of classic games compared to Aspyr or Nightdive, but this time it’s even worse than usual.

IMR is just too short to be enjoyable. It desperately needs online multiplayer and at least a simple level editor.

There is no tactics, no strategy, no diversity, and, unfortunately, almost no similarities with the brilliant FTL.

It’s so sad that Daylight became the first commercial product based on Unreal Engine 4. You can’t find worse publicity for Epic’s new tech than this.

The Park feels like a typical soulless tie-in game, only it promotes a MMORPG instead of a summer movie.