New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A generation-spanning journey that feels both comfortingly familiar and excitingly original.
  2. Never gives us what it promised: a glorious, totally new sense of horror.
  3. A wild dream that spins into a nightmare, Moonlight isn't quite as provocative as it aims to be. But it will stick in your mind, and may even disturb your sleep.
  4. Any opportunity to see Pete Seeger perform, even at age 85, is worth taking - and Seeger is front, center and full-throated in Jim Brown's concert film.
  5. Eye-opening political documentary focuses on "the strange world of violence and fear, fantasy and deception, in which we now live."
  6. Whether he'll achieve his goal of setting the world land-speed record for motorcycles is never in doubt, of course, but getting to a film's climactic scene has rarely been more fun.
  7. The wordless six-minute animé shorts - at the end of which our double-jointed heroine would always die - don't lend themselves to a 95-minute action movie where viewers might rightfully expect something to make sense.
  8. This drama offers a chuckle at every turn.
  9. We've seen this story before, and the thrill is gone.
  10. Arnold's heart is in the right place, but somebody needs to save him from himself - and soon.
  11. Rarely do adaptations of stage plays work on screen, and almost never do they work as well as this one does. Most remarkably, the dryly comic "Moon" is virtually a one-man show.
  12. it's Van Zandt's family that provides the film's most memorable moments.
  13. The results are amazing, though bittersweet, and demonstrate how complicated and expensive it is (though not impossible) to break the cycle of poverty, crime and lack of education.
  14. Farmiga is excellent as a woman who is like the mouse she feeds to her son's pet snake - trapped and about to be eaten alive by ordinary circumstance.
  15. The movie pulls off the trick of blurring the distinctions between romantic and platonic attractions across the generations.
  16. Fashion is something you either get or you don't, and whether you'll want to lay down $10 for Douglas Keeve's insider documentary depends entirely on whether you'd spend your last few bucks on the new issue of Vogue.
  17. The nasty, violent material has two small beacons of hope - Nielsen as a fair-weather stripper in the manner of old film-noir dames, and Quaid as a scurvy ­mobster who hates being cheated. With his puffy, reddened face, Quaid looks like a bad Santa.
  18. Even diehard fans will get more out of watching a four-minute music video than they'll find in this mixed-up mess.
  19. And though Samantha is written as a sly spoof of Ashlee Simpson, Faris frantically overplays her. She might have taken a tip from Smart, a lovely, understated actress who wastes too much time in lousy films.
  20. As a conventional drama, Rent would be a pretty corny soap opera. As filmed theater, it's only slightly more con­vincing. The saving graces - and there are many - are Larson's original songs and the comfortable fit of its ensemble cast.
  21. The humor is supposed to stem from the clash of kids who have been raised so differently and of partners with opposing views of child care. But there are just so many jokes you can make about who gets to use the bathroom when.
  22. There are some very moving scenes, and Ankilewitz' emotional and physical strength is certainly inspiring. Equally compelling is the dedication of his able-bodied friends and family, who never patronize him. Regrettably, the film itself, which feels both breathlessly over-awed and padded out at only 74 minutes, is unable to treat him with the same relaxed respect.
  23. Not since Philip Kaufman's 2000 "Quills," the story of the Marquis de Sade, have we had so debauched a literary and movie hero, and Johnny Depp plays him with the relish of an actor who has made odd-ball characters his specialty.
  24. The movie adds up to one of the smartest and most ambitious political thrillers in years. But if you find a more difficult movie to follow this year, it will be in Mandarin without subtitles.
  25. The darkest, most thrilling entry yet in the movie franchise.
  26. What Walk the Line does well, it does really well. Mangold was ­wisely gen­erous with the amount of musical performance he included in the film, and the later scenes - showing Cash and Carter as partners - are so well shot and edited, they defy you to sit still.
  27. There are moments of amusing melodrama, but for the most part, the action is too preposterous to take seriously, and too serious to be very much fun.
  28. Private, Italian director Saverio Costanzo's stunning human drama, would seem like something out of Kafka if it weren't based on real events and a relatively common fact of contemporary Palestinian life.
  29. The parts are more valuable than the whole in Angelina Maccarone's Unveiled.
  30. Cross-dressing and the Irish Troubles don't mix well in Neil Jordan's cloying, fanciful Breakfast on Pluto.

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