New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. This is a lyrical art movie with admittedly limited commercial appeal, but worth seeing for cinematic explorers.
  2. The result is both tragic and darkly comic - in this complex environment, blame and sorrow are locked in a partnership of absurdity.
  3. James Siegel's best-selling thriller Derailed is a perfect commuter book that has become the most imperfect of movies.
  4. Jon Favreau's adaptation of Chris Van Allsburg's kid-lit adventure of the same name, more than fills the bill - though it's unlikely to draw anyone over the age of 11 (not counting baby-sitters).
  5. Seeing the splendid new version of Pride & Prejudice can be hazardous to your health: There's a very real danger of swooning.
  6. It took one novelist, one screenwriter and two directors - Scott McGehee and David Siegel - to cobble together this earnest nonsense, and if it weren't for 12-year-old novice Flora Cross, who plays its central character, all would be lost.
  7. Shot on digital video, made on the run whenever Watts was available between gigs, the movie is a pointless, tedious eyesore.
  8. On stage, the attractive 34-year-old Silverman is very funny. She's too blue for Comedy Central, and too slow-paced for an HBO hour, but she'd come off better in either of those formats than she does in this mishmash.
  9. The film does deserve credit for juggling difficult racial and class issues - but with a wacky score, cute puppies and silly side stories also jockeying for space, Bamford's best intentions tumble to a heap long before the movie ends.
  10. Though he doesn't possess the dangerous confusion of his tragically misguided heroes, veteran director Marco Bellocchio does share their capacity for raising thought-provoking points that end in an ineffectual tangle.
  11. While there is a great deal of laughter among the quartet, there's scarcely a giggle in it for the audience.
  12. A gangsta rapper without fire in the belly isn't terribly interesting, cinematically or musically.
  13. When these proudly strutting dandies glide through a grimy basement as if they didn't have a care in the world, their joy is irresistible, and Ronde's point is made.
  14. The studio's fresh corps of CG animators may get up to speed before the current four-picture cycle is completed, but if they don't get better material to work with, the sky will be falling along Dopey Drive.
  15. The movie has some of the washed-out look of David O. Russell's excellent "Three Kings," but none of the edge. That's part of the point - that nothing leads to anything, at least not in this particular war.
  16. The triumph here is the natural, fluid way the characters interact, many of them displaying real-life, quirky senses of humor you don't often find in screenplays.
  17. These are three characters in search of a moral pulse.
  18. Lovett's history is heavy on hedonism, but he does deliver a succinct perspective on this celebratory era - between the sad bookends of repression and loss.
  19. Working with a self-consciously urgent, neo-noir style, Goldberg seems intent on expressing a meaningful message of some kind. It's too bad, then, that he has chosen such a shallow subject.
  20. Left-wing flame-thrower Robert Greenwald (Uncovered: The War on Iraq) gets after the global giant anyway, and he may have you thinking twice before entering another Wal-Mart parking lot.
  21. Two hours of ludicrous action, forced humor and self-conscious romance.
  22. The occasionally amusing, generally fatuous romantic comedy about a dazzling divorcee, a smitten Jewish boy and a controlling Jewish mom who also happens to be the divorcee's psychotherapist, is a high-concept movie with a Yiddish accent.
  23. Though the overall effect feels a little anemic compared with its predecessor, the ads promise blood, and - oh yes - there is blood.
  24. Nicolas Cage does such a persuasive job of portraying Chicago TV weatherman Dave Spritz as a train wreck of a guy that you wonder whether this might actually be a training film for a psychoanalytic convention on hopeless cases.
  25. But with her penchant for frilly romance and sentimentality, the focus is often, cloyingly, on Conn as the heroine of the story, the mother who (sob!) wouldn't give up.
  26. The film paints an affectionate portrait of a wry, somewhat addled man whose hard-partying past was in stark contrast with his later life - a fluffy cat nestles in his guitar case while he explains his nickname.
  27. At the stunning conclusion, you feel as if the weight of the Israeli-Palestinian conflict has come down on your head.
  28. Blood, grotesquerie and humor mix equally in the first two, but the full combo makes a savory witches' brew for Asian-cinema cultists (or Halloween lovers in need of a gore fix).
  29. Goldfine discover so many fascinating themes within their seemingly narrow subject that anyone with the slightest interest in history or human nature will find it absorbing.
  30. Even The Rock, who can usually be counted on to enliven any scenario, seems bored by the laughably feeble script.

Top Trailers