Post Trauma is a fixed-camera survival horror game that blends classic design principles with modern execution. Drawing clear inspiration from Silent Hill and early Resident Evil titles, it emphasizes puzzle-solving, environmental storytelling, and psychological tension over action. The atmospheric level design, effective sound engineering, and detailed world-building elevate the experience, while its linear structure ensures narrative cohesion. Although it suffers from occasional visual glitches and a rudimentary combat system, Post Trauma stands out as a polished indie project that thoughtfully preserves and evolves the core tenets of the genre.

Crash Team Rumble is an extremely fun 4v4 multiplayer experience, with plenty of maps and heroes that the fans are definitely going to enjoy. It has one issue, though: it should be free-to-play, as most of these games are. It could be a huge hit if it was available without the price tag, but as it is now, it's probably going to be limited to some Crash lovers.

The thing remastered is another great shot from nightdive studios. Shooting mechanics stop being dated and become smoother, while technical effects shine in a deep horror atmosphere. But don't wait too long: linearity can impact those looking for more variety, while AI flaws make some encounters frustrating.

Call of Duty Black Ops 7 tries to innovate with a co-op open world campaign and psychological elements but fails in almost every narrative aspect. The story is disjointed, relying heavily on hallucinations and aimless twists that disrespect the franchise’s legacy. The multiplayer is more solid, bringing some welcome improvements over BO6, with good maps and the return of fan-favorite mechanics. Zombies mode also stands out, offering a robust and fun experience. Still, it feels like an annual release that could have been just an expansion, especially with a weak campaign, aggressive monetization, and a lack of truly new content.

The Precinct is a great sandbox with good ideas, a solid world structure, and a light but functional simulation of a police officer's life. Its campaign can feel repetitive after a while, but nothing that saving the city in varied ways can't fix. However, don't expect a GTA.

Killer Klowns from Outer Space is an experience that can delight fans of the film franchise and has what it takes to have the same effect on a new audience. The comedic theme and gameplay systems fit very well with the overall concept.

If you're a Harry Potter fan and a PS Plus subscriber, give it a try! And even if you're not, but want a fun experience with friends who enjoy it, it could be a good choice – especially for those who like sports. Now, if you have to pay, it might be better to wait a little to see if we'll actually get more content in the coming months, as promised by the developers.

Efficient horror, Jack Holmes is a short adventure that draws attention for its beautiful settings and terrifying atmosphere. Despite this, it fails as a first-person shooter, with balancing problems that can harm the overall experience.

The promise was that Madden NFL 24 would be a game-changer in the series' history, but that's not the case. It has its positives, such as improvements in the Franchise mode and the grand return of Superstar mode, but it still carries over issues from previous years.

Daymare: 1994 Sandcastle is a survival horror game with numerous references to classics. Despite its excellent sound design, some technical flaws and a generic gameplay nearly overshadow the brilliance of an intriguing story.

Firebreak excels in its fast-paced and rewarding gameplay loop, visually rich environments, and seamless integration of lore. It also offers meaningful progression through difficulty tiers, modifiers, and kit customization. However, the game suffers from noticeable performance drops—especially at higher difficulties—and a limited amount of content at launch. Despite these issues, it delivers a compelling experience with strong cooperative mechanics and creative level design, making it a promising addition to Remedy’s catalog.

Awaken: Astral Blade is a metroidvania that doesn't break new ground. Without any innovation, the game only shines in combat and presents a world that is not very interesting, while offering a slow and tiring experience.

Sons of Sparta is an interesting attempt to adapt God of War into a 2D metroidvania-inspired format. The interconnected exploration of Laconia works well, and the relationship between Kratos and Deimos adds value to the narrative, revisiting the protagonist’s youth. However, inconsistent combat, predictable progression, and some polish issues prevent the game from reaching its full potential. Still, as a complementary chapter in Kratos’ story, it offers a curious perspective on his past.

Filled with all sorts of bugs and in large quantities, Parcel Corps is a frustrating and highly repetitive experience that fails to revive the classic sports and adventure games of the 'golden age'.

