That is kind of the way Assassin’s Creed Chronicles: China feels like in general — it starts out okay, but soon becomes dull fairly quickly thanks to a lackluster plot and uninspired gameplay.

Max & the Magic Marker makes for a decent kids game to add to your Move enabled collection, but despite having some interesting gameplay points it stops short of doing anything deep with the mechanics at hand.

Paperbound is a riot, and a ton of fun to play with a group of people.

Ark: Survival Evolved has a bunch of interesting ideas. But by attempting to be a jack-of-all-trades, it doesn’t really feel like it has mastered any particular element. This doesn’t mean there isn’t fun to be had in the ARK; if you enjoy the brutal survival mechanics on offer here, then you will likely spend many dozens, if not hundreds, of hours in the quite lengthy grind as you conquer the primitive world.

For Virtua Tennis to survive, it needs new ideas, and a more robust experience wrapped around the fast-paced experience.

While I loved getting that classic RPG nostalgia, much of the game found certain levels of tedium that quickly drove the experience of Pier Solar from nostalgia to a chore.

Considering it’s for the PSP, 2010 FIFA World Cup, in the end, is a decent football game. It does have its flaws–visuals are poor, gameplay is identical to past iterations in the PSP FIFA series, and you may be better off waiting for FIFA 11. However, audio is spot on, and a broad range of modes adds plenty of replayability and value to the title.

The RPG elements of the game really do hold it back, as they feel under developed and tacked on, but the solid fighting mechanics and the ability to create something unique is a great draw that may keep me coming back just to be able to go Super Saiyan.

Like gamey meat, it’s not for everyone. Some players may want more to do than run around looking for seagulls and messages in bottles in between story moments and the occasional “fight” sequence. The story (which we have not spoiled here) is likely to resonate with many people, but for some it won’t be enough to overcome a lack of fun gameplay to take players in between exposition. It is a worthy attempt, but just falls a bit short.

It is a succinct experience with lots of different choices that change the story and lead to different sorts of outcomes. It is well performed has good transitions, and there are no overly-complicated inputs. That it basically requires you to get an outside app and use your phone and goes a little overboard with quick time events is a bit of an annoyance. But, it has an interesting story to tell about a woman who has been through terrible things and finally has a chance at answers and, if you are smart, a happy ending.

For every smart gameplay change there is a missing feature or a worthless addition. The yearly release schedule is clearly making it difficult for the team to fix issues while also adding new features, so they’ll have to make a choice sooner rather than later if trying to juggle both each year is worthwhile. For now, WWE 2K17 is barely off Jericho’s list.

It never quite reaches its full potential, but as long as you don’t mind that it’s quite grindy in places, then it is a worthwhile adventure. There’s also a couch co-op mode which is perfect if you have been looking for a simple RPG to introduce to a younger gamer or if you just want something low key to play with a friend.

SpongeBob SquarePants: Battle for Bikini Bottom – Rehydrated is a fun enough game in its own right, but it’s encumbered with the weight of near-ancient game design practices. It’s new bright visuals bring Bikini Bottom to life in a whole new way, with character animations now better portraying the classic cartoon than ever before, but its gameplay is still firmly anchored to 2003, some of which has been negatively impacted by its updated visuals. At its core, Rehydrated is a repetitive and cumbersome 2003 platformer. A bit of water in 2020 isn’t enough to soak new life into this old dried up sponge.

Maneater’s bite comes from its stunning underwater animations, comedic notes spread throughout the game, and the fact that you get to play an entire game as a goddamn shark. There simply isn’t anything else like it, even if it does follow some of the more rote open-world playbook rules when it comes to progression and collectibles. A choppy framerate in intense sequences is really one of the only things holding the experience back, but like a fisherman without a hand—or a leg—it doesn’t stop me from heading back to the open water for more. Am I still scared of sharks? Hell yeah, more than ever, but at least now I can be scares and fascinates me.

I like the idea of Gang Beasts on paper. Hell, I even like Gang Beasts when I see other players play. The jelly physics of up to eight players smashing into one another and trying to toss each other over the edge is great fun in theory, but becomes more of a frustrating chore and test of patience in practice.

Layers of Fear 2 excels in many aspects of psychological horror, but it also undermines itself. While it creates many layers of fear, there’s little connective tissue between them to make the narrative coherent enough to engage with. Overly video-gamey segments reveal the mechanics underneath, removing the tension in favor of fail states and cheap game over screens. However, its binaural audio and moments of reality-warping terror do wonders to instill a sense of unease in the player. It’s worth peeling back the layers in Layers of Fear 2 for all of the moments that don’t rely on the old horror tropes, but this journey into madness falls just short of being a pleasure cruise.

It’s easy to see the flaws in Rubble Without a Cause if it’s compared to its predecessor. Chapter 2 simply shines half as bright as A Knight to Remember.

Lost Sphear has all the makings of a classic RPG, along with some of the trappings expected with the genre.

The concept of using metrics based on your character’s own movements to manipulate a living infographic that you need to platform on is one that sounds great in design, but the execution of said concept needs to be tweaked before I could recommend that anyone spend much time with Metrico. Sadly, it does feel like you’re just bringing work home with you.

StarBlood Arena is VR’s Overwatch. Oozing with personality, it explodes with a style and grace that one might not expect to come from the scrappiest corners of the galaxy. The tight, frenetic combat takes some standard shooter ideas and literally turns them on their head, putting you in the pilot’s seat in a way only possible with virtual reality. If you haven’t taken the plunge, StarBlood Arena is a damn good reason to get PSVR. If you already own one, I’ll see you in the arena.

Beyond the addictive, puzzle-like challenge of hitting those high scores, there’s a fantastic sense of speed here. When you’re belting around in the F1 car, just scraping past trucks and getting through minuscule gaps in the traffic, things feel suitably rewarding. It’s just such a kick in the airbags that for every time that feeling reveals itself, there are two more times when you’ll be frustrated by one of Danger Zone 2’s bugs or general inconsistencies.

Even with its limited modes and maps (or rather, map, singular), Midnight Murder Club makes for a wildly good time if you can sign up a few friends. It might lack the flash and panache seen in modern live-service titles, but if you’ve been yearning for an online shooter that emphasizes gameplay and good times over all else, look no further.

Killing Floor: Incursion is perhaps everything you might expect from a first-person zombie shooter in VR. It checks all of the boxes, sometimes to its own detriment.

Trüberbrook is a very impressive mystery adventure game that will leave players wanting to experience more of Hans Tannhauser and the charming town of Trüberbrook. The unique, hand made graphics are one of the biggest, and most impressive features of the game and will likely leave you wanting to see more games made in the same style.

Even though it was a short game, The Inner Friend lingers in the back of your brain long after you put the controller down. It’s an emotional journey exploring childhood fears and trauma, and might just have you pulling out your favorite stuffed animal for a reassuring squeeze.

Sometimes half a head is all you need, as Henry Halfhead is an imaginative and fun time for gamers of all ages. With a surprisingly impactful narrative and some creative puzzles, this goes beyond a simple sandbox and winds up being a PS5 game with a lot of heart that you should check out.

Utawarerumono: Mask of Deception features an interesting story and great cast of characters coupled with excellent 2D visuals and voice acting, making it an easily entertaining experience in spite of its few shortcomings. While those looking for a complex and deep tactical RPG experience may find themselves disappointed, fans of the visual novel genre and the Utawarerumono series will definitely enjoy Mask of Deception and will end up looking forward to Mask of Truth.

The combat is refined and easy to get into, and the amount of things to do and stuff to unlock will keep players coming back.