Devil May Cry 5 is a fun romp with a story that is unlikely to leave a lasting impression despite its best efforts to present compelling cutscenes. The cast of playable characters could perhaps be slimmed down to two, in order to focus-in on unique gameplay for each one. Regardless, the moment to moment gameplay is fun with fluid combat and plenty of spectacle. The Switch 2 port specifically is one of Capcom’s best efforts on the system. While not as graphically demanding as some of their more recent titles, this is still a gorgeous game that has been translated excellently to Switch 2.

While there are multiple paths through the game, it does feel like an experience that's best enjoyed with a friend given that the minute-to-minute gameplay doesn't feel overly fresh or really pop aesthetically. It was never clear if what I had accomplished or spent coins on was going to carry over to the next run. A bit too much is left up to the player to figure out, and I would have welcomed a bit more transparency while I struggled through my first couple hours with the game. By the time I hit my stride, I was bored of fighting the same enemies and bosses over and over. Short bursts and co-op play feel like the best ways to enjoy Dark Scrolls. Even then, there's really not enough charm or polish to shine through an experience that references the classics without containing what gives them staying power.

Call of the Elder Gods is smart, pretty, and, on occasion, satisfying, but it is also way too talky and too structurally obvious to become an absorbing experience. There are good puzzles here, and some will absolutely enjoy picking through its clues and strange story and lore. However, it lacks the confidence, elegance, and restraint needed to feel like an essential adventure-puzzle game.

Like its predecessor, Super Scram Kitty isn’t a particularly complicated game. The basic premise is immediately understandable, and you could be forgiven for thinking it's too simple in the opening levels. But it quickly becomes obvious that you’ll need to master this unique movement system to progress into the later levels and that is where Super Scram Kitty shines. There really is nothing else that plays quite like it. The changes made for this edition of the game make it feel almost like an entirely new game, even if you, like me, have fond memories of playing it on Wii U.

Parking Garage Rally Circuit knows exactly what it is: a tight racing game that feels like a victory lap of the arcade racers that inspired it. The controls are perfect. The visuals are somehow of its time yet timeless. And when everything clicks together this is a phenomenal racing game for both experts and newcomers alike. It would’ve been nice to play together with friends online, but I suppose their ghosts will have to do. This game feels like one of those small hidden gems that’s going to stand the test of time, one that doesn’t require tweaking with cars or switching between manual or automatic shifting. It isn’t clinging to the past but rather celebrating those that came before. Let the meter run a little bit longer, because being stuck in this parking garage has been nothing but pure joy.

While I do think that playing Rise of the Tomb Raider is pretty clunky and has not aged particularly well, I still had a fun time experiencing the game for the first time on Nintendo Switch 2. Over the course of a weekend I completed the main story, explored all the hidden tombs and had a lovely burst of nostalgia for an era of AAA games that is slowly coming back into fashion. Game mechanics and the overall player experience have improved significantly over the past eleven years. Yet, Rise of the Tomb Raider is still not too far removed from that time, allowing you to easily pick up and enjoy the experience today. Given that it kept me entertained and enthralled for a full weekend does say something about the quality on display here. Even if I’ve had my fill of this particular type of game for now. I’d be happy locking it away in a tomb, hoping that someone else may stumble upon it in the future one day and get some enjoyment out of it.

If The Adventures of Elliot become as numerous as the legends of Zelda, you'll find me a willing participant, despite the shortcomings of this maiden voyage. The inspirations are clear, but so too is the understanding of what makes for enjoyable minute-to-minute gameplay. The longer you play, the more the cracks begin to show, but the story manages to push you forward and the hidden plots beneath it make going out of your way an oft fulfilling detour. The red mage-looking Elliot has made a fan out of me, and if Link ever wants to take a break from stopping Ganon, Square Enix has a capable backup waiting in the wings.

Tetris: The Grand Master 4 - Absolute Eye is a fine version of Tetris that is tailored to those who are looking for the highest possible challenge. The small tweaks are welcome for those who’ve played Tetris religiously but the game lacks modes and variation to keep coming back to. With no online multiplayer you must really enjoy score chasing in singleplayer Tetris to stay hooked. While the guides and other modes taught me some valuable skills I can hopefully deploy in other games of Tetris, TGM4 knows that it is only there to provide you with just Tetris. For that goal it is perfectly adequate and plays great. For anything else you’re probably much better off playing a different version of Tetris. There’s a plethora of options out there even if TGM4 isn’t for you.

In the larger context of the roguelike genre, Dungeon Clawler plays with a lot of familiar tropes. However, its claw machine mechanic is playful enough to make it stand out and outlast the trappings of other games in this niche. It is clear that the developers had a lot of fun designing the world and characters to keep players on their toes. While it does have a bit of a learning curve that could’ve been smoothed out and the luck factor can never be underestimated, Dungeon Clawler is a great time. If you’re looking for something to sink a lot of time into, but want to save your quarters on, this is a roguelike you shouldn’t miss.

To A T was for me nothing short of a disappointment. I was expecting a fun and colorful story from the creative mind of the creator of Katamari Damacy. And while it may be unfair to put those expectations on a game with a wildly different approach to game design, the choices made here are more of a detriment to the design. A segmented, slow and repetitive story is even more kneecapped by inconsistent performance on Nintendo Switch 2. By the end I was left disappointed because all the ingredients and potential was there. Maybe the colorful visual style and cozy, slowed-down gameplay is exactly what you may be looking for. But to me To a T is not something I care to see again.

As it stands, eFootball Kick-Off! is a great football game wrapped in a thin package. If you’re here for modes, licenses, and the full modern football game circus, you may come away wanting a lot more. If you're here for the feel of PES, smooth 60fps football on Switch 2, and fancy building a team without being shaken upside down for your lunch money, then this is absolutely worth a look.