Forspoken is average. It has the highs and lows of an overall regular gaming experience. The nods to Alice in Wonderland, the combat and Frey Holland's story are pretty good, but the game fails to deliver next-gen visuals and a better storytelling experience. There are so many fades to black and cutscenes that you feel bored, especially during the first hours of gameplay.

Alone in the Dark brings back that survival horror feeling with a fresh new look and honors the classic 1992 game that was one of the inspirations for so many others, like Resident Evil and Silent Hill. The gameplay with two main characters is pretty enjoyable, the puzzles are challenging and combat is fun. It could have better visuals and optimization, but it's a good experience for those that like the genre.

It's not only about the nostalgia. The House of the Dead Remake brings new graphics, game modes and optimized physics. Unfortunately, though, it remains it's still in a comfort zone, where there is no boldness or space for new content.

Concord fails to capture the hearts of players, whether due to its conceptual flaws or its lack of personality. The characters are forgettable, and the game modes can quickly become repetitive.

At the moment, it is advisable to wait for more content in the game, along with fixes for its technical issues and effective adjustments to progression. Furthermore, it is important to introduce interactions that are more compatible with virtual reality.

Brutal and impactful, Slitterhead is an excellent debut title. With a great campaign time, it satisfies both action fans and horror fans, bringing a unique and visually disturbing atmosphere that will definitely mark those who give it a chance.

The new Saints Row is a breath of fresh air for a franchise that really needed it. After long years of idleness, it comes back with a banger. Yes, it will be compared to GTA V. Yes, it won't please some people that thought it would/should be straight like the first entry of the series. And, as almost every open-world game, it experiences some technical difficulties. But once you play it, you'll probably enjoy it. Loads of missions, excellent customization options, great level design. Saints Row is fun again, and that's everything we could ask for.

Although it is a more affordable game, Fate Seeker II is an example of a game with few standout features. The project does a good job of catering to those who enjoyed the first experience by improving and introducing some new mechanics, but the game's pace and the excessive simplicity of all other elements can quickly tire the player.

Coming from Massive Work Studio, Dolmen is a horror soulslike with good storytelling and game design, but also some major flaws on gameplay and visuals. It feels outdated at times and has a lot of technical difficulties, which is sad because the game shows some potential.

Fort Solis appears to have been created with a sole purpose: to be a showcase for UE5. It achieves this with excellence, but as an entertainment product or video game, it is incomplete.

The latest release from Rocksteady doesn't quite reach its potential, suffering from the towering expectations set by the Arkham franchise's legacy. This new endeavor struggles to emerge from the imposing shadow of the bat, unable to carve out its own distinct identity. Additionally, the game's incorporation of the Games as a Service (GaaS) model appears lackluster, lacking a clear sense of direction. This results in an overall experience that feels decidedly average, failing to captivate or innovate in ways that fans might have hoped.

In what Skull and Bones sets out to do, it may work for some people. A naval battle game that provides some entertainment and brings back a certain nostalgia from the times of Assassin’s Creed IV: Black Flag. However, for a game in 2024, it deserved much more polish and care.

With a good start, very versatile combat and interesting atmospheric construction, Pneumata stumbles in a labyrinthine and frustrating level design, where even the most gentle situations can become terrifying, but not in a positive way.

The game feels and plays like a battle royale, but its core experience is still tied to its classic DNA. It offers a multiplayer adventure that can take you on a nostalgic and enjoyable journey while competing against 63 other players in short, engaging matches.

While intriguing in concept, Morbid: The Lords of Ire entertains with its combat but falls short in story and gameplay depth. With its issues, limited build options, and lack of subtitles, the title ultimately becomes unappealing.

Skydance's Behemoth stands out for its intense combat and immersive exploration. The well-structured narrative and effective use of PlayStation VR2 features provide an engaging experience. However, some players may find the learning curve challenging and the battles physically demanding.

