DICE needs to untangle monetization and progression, keeping any elements that give players an advantage in battle away from real world money. Progression should feel like a reward for playing the game, not paying the game. It’s disappointing that this conversation needs to surround such an amazing title. Star Wars Battlefront II is an insanely fun and full featured experience no matter which corner of the galaxy or era of the story you go to.

Much like the anime that came before it, Kill la Kill: the Game is weird, wild, and loud, but also a bit shallow. But unlike the anime, the Game doesn’t have the same feeling of scale to it, the same feeling of unrestrained creators working with a healthy budget and top-tier industry names.

It may lack any distinctive feature that helps it truly stand out from the pack, but fans of motorcycle racing can’t go wrong here.

If Borderlands and the MOBA genre could have a baby, I imagine it would look something like Battleborn. Gearbox Software’s signature style shines here, even if the humor falls flat most of the time.

To put the game into perspective, it's like Monty Python got together and said "Let's make a video game."

For about $20 USD, Frantics will provide gamers and non-gamers alike something entertaining to do at a get-together without burying their face in a small screen.

The Chant is a fine first offering from Brass Token. It may be a bit rough around the edges, but overall, this is the perfect thing to play for those long, dark nights coming this season. With a short playtime and three different endings to unlock, this should be fun for others to watch as well. It may not be the scariest game to release this year, but The Chant has a freaky design to its creatures that will unsettle some late at night. Balance your chakra and join in The Chant if you’re looking for a decent spiritual adventure.

While Déraciné is worth playing and figuring out for yourself, it’s hard to recommend with enthusiasm. While intriguing and mysterious, the storytelling does have fundamental issues that make the overall mystery feel unearned and the tension intangible.

Yooka-Laylee is a breath of fresh air. Playtonic Games knows platforming, and knows it well. The incredibly precise reactions needed by players, coupled with the lack of some of the genre’s more modern conveniences may turn some newer/younger gamers off. But for those looking for a deceptively deep collect-a-thon that has an entertaining story and wonderfully-crafted world, look no further. With an asking price of $39.99, this is an easy recommendation for platforming fans.

From the shockingly feature poor online play to a single-player campaign that can be completed in a few hours, there just isn’t enough content to support the gameplay. It’s exciting to think about what a potential sequel could offer, but what’s currently being sold is a good, but definitely not great, arcade game that doesn’t manage to outdo its fantastic predecessors.

Lost Planet 2 literally tries to do everything a shooter should, but it doesn’t mean much when the game is plagued with minor issues and dull gameplay.

The Wizards nails the dream of having magic at your fingertips, but never goes as far as to make the magic feel all that useful.

But if you enjoy the thrill of this particular chase, and can overlook the game's average visuals, occasionally glitchy audio, and even the rather flat control scheme in cockpit mode, then you will likely enjoy MotoGP 10/11.

While it isn’t going to be blowing the doors off of the tactical strategy genre, Space Hulk: Tactics is a perfectly adequate game. Thanks to a solid combat engine, good writing, twin-headed campaign, and level designer, players will certainly be getting their monies worth for the forty-dollar price tag.

It’s a fun way to pass the quarantined time between new anime episodes, that’s for sure.

While this may be the best iteration of the series in some time, it's mostly just a ton of potential that ultimately lets you down. Pitching is great, but batting needs some practice. Fielding is frustrating, and even more so when you take the game online. Audio work is incredible, but not reactive enough nor as customizable as in The Show.

If you’re a diehard for fishing games, I suppose this one is fine. It doesn’t have any magical qualities that will lure non-genre fans to the party, though. That’s okay too, I suppose.

If you’re down to take some glimpses into a strange world that doesn’t operate under the same rules as our own then you’ll be treated to some of the sharpest dialogue and scenes seen in any game.

As hilarious as Pizza Titan Ultra can be, it is a one-note experience.

I’d recommend Doraemon Story of Seasons to fans of the series and farming sims alike. Sure, you won’t get to experience marriage like other SOS games, but you do get fancy doodads. There’s plenty to do, lots of ways to spend your coin, and fishing is super easy and relaxing. Just a great way to unwind at the end of a long day.

It may have been something special back in 2008, but it is definitely showing its age — especially when compared to The Chinese Room’s later releases, Esther falls dramatically short of modern expectations.

The Casting of Frank Stone takes some big swings with its story’s final act that pay off and elevate what otherwise could’ve been just another narrative-focused horror game. Supermassive does a good job of adding some action to its exploration sections and layering in plenty of Easter eggs from the series. Dead by Daylight fans are sure to have a blast, and I hope this isn’t Supermassive’s last foray into making a horror game in an established world.

If you’re looking for an indie RPG that tugs at your heartstrings, Smoke and Sacrifice is that game.

Re:Zero – Starting Life in Another World: The Prophecy of the Throne should please fans of the novel/anime. It doesn’t do enough to explain the world Subaru finds himself in, but the game’s album does attempt to rectify this. At any rate, The Prophecy of the Throne is an easy to digest visual novel with fun artwork and good voice acting, with a bit of turn-based gameplay thrown in for good measure. What more could Subaru ask for?

Instead of copying the status quo, Light Tracer tries to give gamers something they haven’t already conquered before. The challenge behind this virtual reality experience is in figuring out how to control the character without retaining direct control over her movements. Learning to do two distinctly separate tasks in a single moment is the key to solving many of Light Tracer’s puzzles and moving forward.

Ultimately, this is an artistic game first and foremost, and the puzzles are the medium in which players participate in the story. It is bittersweet and real, rooted in cultural significance. I fully expect this game to be snapped up by trophy collectors looking for an easy platinum, but I sincerely hope that everyone who purchases Arrog appreciates the experience as much as I. If you have a few dollars burning a hole in your PSN wallet, consider using them to pick up Arrog. I really want to see more from Hermanos Magia in the future.

Root Letter has many interesting ideas, but they never fully gel together at the end.

There is plenty to like about the combat in Earth’s Dawn, but the game doesn’t manage to reach its full potential. A boring story gives players very little reason to care about what they are doing or reason to progress, and the game ultimately becomes monotonous due to this. Those who enjoyed Odin Sphere will find an intriguing game here, just one that isn’t nearly as special or polished.