Final Fantasy 7 Rebirth is a bold game, whether it’s the direction of the story, the size of the world, or the stupid amount of mini-games. It’s a little bit messier than Remake, but the highs are higher. When this game clicks, it’s one of my favorite games in recent memory, making some of the discordant moments less egregious. On Switch 2, it’s a totally fine port, albeit not as impressive as the port of Remake. There might be better platforms to play this game on, but if you’re into the world of Final Fantasy, RPGs, or wild and weird AAA games, Final Fantasy 7 Rebirth is a must-play wherever you can get it.

Some of my favorite indie approaches to the modern 3D platformer, such as Tinykin, Blue Fire, A Hat in Time and Demon Tides, have these movement mechanics that I never get tired of exploring. I think Bubsy 4D is a great and focused contender in the 'expressive platformer' genre. While the character will probably not suddenly capture everyone's heart, its gameplay is something I'm so happy to see more of in action. For those hungry for a new 3D platformer in the year 2026, Bubsy 4D is a great shot of nostalgic gameplay with modern tweaks and flourishes. On Switch 1, it runs fine enough, and on Switch 2 you should have no problems. If you had told me that one day Bubsy would be part of the 3D platformer renaissance I, and many others, would've laughed you out of the room. But here we are. It's Bubsy's world once more and we are just living in it.

Mina the Hollower shows that the Yacht Club Games formula can still create a modern retro-tinged masterpiece, as Mina the Hollower stands up there with some of the best 2D Zelda-like games out there. The areas are vibrant and densely populated with secrets. The puzzles are inventive and challenging. The combat stays varied, especially as you discover different weapons, sidearms, and trinkets to make your preferred build. This is a special game that was well worth the long wait. Hopefully Yacht Club Games gets to take this mentality to even more new frontiers in the future.

Lumentale is frustrating because I feel like there is a ton of potential here. This is clearly made with a lot of love for the genre, and there are interesting ideas. I want to love this game. But there are so many glaring flaws in how it’s constructed that, if I wasn’t reviewing this game, those would have been enough for me to exit out right then and there. I could easily see a sequel or similar title by this developer being one of my favorite games, but with all the issues this ended up being a rough experience. I’m going to keep trying to play more of this, and since I didn’t come close to an ending I don’t feel like I can honestly give this a score, but I feel like this game is constantly pushing back at me getting to that point.

As a massive fan of Celeste, I believe TetherGeist earned the comparison the developers made to it, but more than that it stands on its own as one of the best precision platformers I’ve played on Switch or elsewhere. It takes a unique gameplay hook and finds a lot of interesting ways to iterate on it, and I highly recommend it to platformer fans who don’t mind a bit of challenge.

Mixtape is not a bad game and for three hours you’ll most certainly be engrossed in its world and characters. It may even get you to reminisce about your adolescence. But as a game and a story I was hoping for something with a little more kick. Perhaps, much like an actual mixtape, it will get a nice place somewhere and you’ll think about it every once in a while. Going back however will probably show the cracks in the foundation that were always there.

Monster Crown: Sin Eater is the very definition of a “rough diamond.” I could name plenty of small-to-medium things that didn’t quite work for me in the 10 hours it took to reach credits, yet the look, feel, and sense of discovery make it stand apart from nearly every other indie monster collector I’ve ever played. If they make a Monster Crown 3 some day, it’ll really be something to watch.

Bluey’s Quest for the Gold Pen is an unremarkable, mindless, repetitive bore only notable for its Bluey branding. The plot, a new story by the show’s creator, is barely a premise as the characters show no growth narratively or mechanically. Very young players might be entertained but will need a parent or older sibling to read the dialogue in this entirely single-player adventure. The touch controls from the original mobile release are here and work fine, though.

Tales of Arise is a straight forward RPG that places narrative above mechanical depth or a grand world. There are times where that can be a little boring, as you’re railroaded from one story point to the next. At the same time that story is good enough that I was genuinely eager to see what would happen next. Combat is exciting and only improves as your options expand. The Switch 2 version has some issues in the frame rate department (though in fairness it wasn’t perfectly smooth on other platforms either). But the actual image quality and presentation remain as excellent as they were when this launched on other platforms. While it won’t be your next 100-hour epic, Tales of Arise provides an excellent, condensed, RPG experience both docked and on the go.

Gear.Club Unlimited 3 is the kind of game I would recommend only with a big, big asterisk. If you just want a realistic looking racer, and to race around and do very little else, you will probably get some enjoyment out of it. If you want a racer that gives you a real reason to keep coming back beyond simply unlocking the next event, this will leave you wanting a lot more.

I love this series and many more games like it, but I am also hyper aware of the niche that they fit into. Visual novels are always a hurdle, but when the gameplay is mostly second hand dealing with sometimes sensitive topics, that can be another hurdle. Coffee Talk has never steered away from such things as trans identity, work life balance, racism and existential dread. Essentially, if you were not interested in any of these types of games before, this one isn’t going to change your mind. There's no new mechanics and it’s still a passive experience, but for my money, I am living and dying with every new endearing character. I am deciding on what ingredient goes into a Jahe Tubruk and I am waking up in the morning, before my child wakes up, making myself a nice warm cup of coffee and spending time seeing what my friends have been up to since we last talked. This brew may not be for everyone, but it's a special blend, specifically for me.

A true high-score chasing masterpiece in every sense of the word, Sektori is an unmissable addition to the Switch 2 library and an experience that I plan to stretch out for the rest of 2026 and beyond.

It's not uncommon for an RPG to start slow and build to a satisfying climax and conclusion, and while the plot of Starbites does improve and diverge wildly in equal measure, the putrid aesthetic and repetition make for a slog of a time most of the way through. I did find Lukida to be an endearing hero, as she shares a number of close bonds that show how she has inserted herself into the lives of those around her. That said, inexcusable crashes and softlocks plagued my time with Starbites past the first 5 hours of the game, pushing me to the limit in terms of actually wanting to roll credits. When it wasn't the bugs and performance doing it, it was the repetitive, boring dungeons that nearly had me cast aside my controller. Sadly, Starbites neither aims high enough to get anywhere near the stars, nor does it have enough firepower to even breach the atmosphere. If you do somehow feel compelled to play it, leave the Switch version buried in the desert where it belongs.

