In general, Nexomon Extinction is a novel Pokemon-like. Its story is quite enjoyable and packed with personality, humor, and even some twists about the state of the world. There are lots of cool monsters who are really appealing, with movesets you could really work with and build parties around. But it doesn’t have everything you might expect from a game in this genre, since there’s no multiplayer element. Also, it can feel quite tedious due to the rate of experience you earn and amount of money you (aren’t) getting. Still, it’s definitely worth a look, especially when you consider its price.

Star Wars Battlefront is a casual fan’s dream come true. That’s not a bad thing, because what’s here is fun, but it’s something you have to consider if you’re looking for a more fulfilling title.

Wizard of Legend has a certain charm that many roguelike fans will fall for.

The first game is absurdly weak and offers little more than a look into the world before it ends abruptly after five hours.

Sakura Wars isn’t going to be for everyone. It’s oddly paced, character-focused, and anime-inspired, but that’s also some of the best things about it. If even a tiny bit of you is interested in that description, there’s a chance you’ll really enjoy the craziness that Sakura Wars puts on the table.

Evil West is a fun, frenetic, blood-soaked, testosterone-fueled action game with a lot to like. There’s some old-school charm to it, but at the same time some old-school frustrations. When co-op works, it’s fun, though it is by no means required to enjoy the game on its own merits. When you’re through the holiday’s festivities, and you want something to play that’s a bit mindless while also being entertaining, then Evil West should be on your list of games to play.

It’s a truly interesting game that handles its characters with care and affection, and the dungeon crawling elements are excellent. Without familiarity with the past game, however, it also alienates potential players in a way that seems unproductive.

Tom Clancy’s Rainbow Six Siege serves as a breath of fresh air against an overwhelming fog of twitch shooters. The drop of a traditional campaign is not reflected in the price, and yet the new Scenarios are just as tough as any campaign in previous entries, and easily as rewarding.

The cartoonish art style, the dark sarcasm, (most of) the puzzles, and the unpredictable story all heavily suggest this game has the makings of a hit. It’s unfortunate that a few bad eggs spoil the experience a smidge.

Heroland is an excellent “podcast game.” You can take your time with the actual important parts, paying attention to new boss battles and enjoying the story, then zone out with a show or something while you grind older levels to get your party up to speed.

This game has been so much fun to play. Even when I am cursing at the screen during a boss fight, Dread Nautical has me coming back for more. It’s wonderfully sadistic and addictive in all the right ways. Sure, there are a couple of things that irk me. Like when the reticle wanders across the map and I have to figure out where it went. Or when just as I am moving my third character into a room the ambush happens and my character holding the medkit is trapped outside. But that’s the heart of the game, and I am here for every single moment of it.

The Dark Pictures Anthology: House of Ashes is an impressive addition to the series that not only looks stunning on next gen, but also plays out in multiple player controlled scenarios, than can vary from triumphant, to downright heart breaking. It’s a dark journey through horror and blood, with only you (and maybe a friend in co-op) to determine who makes it out the other side.

Styx: Shards of Darkness improves on its predecessor significantly without having to steer away from its core attributes. Everything from its visuals and dialogue to its gameplay and story have been upgraded and polished to an impressive sheen. It’s still far from being perfect and its style of stealth and combat might not be for everyone, but it’s definitely a challenging and enjoyable experience that sometimes forces you to think hard first before acting.

Sparklite is a pretty fun game. It’s vibrant and cute and as a fan of pixel art, I admit that I may be a little biased. However, thanks to its rogue-lite elements, you can play in short spurts or sit down for a few hours at a time which is a real plus in my books.

Evil Dead: The Game has a ton of appeal to fans of the horror franchise, while also offering up a good deal of gameplay for players who may not be so familiar with it. The resource management aspect to playing as a demon is intriguing, and for those who aren’t so good at strategizing, playing against AI is always an option to hone your skills. Occasional glitches take some of the shine off, and no checkpoints in the single player missions is a baffling decision. Can such a game grow long enough legs with the ever-popular games as a service model? Only time will tell. But for an asking price of $39.99, there is enough content at launch to appease most fans.

Headmaster brilliantly manages to make a compelling game out of the simple action of simply moving your head around. While its high difficulty and progression system make certain aspects feel like a headache, the rest is pure fun. A surprising story also gets a starring role, and this is one of the best surprises to come out of PlayStation VR’s launch line-up.

But now, over three years since the release of the original, a lot of the gameplay seems lacking.

It’s not quite perfect, but if the improvements made in House of Wolves are any indication of the future, then I’m eager to see what kind of stuff Bungie comes up with to support and evolve Destiny next.

In a year that likely not see any more hockey at the NHL level, it’s nice to see that NHL 21 is allowing us to indulge our inner superstar. There may not be a ton of other huge innovations, but the enhanced take on Be A Pro alone makes this installment worth investing in. If you’re looking to only dive into the season mode, this may be more of an off-year, but for everybody else, it’s high-time to return to the ice with vengeance!

It’s definitely a shame the animation is so awkward and stiff; it pales in comparison to the visual splendor of the hand-drawn backgrounds, and it’s nowhere near as impressive as the graphics of The Shadow of the Templars were in 1996. Still, it’d be an even bigger shame if that put anyone off from experiencing this classically-inspired adventure.

Like those fantastical and ridiculous movies and novels, it demonstrates an ability to rise above its base, absurd concepts and weaves several stories that last. It’s much more than it seems, and begs for you to play it and discover its depth.

Ultimately, Zombie Army 4: Dead War is an amalgamation of tropes you’ve seen before, but it never quite nails any of them in a meaningful way. Want a fun cooperative zombie experience? Play Left 4 Dead or Call of Duty: Zombies. Want something funny? Play Dead Rising. Or how about something with a worthwhile story? Telltale’s Walking Dead might be up your alley. In 2020 when there are so many games releasing, begging for your time, mediocrity is a tough sell.

If you can get over the price tag and its obvious console shortcomings, you will find a game that is well worth the experience, XV demo or not.

As copies of the modern versions can be picked up for a comparably low cost, with a still existent online community, I cannot recommend this to anyone but an old school fan looking to revisit some memories.

For the most part, the changes that the new HD remaster brings are welcome ones. Not only because these changes add and improve upon what makes Legend of Mana a good game, but because they also make the game accessible to both new and returning players. Not only that, the game also gives you the choice to play it however you'd like, be it the orthodox way using no autosaves, or by utilizing the new QoL changes. These changes are more important than any other combat system revamping, or inclusion of a new skill system because, at the end of the day, Legend of Mana's strength isn't in its combat or game systems. It's in the characters, the locations, and the stories that it's been telling, and will tell for years to come.

You can play it on both the PS3 and Vita but I found it a bit better suited for the on-the-go style of the Vita.

CastleStorm VR is not a necessary VR release, but it is a fun one, showing the possibilities for traditionally non-VR titles on the platform. Head tracking works well, and playing the game feels like you are playing with a physical medieval play set.

With Lost Dimension, I feel like there is just so much more the game could have been. The concept is there, it just needed a bit more on the execution side to really make for a great story.