Los Angeles Times' Scores

For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16520 movie reviews
  1. The movie...remains perhaps the wisest of family dramas, an experience as wrenching as it is restorative.
  2. Few filmmakers juxtapose cruelty and beauty as audaciously as Japan's Takashi Miike. A master director with great style and panache, Miike's latest, 13 Assassins, is a classic samurai movie, right up there among the finest in the genre.
  3. Daring in the ways only quiet, unhurried but finally haunting films have the courage to be. A character study of remarkable subtlety joined to a carefully worked-out plot that fearlessly explores big issues like beauty, truth and mortality, it marks the further emergence of Korean writer-director Lee Chang-dong.
  4. A thrilling adventure of the spirit. Austere yet provocative, this is not only a film about faith, it also has faith that the power generated by complex moral decisions can be as unstoppable as any runaway locomotive.
  5. Firmly rooted in the filmmaker's esoteric, frustrating, provoking, demanding narrative style, the movie is also amazingly romantic - lush, ripe, rich, delicious.
  6. Exceptionally well-made and completely fearless in its depiction of the widest range of romantic emotions, this is a film as fiercely committed to passion as its heroine, and that's saying a lot.
  7. There are always moral crosscurrents in Lee's most provocative work, but so magical and mystical is this parable, it's as if the filmmaker has found the philosopher's stone.
  8. Harrowing and unflinching, a savage nightmare so consuming and claustrophobic you will want to leave but fear to go, City of Life and Death is a cinematic experience unlike any you've had before. It's a film strong enough to change your life, if you can bear to watch it at all.
  9. It's a privilege and a pleasure to be present in a sacred space where the human and the mystical effortlessly intertwine, and we are in Werner Herzog's debt for that great gift.
  10. In only his second feature, Frammartino has found a fresh and ravishingly poetic and beautiful way to explore the relationship between the spirit, man and nature.
  11. Set in an enchanting locale where the potential for magic is everywhere, this impeccable animated film puts its complete trust in the spirit of make-believe.
  12. Potent, persuasive and hypnotic, The Dark Knight Rises has us at its mercy. A disturbing experience we live through as much as a film we watch, this dazzling conclusion to director Christopher Nolan's Batman trilogy is more than an exceptional superhero movie, it is masterful filmmaking by any standard.
  13. Epic and intimate, historical and contemporary, moving and thought-provoking, the impressive The Princess of Montpensier has something for all and sundry but especially for those who like to believe that films can be as boldly intelligent as they are entertaining.
  14. In its masterful use of evocative imagery and music, Road to Nowhere is flawless.
  15. Rejoice provides both a melodic education and a once-in-a-lifetime concert in one soul-stirring package.
  16. In "Django," Tarantino is a man unchained, creating his most articulate, intriguing, provoking, appalling, hilarious, exhilarating, scathing and downright entertaining film yet.
  17. An extraordinarily moving examination of how the AIDS epidemic both devastated and transformed San Francisco's gay community, this clear-eyed and soulful documentary brings us inside the contagion in a way that is so intimate, so personal, you feel like you're hearing about these catastrophic events for the first time.
  18. It's a domestic horror story that literally gets to us where we live, a disturbing tale told with uncompromising emotionality and great skill by filmmaker Lynne Ramsay.
  19. Gravity is out of this world. Words can do little to convey the visual astonishment this space opera creates. It is a film whose impact must be experienced in 3-D on a theatrical screen to be fully understood.
  20. A Separation is totally foreign and achingly familiar. It's a thrilling domestic drama that offers acute insights into human motivations and behavior as well as a compelling look at what goes on behind a particular curtain that almost never gets raised.
  21. Silent Souls is a marvel. Fedorchenko's expressive powers and his visual prowess are astonishing, and though the film's conclusion is abrupt and confounding, it feels right.
  22. Anubhav Sinha's exhilarating fantasy Ra.One is Bollywood at its best. It has energy, spectacle and humor, song and dance, but razzle-dazzle special effects and action stunts never overwhelm its story of enduring love that unfolds amid an intricate and inspired sci-fi odyssey.
  23. While the bleak, funny, exquisitely made Inside Llewyn Davis echoes familiar themes and narrative journeys, it also goes its own way and becomes a singular experience, one of their best films.
  24. This is impressive filmmaking, but it is not easy to take in.
  25. Silver Linings Playbook is rich in life's complications. It will make you laugh, but don't expect it to fit in any snug genre pigeonhole. Dramatic, emotional, even heartbreaking, as well as wickedly funny, it has the gift of going its own way, a complete success from a singular talent.
  26. One reason Boal makes such a potent combination with Bigelow is that her directing style moves us right along. She is so good with both action and creating a convincing look and feel for the film that the time it takes to get up to speed with the complicated plot does not feel like a problem.
  27. Intensely specific in story yet wide-ranging in themes, with a tone that turns on a dime from comic absurdity to close to tragedy, this is brainy, bravura filmmaking of the highest level, a motion picture that is as difficult to pigeonhole as it is a pleasure to enjoy.
  28. The piercingly realistic Captain Phillips will exceed your expectations.
  29. Inside Out manages to be honest and unafraid but never cheaply sentimental where emotion is concerned, evoking a largeness of spirit whose ability to be moving sneaks up and takes us by surprise.
  30. Director Benh Zeitlin and his co-writer Lucy Alibar, a playwright whose "Juicy and Delicious" was the inspiration, have created characters that are wondrously indelible, distinctive of voice and set them inside a story that will unleash a devastating hurricane, and a flood of emotions, before it is done.

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