ChromaGun VR is a funny, occasionally challenging first-person puzzler, and one that is enhanced in VR.

Mulaka has some neat ideas and a sometimes gorgeous look to it, but little else to offer. The individual locations fail to stand out, and the game quickly becomes overly formulaic. The combat is too sloppy to impress, the platforming is plagued by a stiff moving character, and the puzzles are never captivating. It’s a completely forgettable experience with a few really nice sights that are better experienced as screenshots.

Some issues hold me back from giving The Sinking City full marks, but I still recommend it. Whether you’re a fan of Lovecraft, horror in general, or even a good old mystery, you may get a lot out of Frogware’s latest.

At that point, the promising feeling drips away, and you start to think that given this is the 15th racing game Milestone has released on PS4 in four years, we could be in for a real treat when they slow down and actually finish one.

Aragami 2 had potential to be a great follow up to an indie classic released five years ago. Unfortunately it lacks any real challenge and feels bloated with repetitive mission types and locations. The game starts to overstay its welcome after a while, but there’s definitely fun to be had before reaching that stage if you can put up with the plenty of bugs that still need to be fixed.

There’s a decent amount of fun to be found for fans of twin-stick shooters, but considering the game is currently free on Android and iOS, I feel that Tiny Troopers should have been enhanced further for our HD consoles. If you enjoy humor and pint-sized heroes, grab this game.

It’s also helped tremendously by the addition of Accel World characters, as they immediately caught my attention.

It’s not a groundbreaking game, and it’s not in contention for game of the year, but that doesn’t mean it’s not a fun.

A very short list of flaws are barely able to tarnish what amounts to a hidden gem among a busy holiday retail season filled with blockbuster AAA titles.

Forspoken represented a huge risk taken by newcomer Luminous Productions. While the story may feel a bit contrived at times, the Flow method of traversal and combat more than makes up for it. Frey may annoy some people as the protagonist, but stringing together a chain of magical commands within just a few seconds while deftly avoiding incoming fireballs is rewarding, and ultimately, I came away from Forspoken having enjoyed my time helping the people of Athia.

It has a slow start that won’t do much to sway anyone that’s not invested. If you’re willing to dig deep and stick with it, Darksiders III can be an extremely rewarding experience that has a lot to offer. It diverges from the first two games enough to feel interesting, but retains a distinct look and feel that fans of the series will instantly be familiar with.

Exploring Iceland as a furry fox friend has been a real treat. It’s delicious eye candy with a satisfyingly chewy center. Yes, there were times when I hoped for a little more direction in solving puzzles. Those brand new help cards on the PlayStation 5 dashboard sure would have been nice (fingers crossed we see those when the game officially releases). That said, Spirit of the North is too beautiful and captivating to be disappointed for long. If you love games like Lost Ember, I can’t recommend adding Spirit of the North to your collection enough.

If you’re an experimental gamer who seeks out the weird and unusual, no matter how unintelligible it is, Killer Is Dead will be right up your alley. For everyone else, the game is bargain bin at best.

There’s nothing wrong with the aesthetic of the game or its reliance on tired clichés to tell a story. It’s truly done a decent job, but that’s the crux of the problem – it’s just okay. It’s a fun title to whittle away some time with, and you may even find yourself warming up to your party members’ impenetrable plastic hearts. However, it lacks a compelling narrative, balance, and combat variety necessary to make it as engaging as it should be.

If you want a game, there are better music puzzlers out there with heaps more content, and if you’re looking for someplace to fire up your musical chops, there are actual music production tools that will serve you in better ways than Track Lab’s isolated creation mode.

Twelve Minutes starts off well but eventually descends into chaos. The game’s premise of trying to rewrite 12 minutes of a couple’s time is a great idea but the execution varies in success. Twelve Minutes starts well with a convincing story loop and gameplay that makes sense. Unfortunately that story loop becomes confused with a controversial twist that muddies timelines and morals. Gameplay starts to lean heavily into trial and error and some will give up before they see some of the later outcomes. Those that persist will likely remain confused. Luis Antonio seemingly had a lot of ambition with this one, but it hasn’t completely paid off.

In many respects, this entry feels more akin to an Arkane game and not enough like the Wolfenstein experiences we’ve come to know and love. At the very least, the future is bright, especially if Soph and Jess come along for the ride. Their brilliantly written and performed sisterly banter somewhat makes up for this largely disjointed and underwhelming venture into the franchise’s broader horizons.

A game that comes up short in almost every category. Yes, it is fun to kill insects and robots – everyone loves to do that. However, there is not enough variety in the enemies, missions, or classes to keep things from becoming stale rather quickly. Add in the fact that you never have to worry about ammo and you have mindless running and gunning at it's finest, with no depth to back it up.

If you’re a huge fan of Nippon Ichi’s games, then this is the game for you. However, the same reasons that fans enjoy their games are the same reasons to avoid them if you’ve not liked their work up to this point. The story is absurd, bordering on nonsensical at times. The graphics are disappointing at best, laggy at worst. Combat has a unique multi-weapon approach, but still mostly boils down to mashing the Square button until you can occasionally use a special ability.

For those of us that have played Dead Island before, there’s not much in the Definitive Collection to drag us back. Lack of adding previously missing features like split screen and the inability to import last gen character saves make playing Dead Island again feel more like a chore than an enjoyable experience.

Presenting the lore of Robin Hood in a whole new way, there’s a really fun and unique game in Hood: Outlaws and Legends. While it has a number of balancing issues that can impact matchmaking in various ways, it’s all wonderful when it works. Hood is a game that frustrated me on numerous occasions, but was also one of the most thrilling and distinctive multiplayer stealth experiences since Assassin’s Creed’s multiplayer modes. With some long term love and care, Hood has a ton of potential to really stand out. Hopefully that means the growth of the community with it in order to establish the kind of healthy player base that a multiplayer title needs.

This Is the Police will most assuredly find an audience. There is a tinge of Tharsis in the way that difficulty is handled – the world is out to get you, and things only get worse as you lose more and more resources. Most people won’t like this approach. But for those of you who enjoy having the odds stacked against them, for that one triumphant run in which luck is finally on your side and you come out of it all bruised, battered, but ultimately victorious, then This Is the Police may be right for you.

Moons of Madness promised a fictitious version of Mars from the comfort of home, with all of the suspense and jump-scares a girl could want, but unfortunately fails to deliver. As much as I wanted this horror fantasy, I can’t bring myself to go back to Mars. My patience has worn thin. Every time I hover over the graphic on my PS4 I audibly groan. Perhaps I’ll find the energy to return to it at some point, but much like the game itself, I’m not in a rush.

When the final Stormtrooper is slain, only one word comes to mind that describes Star Wars: The Force Unleashed II: disappointing.

The game offers stress-free, relaxing gameplay that allows its users to be as creative as they'd like to be. Although PixelJunk 4am may have a lack of traditional game elements, that same lack of traditional game elements is what makes it great and one of the most fascinating and intuitive experiences available for PlayStation Move.

If you’re a big fan of Assassin’s Creed, or enjoyed ACC: China, then you can pick this up without hesitation. It’s more of the same gameplay-wise, but completely different story and setting-wise.

Airheart will appeal to those who enjoy learning a game’s systems by trial and error. The bizarre-sounding concept of skyfishing is ridiculous when first seen, but quickly feels almost natural.

With its poor character AI, bland environments, and underwhelming visuals, actually fighting in Empires gets repetitive and old pretty quickly.