Easy Delivery Co. is not a perfect game. The resource management can grate, the cargo physics occasionally feel a little mean, and players wanting a more “guided” experience may find the laid-back structure a little too loose. But as a dip-in-and-out game, or something to play while half-watching something else, it absolutely works. More importantly, it has a very specific mood and commits to it. Somehow, delivering packages in a dark, snowy town has never felt so appealing.

Indiana Jones and The Great Circle is the best cinematic to game adaptation I’ve ever played, one of the best stories the Indiana Jones IP has told, and one of the Switch 2’s most impressive third party ports thus far. The Switch 2 delivers this masterpiece nearly uncompromised. Its only the occasional stutter or low-resolution texture that gives away the game’s slimmed down form. Whether you’re delving into ancient ruins to solve puzzles, or introducing a nazi to the loving embrace of a sledgehammer, every moment of the Great Circle is absolute bliss.

If you’re an Alien fan, I reckon there is enough here to justify the trip to Purdan. Just don’t go in expecting the nerve-shredding helplessness of Isolation. This is Alien “horror” with a pulse rifle in hand, and while that makes the big bad less terrifying, it also makes fighting back a messy kind of fun.

Cleaning Up! is a game I think that will really depend on what you want out of it. If you (like me) have already played dozens and dozens of hours of games like Powerwash Simulator, this is another game in the genre and I liked its attempts to distinguish itself with puzzles and fun costumes. But if you haven’t played games in this genre, I’d probably tell you to try something else, because the controls and bugs don’t leave a great impression.

MULLET MADJACK isn’t a game that asks for much. Pick it up, point your weapon at robots, and try not to blink too much. What it gives back in return is a relentlessly entertaining, aesthetically nostalgic slice of controlled chaos that somehow makes its repetition feel like a feature and not a shortfall. It's brutal, it's pretty silly, and it absolutely earns every second of your time.

Mouse: P.I. for Hire contains an excellent 6 to 8-hour game that's trapped in the body of a good 10 to 15-hour game. Despite its memorable, eye-catching art style, the lack of color ends up being another factor that makes the length less sustainable. Fortunately, excellent performances from the voice cast and compelling writing give Mouseburg a charming character all its own. Solid first-person shooter gameplay and unique bosses make it easy to recommend for fans of the genre, especially those who don't mind the extended experience. Switch 2 players may particularly enjoy mouse mode, a fitting way to play, but there is some stuttering in Performance mode, which aims at 60 fps. If you love a good trenchcoat-clad, heat-packing hero with a wit as sharp as his cheese, go ahead and hire this mouse to take a sharp-toothed bite out of crime.

Overall Constance is a consistent and solid action platformer. With a gorgeous visual style and satisfying combat, I’ve had a lot of fun across the board. While the boss battles can be a major spike in difficulty, it was the perseverance-mechanic and world design that kept me coming back. It doesn’t do too many things that set it apart from the other games in the 2D action platformer genre, but that’s okay. At the end of the day this is a beautiful title that uses both its themes and mechanics to tell an important story. I do not need all my games to reinvent the wheel. Constance is another standout within this particular genre.

Prism Peak is a game I liked being a part of, even when I was frustrated with its odd pacing and metaphors. It's pretty, thoughtful, and more emotionally honest than most games that wear their hearts this visibly. But it's also a game that crams too much into a single frame. Too many puzzles, too many metaphors, too many systems and ideas layered on top of a core loop that didn't need them. Trim some of the fat, and this is a standout. As it stands, though, it's a flawed gem.

Revelations in Celceta feels like the turning point towards the modern Ys titles because it's exactly that, and it ended up holding my attention more than any of the other Switch re-releases. It lacks the depth of movement abilities and character interactions that have come from Ys VIII through X, but it still manages to offer a very compelling adventure almost the whole way through. For anyone who missed playing an earlier version of Celceta or who just loves a solid action-RPG with fast-paced combat and movement, Ys Memoire: Revelations in Celceta is an easy recommendation. I’m hoping it won’t be long until we see Adol’s next adventure or revisit another of his old ones.

With a sea of brawlers out there, this isn’t one of the best ones, but it’s the only one that will offer you chocolate-covered pretzels after going to the bathroom. Snoogans.

Pushing through some of the more devious sections, I felt a sound sense of accomplishment in rolling credits on Saint Slayer: Spear of Sacrilege, in all its alliterative glory. In more ways than one, it's not for the faint of heart, but those seeking a retro-style challenge in 8-bit packaging will very likely enjoy the ride. While not all of its design choices land flush, the overall journey makes for a fun afternoon. A co-op mode made me wonder whom I might subject to this punishing experience, but once through was enough for me to hit my cursing quota for the year.

Sigma Star Saga DX is an interesting curio–a forgotten WayForward joint that I’m thrilled to have an opportunity to play in 2026, warts and all. I can honestly say I’ve never played anything quite like it. That said, no single aspect of the gameplay is without some measure of frustration. The overworld is interesting but the zoomed-in camera, respawning enemies, and retraversal can get old. One late-game planet in particular adds a foggy filter and a quickly-ticking timer that required several retries. I eventually grew tired of the SHMUP encounters because they’re so repetitious and while Gun Data is a cool idea, its implementation is ham-strung. All that said, I think this game has great bones and I’d love to see a sequel someday that addresses some of my issues with it.