Call of Duty: Modern Warfare III appears to be a patchwork of disparate elements, stitched together with various patches. The campaign mode lacks distinct personality, and although the multiplayer options are robust, they feel recycled from previous titles in the series, offering only a handful of truly good ideas.

Scholar’s Mate fulfills its purpose very well. Obviously, there are the risks of a short, puzzle-based game, such as the complete absence of replay value, but in terms of challenges, visuals, and immersion, it is all quite pleasant.

Simple, Tennis On-Court is quite faithful to its purpose, with the bonus of ensuring a high level of immersion through virtual reality technologies and the use of Sense controls. Nevertheless, a steep price still doesn't justify the purchase of a game with low online stability and matchmaking difficulties.

Continuing Ubisoft's game series, South Park: Snow Day is a roguelike that may unsettle long-time fans due to significant changes. Now featuring 3D visuals and cooperative gameplay, the title sacrifices much of the show's essence to become more accessible, but it leaves behind something that made Cartman and his friends unforgettable: consistency.

It's definitely worth it, especially since it's free. With fair progression, many customization options, and addictive gameplay, the game should be on your radar. The only 'problem' is that it resembles Destiny a lot.

Despite being eagerly anticipated by virtual reality enthusiasts, HappyFunland is definitely not recommended. A 15 to 20-minute gaming session can cause discomfort to players who are prone to motion sickness and prevent them from fully enjoying the experience in a clean and efficient manner.

One of the worst games of the year, The Lord of the Rings: Gollum has many performance problems, bad technical quality and little inspiration. It’s far from the standards that the fans of the Tolkien universe are used to. A big mistake by Daedalic that even the delays weren't able to fix.

Hazel Sky is produced by the Brazilian developers from Coffee Addict Studio, and it’s an indie game that shines with nice puzzles and first-class gameplay. It’s pretty fun and addictive, but it could be a little more enticing in the storytelling. In the end, though, it’s still a nice surprise.

Cassiodora is a Brazilian game focused on coop action for up to three players. It can be a fun experience, but it doesn’t have anything that stands out. It’s just a regular game. Not bad, but also not really good.

Quite different from what was presented in the trailers, The Foglands is a roguelike that fulfills its role in the genre but falls short as a true technical disaster. Riddled with issues and lacking any kind of visual impact, the title takes a step back and falls out of the race to become a positive highlight in the first year of the PS VR2.

ARK: Survival Ascended leverages the Unreal Engine 5 to deliver improved textures and functionalities, notably excelling in the realistic depiction of animals and landscapes. However, it contends with performance challenges that may affect the overall survival gameplay experience.

Cutting straight to the chase: do not buy Very Bad Dreams. You won't be able to play it on your PlayStation VR2. The game appears to have been abandoned by its developers, and nothing truly stands out in terms of technical aspects or development.

Despite some minor flaws in design and execution, Beat the Beats VR stands out as an excellent option for those seeking alternatives to Beat Saber and Synth Riders. The boxing mechanics are well-implemented and function satisfactorily, offering a rewarding experience akin to a virtual workout.

Ovrdark stands as a shining example of how to push the boundaries of PS VR2 hardware. With stunning visuals, top-tier horror elements, and a 5-hour campaign, the title is an essential single-player adventure for virtual reality enthusiasts, reminiscent of the eerie atmosphere found in Resident Evil 7.

Soul Covenant is definitely not worth it. The intuitive menu, stylish weapons, and beautiful soundtrack don't justify the high price tag for an incomplete game on the PS Store.

Doctor Who: The Edge of Time is a beautiful homage to one of the most important sci-fi franchises. A functional mix of genres, it's a delight to the eyes and brings countless references to the series; all with a charisma that only the thirteenth doctor could provide.

Big Shots VR can be fun in the first hours due to its Borderlands-style visuals and brutal mech gameplay. Unfortunately, balancing issues and lack of content can prevent players from staying longer.

