New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. You'd be better off spending an evening with the collected works of Rob Schneider.
  2. Pamela Yates' unblinking chronicle of recent Peruvian history paints a devastating picture of a people nearly destroyed by their own leaders.
  3. The question is, can a Slovakian lawsuit against the filmmaker be far behind?
  4. There's no drug potent enough to make Grandma's Boy worth 87 minutes of your life.
  5. Sadr-Ameli's unflagging empathy and Alidousti's confident performance keep us rooting for this young heroine, who refuses to accept the limits forced upon her by both society and the law.
  6. While there's no fun in mediocrity, ludicrousness is another matter. Boll is the best at what he does, and what he does is make truly terrible films.
  7. What fans want are good movies. This one isn't particularly funny or romantic, but it's gripping and tragic. It asks some nasty, yet profound, questions about human desire and behavior.
  8. As complex as its subject's life and - like her - both flawed and fascinating.
  9. Just because Dimension considered Greg McLean's nasty exploitation flick worthy of their time and money doesn't mean it deserves yours.
  10. A period romp that tries too hard.
  11. A lump of coal, sculpted from the kind of high-concept idea screenwriters find scribbled on bar napkins after nights of heavy drinking.
  12. In the end, it's a sweeping, important film that overturns everything you learned in school about the birth of this nation.
  13. It is no small compliment to Pierce Brosnan to say that his performance in writer-director Richard Shephard's goofy black comedy The Matador could only be rivaled by Christopher Walken.
  14. The failure of a movie that is so good in so many ways leaves me to wonder if Spielberg is up to this kind of complex, multi-tasking story.
  15. Caché seems at first glance like a straightforward thriller - about a talk-show host being stalked by a technologically savvy blackmailer. But it's really a sly, subversive commentary on conscience, race, class and inequity.
  16. No one will accuse The Ringer of being tasteful, but when you're not laughing, you may find yourself genuinely touched.
  17. The title might as well refer to the viewer who tags along on Louis' often-silent journey from solitude to some tentative form of family. Some will consider the experience insurmountably frustrating; others will find it exhilarating.
  18. A cheerless sequel to an uninspired remake, Cheaper by the Dozen 2 is, at best, well timed to serve as a backup baby-sitter during the hectic days of winter break.
  19. A sharply comic critique of corporate greed might have added to the national dialogue, but this is a series of hit-&-miss sketches.
  20. In any case, the movie moves only when she's (Richardson) in the center of it, and her complex performance as a woman balancing her dignity with her survival instincts is one of the year's very best.
  21. A machine-tooled entertainment that's as fake and flimsy as a plastic Christmas tree. The only reason the movie isn't as bad as it has a right to be is the marvelous Diane Keaton.
  22. A small movie that plays like a Western epic.
  23. If you have seen the play, especially if you've seen it with the original cast, treasure the memory and protect it. The movie will attack it like a virus.
  24. The superior animation we've seen over the last few years has raised the bar for family entertainment like Hoodwinked, which features lackluster character design, so-so animation and only fitful bursts of cleverness.
  25. What a movie! This is how the medium seduced us originally.
  26. A funny and insightful exploration into identity issues we all can recognize.
  27. A few relevant themes do bubble up from this visually intriguing swamp of self-indulgence, but Arquette's pseudo-philosopher seems to speak for Almereyda when he says, "If there was a point, there wouldn't be a story."
  28. The movie may be set in prewar Japan, but it's pure 1940s Hollywood. There's costume, pageantry, melodrama, the feeling of a sweeping epic without the bother of too much accuracy, equal doses of heartbreak and uplift.
  29. Gently unfolds into an epic, heartbreaking love story that's far greater than the sum of its parts.
  30. This genteel confection skews toward older audiences - those who go for "Calendar Girls," "Ladies in Lavender" and "Mrs. Brown."

Top Trailers