ChainStaff is one of the coolest freaking platformers I’ve played in a long time. It’s just cool to dart around these vibrant levels with a neat grapple gun. It’s rewarding to toss your staff from across the screen to one shot a big enemy. It absolutely rules to throw down your staff to block projectiles and then climb up your staff to get to higher ground and lay waste to your foes. This is just a cool video game with novel gameplay mechanics and a consistently heavy metal style. If you came in here wanting another stellar Mommy’s Best Games distillation of classic 2D tropes, you’ll be satisfied. If you’ve never heard of Mommy’s Best Games before, sign up here for an incredible action platformer that will feel like a long-lost retro classic.

Although it may strike a chord with those who really love its theme and aesthetic, People of Note plays it a bit more monotone than I had hoped. The few high notes aren't able to fully compensate for the safe storytelling and narrative design, and the combat waffles too much between tedious and novel. That said, I couldn't help but feel taken by the game's commitment to being a music-themed adventure; constant puns and shake-ups to the combat mechanics gave me a genuine sense of joy. There wasn't enough momentum, however, to sustain those positive vibes, and I was left wanting to just roll credits in double time rather than slowing down the beat and soaking it all in.

At the end of the day, I got what I wanted out of Marvel MaXimum Collection. I can play the arcade versions of X-Men and Captain America and the Avengers in the comfort of my own home. I can relive ‘90s video game rental memories with Arcade’s Revenge and the Spider-Man/Venom beat-’em-ups. I can look fondly on the disappointment that hit me when I played that Silver Surfer game as a kid for the first time. These games are all here with basically every relevant version of them on offer. It’s just relatively barebones aside from the X-Men online multiplayer (fingers crossed it works well) and in an era of Digital Eclipse documentary collection, the standard should be higher.

Virtua Fighter 5 R.E.V.O. (World Stage) is a fighter’s fighter from people who made such a fundamentally strong game and combat so deeply rooted in a style that strives towards realism over flashiness that it could be overlooked. But it is for exactly those reasons that this game whose original ports come from the Xbox 360/PlayStation 3 era feel as fresh and powerful as ever. This is a hell of a package at a modest cost of entry, and the best Switch 2 fighter to date. What are you waiting for? Fight me.

It is these elements that kept me from enjoying Super Meat Boy 3D as much as I’d like. Yes, it is still a fun platformer. But it is also the modern embodiment of why ‘just make it 3D’ is still as challenging today as it was back on the Nintendo 64. At times, Super Meat Boy 3D gets to do its own thing and focus on what made that original game a modern classic. Great controls with tight level design that encourage the player to replay it over and over again to get the best time and find the collectibles. Yet, too many times I felt like the meat was left cooking too long. It’s bent into very specific ways to adhere to that original game, instead of standing on its own two meaty legs.

It’s a shame that this game couldn’t be more focused on its puzzle platforming, because these half-baked distractions suck a lot of the fun out of what could’ve been something really special.

The Midnight Walk is an impressive feat. Creating this massive world, with these wonderfully bizarre fairy tales is nothing short of fantastic. This feels like a fully fleshed out world, with so much more to explore if they felt inclined on a sequel. That being said, performance on the Switch 2 in both docked and handheld did struggle at times, and lack of surround sound, which is present in other iterations of the game, is disappointing. I also found that the mechanics were just too slight, making for an all too breezy experience. I’ve been keeping my eye on The Midnight Walk for a while now and was not disappointed in the final presentation. It’s gross, and disfigured in all the best ways, and does amazing work with mixing animation, claymation, and film media to craft something truly special. This game is an accomplishment and one of the best arguments for games as an art form this year.

One look at Chico's Rebound tickled the 8-bit nostalgia strings of this ‘80s kid, but I found a surprising amount of depth the more I played. There's a light story and some cute characters, but these are window dressing for a challenging and satisfying block-breaking adventure that doesn't overstay its welcome. Even if you're only lightly interested in the genre, Chico's Rebound is a standout that's well worth a look.

Kena: Bridge of Spirits had long been on my radar as I held out hope for a future Switch port. It took the power of the Switch 2 to make that a reality, but there's no doubt that the fidelity of the visual experience was worth the wait. Bridge of Spirits isn't overly unique in its gameplay, but it compensates for that with a charming story and beautiful environments. Even in handheld mode, the game holds up well and the charm remains intact.

This being a Legacy Collection brings up the question of Star Force’s legacy. While not bad games, the series is more continuation than evolution of the previous series, especially in presentation, story, and age range. Star Force 3 was also the direct predecessor to the somewhat ongoing Mega Man drought. While the perfect cure for a shonen anime friendship speech craving, Mega Man Star Force Legacy Collection feels a bit interchangeable with what came before.

Minishoot’ justifies the case for being worth your time in spades. This one may fly under the radar for most, but I beg of you to look up from the new triple A hotness and enjoy this fantastic diamond in the rough–for all the retro feels that it invokes, but also for doing something wholly new. Top to bottom, Minishoot shoots for the stars, and lands among game of the year material.

Rotwood is doing a whole different thing from other roguelites I’ve been subjected to recently and it’s doing it well. I do feel like the game ratchets up in difficulty once you reach the second major area, at which point a multiplayer approach becomes more advisable, but you can also farm resources in previous areas to upgrade your stuff beyond whatever recommended level a given stage recommends. I still think the industry is oversaturated with roguelites, but Rotwood is one of the good ones.

There’s enough I’m enjoying about DAMON and BABY that I’m curious to see the experience through to the credits. Its use of familiar mechanics in a novel wrapping and the enticing aesthetic and presentation do help to smooth out some of the rougher edges mentioned above. At present, I’m hovering around a lukewarm recommendation, but check out Nintendo World Report dot com closer to the game’s March 25th release date for a final score update. In the meantime, DAMON and BABY does have an eShop demo with progress that carries over to the full game, so check out for yourself how it feels to play as this devilish cute duo ahead of launch.