Visually, Horror Tales: The Beggar is a stunning showcase of Unreal Engine 5: beautifully crafted environments, excellent use of environmental physics, good integration with DualSense features, and highly satisfying technical effects. However, the lack of a sufficiently robust campaign, the need for more attention in story development, and frustrating bugs can detract from the experience.

Metal Slug Attack Reloaded offers a dose of nostalgia to fans of the franchise, with classic characters and a distinctive visual style. On the other hand, it features slow progression, excessive grinding, and issues with online multiplayer.

Lakeview Cabin Collection is a beautiful love letter to classic horror films, especially traditional slashers. Brutal, twisted, and filled with sensitive themes, the collection stands out for its detailed pixel-art visuals and extremely high replay value.

More of a chapter than a complete game, Rewind or Die shows enough to convince that classic slasher horror films are still timeless. Creative, brutal and transgressive, the title is a beautiful project inspired by the PlayStation One era that leaves a taste of "I want more."

Inspired, challenging, and very well produced, Perennial Order arrives to occupy the top of the boss rush genre. Even with technical issues, the title deserves praise for its good amount of content and for presenting a beautiful contemplative world.

Home Safety Hotline is a creative and stimulating analog horror experience, with a visual focus and guided accessibility. Its excessive simplicity may annoy more demanding fans, but nothing that a short and productive work journey can't solve.

Amanda the Adventurer is an escape room that stimulates creativity through simple mechanics and a narrative that breaks the fourth wall. Its short campaign time is enough to make you rack your brains with environmental puzzles, multiple endings and a super strange story.

Whitewater VR: Extreme Kayaking Adventure is a fun sports game that makes great use of the PS VR2 features. There are limitations in modes and technical aspects, but there is no denying that it offers a visually stunning and very immersive experience.

The final result from Among Giants is impressive, showcasing their mastery in delivering such a bold, authentic, and highly artistic project. Albatroz is, indeed, a hard game to define, but perhaps that's its greatest charm. It truly embraces the idea that the journey is far more valuable than the destination itself.

Taiko no Tatsujin: Rhythm Festival is a fun and addictive rhythm game, known for its simplicity and wide music selection. However, its heavy reliance on microtransactions and the need for a specific accessory to achieve the full experience might deter some players.

Intriguing and well-crafted, Mare is a game that draws strong inspiration from the works of Fumito Ueda, but with its own unique qualities. The unforgettable and powerful adventure may be simple, but it will challenge you with good level design and narrative focus.

Sprawl builds upon the foundation laid by Doom and Shadow Warror, but it innovates with smoother gameplay and stunning technical effects. The game is extremely challenging and has some level design issues, but the wide variety of weapons and parkour mechanics create a creative and stimulating experience.

Sociable Soccer 25 is pure arcade, but as a game it is unable to engage due to the limited modes and extremely simple mechanics. Licensing is not very pleasing and stability problems greatly harm what was supposed to be an easy-to-optimize game.

Disturbing, Ratshaker is far from being just a mere pest control simulator. Despite being very short, the game draws players in through a deeply unsettling atmosphere and uncomfortable technical effects. A great choice for fans of unconventional horror.

Badminton Time VR delivers a lighthearted and creative sports experience in virtual reality, offering arcade and realistic modes, entertaining minigames, and solid co-op matches with competent AI bots. While visually pleasant and occasionally engaging, the game is held back by technical flaws such as awkward camera angles, limited accessibility options, and poor matchmaking. With no support for Brazilian Portuguese and minimal online activity, its appeal is mostly for casual players looking for a fun, short-session game — ideally picked up during a sale.

Maestro is a creative, accessible, and immersive VR rhythm game that turns players into orchestra conductors. With excellent hand-tracking, precise haptics, a diverse musical selection (from Beethoven to Star Wars), and striking visuals, it stands out as one of the strongest rhythm titles on PS VR2. While the lack of Brazilian Portuguese localization hinders comprehension of menus and lore content, the gameplay remains intuitive and engaging. Ideal for music lovers and VR enthusiasts, Maestro delivers a joyful and polished conducting experience.