New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Fanning and Russell are a perfect, sweet-and-sour pair. And, of course, the horse is absolutely beautiful - which, in the end, is what this all comes down to, anyway.
  2. Danes' smart, fun, radiant and very attractive Mirabelle actually undermines the premise of the book
  3. If "The Sixth Sense" was a bad movie redeemed by its surprise ending, Marc Forster's Stay is a seemingly good movie leading to a devastating letdown.
  4. Designed as a giant put-on, "Kiss Kiss" is so inside Hollywood, so anxious to bite the hand that fed Black, that it plays like an elaborate prank. Some of it is a lot of fun; most of it is a lot of nonsense.
  5. Though Jessica Sanders' rambling documentary about the damaged lives of wrongfully imprisoned men would have made a better subject for an hour-long "Dateline" special, it's still a powerful indictment of a judicial system too anxious to close cases, and then close ranks when someone tries to reopen them.
  6. Unfortunately, Bate saddles his otherwise compelling chronicle with awkward re-creations and an aggressively overbearing narration.
  7. Yeboah is so levelheaded about his own accomplishments that the swelling score and emotional narration from Oprah Winfrey feel embarrassingly sentimental.
  8. A visually lush and eerily enigmatic parable of female sexuality, Lucile Hadzihalilovic's ominous fairy tale raises questions you'll be wondering about for days.
  9. Levin learned nothing that should surprise anyone who is both sentient and sane. But in tracing much of this contemporary anti-Semitism to a phony 19th-century document in which Jewish leaders lay out plans for taking over the world, we at least get some understanding of how some twisted people justify their hatred and fear of Jews.
  10. Overall, though, you get the exhausting feeling that Stolberg is desperately trying to prove how cool he is. And didn't you see enough of that in high school?
  11. Gentle and affecting, it offers an introduction to a mostly unfamiliar world while touching on issues recognizable to all.
  12. The documentary fascinates not only because of its subject matter but because the three people - whose backgrounds are individually developed - are so likable.
  13. The movie is quite off its rocker: Jerry Springer, Chrisopher Walken, Tom Waits as a roadside prophet, a miscast, nervous Lucy Liu as an FBI agent -- it's a feverish, violent jumble that's shot as if high on mescaline -- the drug, not the salad.
  14. Crowe was going for something magical in all this, but the film is so affected and mannered, so preciously in love with itself, that it's painful to watch. Scenes go on and on, and when you think the movie's over, it goes on and on some more.
  15. The fog also does something genuinely eerie: It causes everyone in the cast to deliver dreadful performances and display inappropriate reactions when their friends are drowned, burned, stabbed or thrown into glass display cases.
  16. Egoyan's uncharacteristic bid for the mainstream flames out on many levels, but it's hard not to stare with fascination at the dying embers.
  17. North Country may be a simplistic account of a hard-won battle, but it will have audiences cheering.
  18. The many riveting moments will stay with you for days, and Padilla is well up to the task of carrying this intense story on his tiny shoulders.
  19. Hunt and, especially, Harper do excellent work rounding out sketchily-written roles. But Pardue, who offers little beyond movie-star looks, is either miscast or genuinely unable to grasp his character's intense longing and insecurity.
  20. A couple of the stories don't quite accomplish what Rodrigo intends, but most are poignant, disturbing, and superbly acted.
  21. There's nothing truly new to be found here, but Kreuzpaintner treats Tobi's confusion with respect and gentle humor, making this an especially sensitive coming-of-age/coming-out story.
  22. This South Korean political satire might not have historical resonance for American audiences -- it's loosely based on the 1979 assassination of dictator Park Chunghee by his own people -- but it takes the same comically dim view of governmental power and procedure as "Dr. Strangelove."
  23. The script and the performances are all fine, but it's very slow going.
  24. Unfortunately, Wendeers frustrated wake-up call quickly buckles under the heavy burden of its earnest message.
  25. The biggest little movie of the year - and one of the best ever about the news media.
  26. You may not subscribe to the film's evangelical message, but you'll be floored by the extraordinary musical scenes, which lead up to a showstopper featuring gospel superstars like Donnie McClurkin and Yolanda Adams.
  27. A bungled mess that spends an hour creating two characters whose lives are about as believable as a successful ambush set by Wile E. Coyote for the Roadrunner.
  28. Too long by about 20 minutes, and takes itself too seriously near the end. But if you're looking for a movie for a boys' night out, it's a winner.
  29. This warmed-over slop feels as if it's been congealing for twice that long.
  30. The charismatic young women who populate Daniel Peddle's illuminating documentary are vibrant proof that there's still an untold story waiting around every New York City corner.

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