Rubato is both a provocative game in its presentation, but also a bit too obsessed with its drawn out story and strange characters. I had a good time, but was only really able to enjoy the game in shorter bursts. If you’re a platformer veteran and looking for something that is out of your comfort zone, you really cannot go wrong with Rubato. Even though I don’t think I’ll personally revisit it any time soon.

If you're into the art style and don't mind Etrange's constant need to be the center of attention, you may find an interesting time-sink type of action-RPG. If you're more put off by the anime-style storytelling, chibi-looking characters and combat mechanics that lack real depth, I'd say skip this one, just like I ended up skipping Etrange’s musical numbers.

At its heart it is a puzzle game unlike any other. You aren’t simply solving puzzles, but actively making choices and feeling their impact reverberate on the experience. The warning signs were there and they are true. Blue Prince can take over your life if you don’t watch out. But I say let it. Step into this manor over and over again. Get swept up in the mysteries of the Sinclair family and keep pushing forward. Whether you will stay long after the credits have rolled is ultimately up to you. But I can guarantee you that this is truly a unique game in every sense of the word. It will be the benchmark that future puzzle games will be measured against and that’s no small feat.

There is plenty of fun to be had with Shadow Tactics but be prepared for a lot of trial and error. Playing with the standard controller setup I found to be frustrating, and nearly caused me to put the game down. On the other hand, Shadow Tactics may just be the best argument we’ve seen yet for mouse mode on Switch 2. It is transformative to the point that I almost feel like the game ought to specifically recommend it to the player on startup. Underneath all of that is an interesting, though at times inconsistent, stealth game full of unique characters and scenarios. Just be sure to have a clear surface available mouse mode and plenty of patience as you whittle away at the challenge.

Tower defense as a genre hasn't really grabbed my attention as a Switch user, but Bean Beasts has made me think I need to pay more attention for potential hidden gems like this one. The steady drip feed of unlockables means there's always something new to try, especially if your tried-and-true tactics don't work on a particular stage, and the initial learning curve quickly gives way to a satisfying challenge that ebbs and flows across the various biomes, boss fights, and special levels with an endless number of enemies. Frequent but short loading screens are a minor nuisance, but they're worth the price of admission for this incredible entry in the tower defense pantheon. The name might not do it any favors, but don't judge these Bean Beasts by their cover. There's plenty of tasty meat on these bones.

The Fatal Frame II: Crimson Butterfly Remake houses a deftly created horror game. Mio & Mayu’s story is harrowing, and despite little preamble you quickly become invested in Mio’s attempt to save them from the telegraphed inevitable outcome. Entrapping spirits with your Camera Obscura is a smart design choice that is unfortunately bogged down a little by marathon battles, but the impeccable audio design, visual horror, and the world built by the development team shows a genuine love of the horror genre and papers over what issues I may have with some of the action. The world exploration and story beats have impeccable pacing. Fatal Frame II: Crimson Butterfly is a horror game for the horror movie fan, and this remake is the ideal way to experience it.

Depending on how quickly you figure out the puzzles, you can finish the game in sub-2 hours. It’s short but impactful. While I would have easily eaten up more bomb jump challenges, Öoo feels complete as is. It’s a stunning, whip-smart Metroidbrainia. Öoo is a brilliantly brain-wrinkling puzzle game that belongs either above or up there with the inspirations NamaTakahashi lists in the credits (Bomb Chicken, Box Boy!, Celeste, Metroid, Yoshi's Island, Cocoon, VVVVVV). Öoo is what I want video games to be.

Monster Hunter Stories 3 tries to be an epic RPG, but it’s bogged down by so many systems and ideas that it starts to take on water as you progress deeper into it. The story wound up being a highlight, but even the streamlining of monster dens couldn’t solve the heavy-handedness of monster collection and enhancement. If you want to painstakingly tweak the dials on habitats and splice monster genes while dealing with an acquired taste of a combat system, you’ll find a better time than I did in this game. Maybe at the end of the day, the twisted reflection was a metaphor for the entire game.

It only took a couple sittings to finish the 3 to 5-hour experience, but Ratcheteer DX makes for a good time nearly the whole way through. It’s well paced and introduces new tools regularly, all with two different functions or uses. There are some points of frustration, but none soured the adventure for more than a few minutes. If you enjoyed games like Minit or Master Key, you’ve got no reason not to dive into the underground and become a full-fledged ratcheteer yourself. Bonus points if you choose the pea soup color palette for maximum Game Boy nostalgia.

Scott Pilgrim EX feels less like a movie tie-in game and more like a fully thought-out and unique beat-’em-up. It’s a blast to play, whether you’re playing it solo, local co-op, or online. It might not be filled with replay value after you get through the campaign, but the pieces that make up the moment-to-moment gameplay can lead to a lot of different types of mayhem and challenge. This is an astonishingly stylish video game that sounds incredible, looks beautiful, and plays wonderfully. It’s worth fighting your way through evil exes to play.

In between fights, you slowly walk around the world, occasionally running into spirits that offer up quests, Scandinavian folklore, and really sweet-looking pixelized animations. It’s a dark quest that definitely tugged at some parent heartstrings as I played it, but the blending of all the different inspirations and styles coalesces nicely. The genre blend bingo has a nice prize at the end of it, even if it’s a little depressing and difficult.

If you have fondness for classic 2D games and are now a Disney adult, The Disney Afternoon Collection is a no-brainer. Even if you are just a retro aficionado, there’s still a lot of fun in store.

I think I’ve made it about halfway through Resident Evil Village and I’m having a blast so far. The game plays wonderfully on Nintendo Switch 2 and combines a lot of the elements I’ve come to love about the series. If you’re looking to get caught up on the last game before beginning with Resident Evil Requiem, you really cannot go wrong with this version of RE8. The additional DLCs are included as well as the Mercenaries mode. Now if you’ll excuse me, I’ve got a daughter to rescue.

Small ties and influences to the original series for the seasoned vets, with enough new and ridiculous to hook the newbies. The Switch 2 version worked way better than I could’ve expected, especially with how the Switch 1 only had the cloud streaming version, and my well documented disdain for cloud streaming on the Switch. The Switch 2 has the juice y’all, and I plan to continue my journey by jumping into Resident Evil VIII Village soon after I’m done with this review. Maybe after a little break to calm my nerves.

The thing I really enjoyed about Lovish is that it’s just very surprising. Many of the cinematics are clever, there’s a set of late-game bosses and stages and directly reference many NES games from my childhood including Super Mario Bros. 3 and Bubble Bobble, among others, and you’ll occasionally find yourself playing a shockingly long minigame based directly on some old favorites. The cinematics might get old, and some of the Crowns are weirdly hard to find, but overall, I think this Lovish is a fun romp.

There have been plenty of reviews I’ve written over the years where I’ve said something to the effect of wanting to see a developer take a second run at something. Seeing the evolution from Fur Squadron’s simple half-hour long debut to Fur Squadron Phoenix's visually diverse and expansive campaign is incredible. The controls are still just a little stiff and there is perhaps a bit more repetition than is ideal, but it is hard not to be taken in by the charm. This is a great rail shooter that hints at even more potential for a third entry. If you’re looking for something to fill the perpetual Star Fox shaped hole in your heart, Fur Squadron Phoenix makes for a wonderful alternative. I can’t wait to see what this developer does next.

This is still a great version of a stone-cold 8-bit classic. It’s just weird. This likely won’t be the last time we see this happen with Hamster’s new Console Archives line of releases and if we do, hopefully it’ll be another situation where whatever direction you go in, you have a rad game waiting you on the other side, whether it’s the Console Archives or NSO version.

I was enthralled by the mystery and story of PARANORMASIGHT: The Mermaid’s Curse. If you like mystery stories with a supernatural twist, I can recommend this game without any doubt. The cast of characters is a lot of fun, the ways in which the story unfolds are cleverly done and there’s even a dash of meta elements that make the game a lot more memorable. As a newcomer it has made me very excited to go back and experience the first game in the series.

While it ran well on the original Switch and actually benefits quite nicely from backwards compatibility on Switch 2, the technical improvements that come with a proper Switch 2 version are hard to ignore. The combat in particular really benefits from those higher frame rate options. The new content means there are fresh experiences here for returning players. It also includes all the costume DLC released for the original game. However, the lack of cross-progression does mean that you’ll have no choice but to start over. On the other hand, if you’ve yet to play Ys X, I can wholeheartedly recommend this version. While returning players do have to wrestle with whether the upgrade is worth it, new players should absolutely dive in without hesitation.

Under The Island didn't take long to sink its charming teeth into me as I had been itching for something a little lighter, both in tone and runtime, after making my way through a handful of long RPGs. Along Nia’s adventure, you end up encountering a variety of different gameplay types, including stealth sequences and arcade-style minigames, and so what has become a well-trod genre does feel quite fresh. If you're in the mood for a whimsical Zelda-like with some unique items and boss fights, the dozen-plus hours you can spend on Seashell Island are absolutely worth your time.

PGA Tour 2K25 is a fantastic golf game, possibly the best feeling and most realistic golf game I’ve ever played. On Switch 2, it has so many compromises though and I can earnestly only recommend this game to a specific type of player: the Switch 2 gamer who doesn’t own another platform and never leaves their house. It has frustrating technical issues and is little more than a crappy demo when you’re not connected online. It’s impressive to see PGA Tour 2K25 run well on a Switch 2, but you’re better off golfing with this game on a platform it was actually designed for.

I’ve always loved the Just Dance series, and I’m super excited that now I get to share it with my child, who’s now just getting to the right age for games. Just Dance 2026 is more of the same that we’ve seen over and over again, but in this case consistency is a fantastic thing.

Lil Gator Game: In the Dark is just as cozy as the base game. Zipping around the island looking for cardboard monsters to smash and new friends to make stays wildly relaxing, but the lack of any challenges dampens the sense of accomplishment. The cool new moves don’t have much of a purpose, and the lack of a map can get one lost. Maybe that’s the point, to get lost playing with movement tech while you think your thoughts. If so, they nailed it.

Super Bomberman Collection showcases some of the best Bomberman gameplay the franchise has ever seen. If you have friends or family for local co-op or competitive play, there are a lot of options, stages, and features to explore. While I will continue to bang the drum for thoughtful compilation releases, of which this is definitely one, more online connectivity would have been a great addition to the package. Perhaps best enjoyed in short bursts, Super Bomberman Collection is the best Bomberman release since the Bomberman 64: The Second Attack!

You can’t go through half a steam store page without tripping over a Metroidvania. Lots of great experiences to be had exploring wide ranging maps with hard stop gates you can only cross once you get that next special ability. The Prisoning: Fletcher’s Quest decided to step in that pond but stayed in the shallow end of map travel. There’s some comedy that oversteps the bounds of where my humor lies. Bluntly, in these spaces, a little bit of editing could go a long way. That said, when the jokes do hit, they’re really funny. When Elden Pixels tees up a gameplay surprise, it’s pure joy. When you get to that next boss, you’re going to feel good about dispatching them. The Prisoning: Fletcher’s Quest is a game whose highs are in the atmosphere, and is short enough where the flaws aren’t felt for long.

Wanting something more compact after recently spending time with Yakuza 0, Kiwami 1, and Kiwami 2 on Switch 2, Dark Ties was a perfect encapsulation of what makes the series so fun and charming, without the bloat that can creep in from time to time. Mine's combat style is simple but fast-paced, meaning random street encounters with unfriendly Yakuza never lasted more than 30 seconds. It may hit differently if you choose to roll credits on Kiwami 3 first, but for what it is, Dark Ties represents a welcome pack-in and the type of additional content I hope we see with the next Kiwami remaster.

Xenotilt is fun but hard and a little too chaotic for my tastes.

The longest Dragon Quest is charmingly remastered and noticeably trimmed, but loses a bit of its heart in the process.

Big Hops is an extremely attractive looking game regardless of platform.

Dispatch is an unmissable interactive narrative for those who miss the glory days of TellTale’s Walking Dead series or enjoy the mature comic book worlds of Invincible or The Boys. I had no trouble ripping through the eight episodes and eagerly await the potential announcement of a second season. I found myself genuinely buying into the redemption arcs of your motley crew of villains-turned-heroes; it’s rare for a story to hit with basically every character, but Dispatch doesn’t miss in this regard. Even if it doesn’t go for an immediate follow-up, AdHoc Studio is now firmly on my radar for a genre I had fallen out of love with years ago.

Dynasty Warriors: Origins won’t be a sweeping epic story that lifts you off your feet. Frankly, you probably won’t remember much of its characters and story. It’s not going to be the best playing hack-and-slash experience ever. It’s a little more forgiving than some of its contemporaries, and you'll feel its looseness in the one-on-one skirmishes with generals. That said, Dynasty Warriors: Origins is a load of fun. The dynamic warfare, the tried-and-true grand combat, and substantially improved hand-to-hand combat made this the best Dynasty Warriors game without a Nintendo property carrying it on its shoulders.

This is a game that shouldn’t exist in most reasonable worlds. A few years earlier and the remake might be more benign. A few years later and there’s no way this game gets greenlit. We live in a world with Final Fantasy VII Remake, though. This is a game that bounces from deathly serious climate disasters and tragedy to crossdressing dance sequences and fighting demonic houses. Final Fantasy VII Remake is a deeply weird game, but it’s a deeply weird game with awesome combat, wonderful writing, incredible music, and a joyously baffling story. In the process of this bizarre journey to a remake of a classic, Square Enix also created one of the best Final Fantasy games of the last 30 years.

I’m truly at a crossroads recommending MIO - Memories in Orbit. On the one hand it is a gorgeous Metroidvania that you can immediately tell a lot of care and attention went into. This game’s visual design is without equal and that truly sets it apart from other titles in this genre. I love how the focus is a lot more on movement and platforming, especially embracing a more aerial approach that will have you performing jumps and tricks that most other games tend to leave behind for the latter half. On the other hand, the combat and overall design became quite frustrating for me to stick with it. Combat never feels powerful and versatile enough, in particular during the early hours, that you have an impact. Progression is slow and will require making deliberate choices on your build depending on the area or boss you’ll be tackling. It is a disservice to the beautiful world on display here that I was reset back to the start so many times and lost a lot of the meaningful progress I had made. MIO - Memories in Orbit is at odds with itself too much for my personal taste. But I also cannot deny that if you are a fan of this particular genre, MIO is one that should not be overlooked.

The game looks good graphically, with the ginormous cast of characters each standing out in their own way, and the soundtrack is a solid one as well. Eventually, I do hope to circle back to Trails Beyond the Horizon, with a nice full notebook and a character interaction chart that makes Xenoblade Chronicles X’s look small. The systems are fun to interact with - when they’re not trapping me in what is supposed to be a horror game - and I want to be able to fully follow what’s going on. Even if it takes me 700 hours across Switch 2, my PC, and a Steam Deck to get there.

The game wants you to feel the living, breathing town, meet your neighbors, and understand the importance of this cultural moment. Otherwise, you could blink and miss what makes Despelote truly fascinating. You have to engage with the game on its terms; otherwise, you’ll miss everything the developers are trying to show you. This is Despelote’s most glaring weakness and its highest strength. It’s ability to ferry you to another place and time, if only to experience what it was like living during the Ecuadoran hype of the World Cup. To help you understand why Soccer and sports in general, really traverse cultural barriers and bring people together. United in a search for representation.

It can be difficult to describe how comforting it was to simply go back and have another adventure without the need to reinvent. It's not that Metroid Prime 4 is exactly like any of the other Metroid Primes. Honestly, taken individually none of them are all that similar. Rather, Metroid Prime 4 just feels like another one. It doesn’t expect you to point and clap when Samus walks on screen. Metroid Prime 4 presents a world in which Samus never left.

I’m not sure which of the DLC campaigns for Pokemon we’ve gotten in the last 12 months I prefer, but they are similar. Both Mega Dimension and the Indigo Disk focus on double battles and high level combat plus bring in Pokemon that were hard-to-impossible to get on Switch before. Though I do like replaying the Indigo Disk, so the Z-A twist on the format is definitely worth grabbing after you’ve had your fill of the main game. Just remember to do all the sidequests first, since the first thing they advertised for Mega Dimension - the Mega Raichus - requires completing a side quest with another side quest as an unlock.

This second generation of Pokemon games on the Switch - Scarlet, Violet, and Legends: Z-A - has repeatedly gone back and forth between “we are so cooked” and “we are so back”. Pokemon Legends: Z-A has basically distilled that down to one game, because it feels like everything that annoyed me about the game was countered almost immediately by the game doing something I enjoyed or impressed me. Of the two Legends, I still prefer Arceus though, and I do hope a third Legends game is more focused on catching than combat.

There are a few quality of life improvements for this version, including in-game achievements, ability to make save states, a rewind feature, all in addition to the new localization and port, but those are small things that just allow this game to shine. Milano's Odd Job Collection wasn’t localized in the past due to the concept of a cozy game like this being relatively niche in the West, and I feel like this will still be niche to a lot of people, but if you want to try an interesting blast from the past then I’d suggest picking up Milano’s Odd Job Collection. It’s not for everyone and the theming of being a child playing house would have been maybe more appealing to me when I was a child, but I really liked playing an older game with this much charm. I hope more games like this get a shot on modern consoles. There’s a world of interesting niche games out there to discover, and I’m glad I finally discovered Milano’s Odd Job Collection.

But when everything clicks together and you are on that skateboard, rolling down a slope through the underworld, Skate Story is truly out of this world. Performing tricks never ceased to look cool. Every time I crashed into a wall and shattered into thousands of pieces of glass it looked amazing. I would pick up my board and go again and again. Even the final devilishly difficult stages came together while that phenomenal score by Blood Cultures transported me away. There are some rough areas and structural issues that are hard to look past that are perhaps even more pronounced on the Nintendo Switch 2. But when I reached the credits and that original announcement trailer was playing in the background, I felt like I had come full circle. Experiences like this can be long-lasting even if they are a little rough, aren’t polished to a sheen, and occasionally show the screams from their creator. By the end I was left with this profound piece of art, something so utterly human. It is filled with love and passion, but frustration and despair, often stretching at the seams. I do not know Sam Eng, but I have a feeling that I got an insight into what he loves about making games. I may never be a skating game diehard, but Skate Story is a story worth sharing.

Up to this point, Capcom has been churning out a prodigious number of collections, many of them a hodge-podge of different lesser-known and cult classic hits. While their choices feel more like a potpourri, Mortal Kombat: Legacy Kollection is like slices of pizza with different toppings. It’s a delicious meal, filling and flavorful, if a little redundant. Sure, there’s some anchovy slices and someone decided to bring a Hawaiian pizza to the party, but no one’s forcing you to eat it and there’s more than enough of the good stuff to go around. I have great reverence for this package and its cataloging of the Mortal Kombat franchise’s now humble origins. It’s a toasty good time.

I truly thought I was done with the world of Octopath Traveler after the second one, but this prequel blew me away with how it brought an excellent mobile-only story to the forefront and leveled up the combat, exploration, and structure of this RPG series into something far better than what came before. I have a few small issues, whether it’s the late stages of the town building questline or the lack of class changing for all characters, but those are ultimately small potatoes to the successes that echo throughout the world of Orsterra in Octopath Traveler 0. The eight-player combat rules, the vignette-esque storylines are fascinating, and the overall world building is top notch. This is one of the best traditional turn-based RPGs I have played in ages and it makes me excited for what might be next from the folks involved with this excellent adventure.

I am almost sure that there is a game for everyone in this collection. Whether you’ve been following Simogo since their mobile games, or only played Sayonara Wild Hearts, each of the titles on display is such a great encapsulation of what has made this studio so unique. It’s not just a documentary showcasing the history of the studio, but this is Simogo pioneering a way forward: presenting a path for the preservation and (re)appreciation of games made for mobile devices. These types of games, more than any other, are so quickly lost to the annals of history. But they are important in their own right and collections like these give them the respect they deserve. I simply had a fantastic time with the Simogo Legacy Collection. It is everything one can expect from a collection celebrating a legacy. My hope is that other studios are taking notes and can learn from what Simogo has achieved here.

Pound for pound, Marvel Cosmic Invasion is an amazing follow-up to Shredder’s Revenge, taking the smart nostalgic foundation of an old arcade license (this time X-Men, Maximum Carnage, and the like) and building it into a brilliant modern experience. The Cosmic Swap mechanic lets you play as more characters while adding a lot of depth and strategy. The lively spritework pops off the screen like it is a comic book come to life (it kind of is), emboldened by the stellar voice work and banger of a soundtrack. Cosmic Invasion rules.

Viewfinder is a fun puzzle game bogged down by its ambitions. I loved the way in which the game uses the gameplay to speak for itself. At the same time, whenever the characters started speaking I was kind of turned off by the experience. The Nintendo Switch version runs fine enough, but can have a bit of a hard time with the framerate and loading of stages. For puzzle game die-hards, especially fans of Portal, The Talos Principle and Superliminal I’d recommend Viewfinder in a heartbeat. But if you’re hoping to find something beyond that incredible viral video, I’m afraid that Viewfinder will not be able to change that perspective.

I’m happy to give any roguelike or lite a try to see if it hooks me, and after successfully completing my first run, I knew that my stomach was already full of Morsels. If you enjoy its gross, purposefully ugly style and love everything run-based, you’ll probably get a kick out of Morsels. In such an oversaturated genre, there are plenty more appetizing offers to satiate your hunger.

There are some tense and memorable character interactions, such as when you break into your therapist's room to learn more about another motel guest. When you have multiple objectives on the go, Rue Valley has a genuine sense of momentum that means almost everything you do will lead to a new insight or twist. However, the way in which your create-a-character's mental profile gates off certain interactions and dialogue trees is frustrating and made me feel often like I had just rolled a bad character; I can't see myself returning to a narrative experience like this one after seeing the story through, so I'm not sure why all the gatekeeping and roadblocks exist. If you're a sucker for Groundhog Day, time loop tales, or point-and-click mysteries, your enjoyment of Rue Valley may reach a higher peak. I was already tempted to check out of this motel before my suitcase was unpacked.

Neon Inferno executes on all the toughest elements of its design flawlessly but occasionally gets tripped up in more traditional areas. Blasting your way through enemies before using a sword to deflect bullets into a sniper waiting in the background is extremely satisfying. But at the same time a poorly implemented alternate weapon system and badly paced checkpoints prevent Neon Inferno from ever quite hitting the heights it deserves to hit. That being said even with those occasional missteps it is hard not to get caught up in everything Neon Inferno has to offer. This is a beautiful throwback to some of the best of the 16-bit era that achieves something entirely original.

House Fighters: Total Mess is a great concept, but it just never quite executes on it as well as it should. The single player campaign is the only mode and only took me an hour or two to complete. Now and then some more interesting level design will peek through but for the most part this is a forgettable shooter wrapped in a very charming shell that ends just when it is starting to get interesting.