Los Angeles Times' Scores

For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16520 movie reviews
  1. Fast, funny, unexpected and uninhibited, The Triplets of Belleville may be animated, but it is also the product of an artistic vision every bit as rigorous as any lofty Cannes prize-winner. Hearing about a film this special isn't enough. It demands to be seen, and it generously rewards those who, like Madame Souza, let nothing stand in their way.
  2. Adventurous, provocative, even daring.
  3. See it and it'll stay with you as your own memories do: funny, poignant, bittersweet and irreplaceable.
  4. With this masterful, flawless film, Xiaoshuai emerges in the front ranks of China's now numerous, world-renowned filmmakers.
  5. A whole world can be fit into 76 minutes, and that's what the splendid documentary OT: our town manages to do.
  6. The most brilliantly disturbing film ever to have its roots in small-town American life. [19 September 1986, Calendar, p.6-1]
    • Los Angeles Times
  7. The fact that this kind of serious material ends up playing puckishly funny as well as poignant is a tribute both to Coppola and to her do-or-die decision to cast Murray in the lead role.
  8. Stirred up impassioned debate everywhere; it would seem the greatest compliment that could be paid a stunning entertainment. [30 June 1989, Calendar, p.6-1]
    • Los Angeles Times
  9. Prepare to be astonished by Spirited Away.
  10. Simultaneously heroic and nihilistic, reeking of myth but modern as they come, it is a Western for those who know and chrish the form, a film that resonates with the spirit of films past while staking out a territory quite its own. [7 Aug 1992]
  11. A major American motion picture, an overpowering piece of work that involves some of the most basic human emotions: love, hate, fear, revenge, despair. Directed by Clint Eastwood with absolute confidence and remarkable control.
  12. Hopkins' insinuating performance puts him right up there with the screen's great bogymen. [13 February 1991, Calendar, p.F-1}
    • Los Angeles Times
  13. Superb.
  14. One of the bloodiest and most beautiful reflections on atonement in the Scorsese canon... It is still one of cinema's most breathtaking films.
    • Los Angeles Times
  15. GoodFellas is "Raging Bull" squared. [20 September 1990, Calendar, p.F-1]
    • Los Angeles Times
  16. A beautifully done adaptation of the novel, polished, elegant and completely cinematic. It is also a bit distant, a film that doesn't wear its feelings on its sleeve, but given the effects it's after, that would be counterproductive. [17 Sept 1993, Calendar, p.F-1]
    • Los Angeles Times
  17. Effervescent, unflappable, supremely pleased with herself, Cher (delightfully played by the much-publicized Alicia Silverstone) is the comic centerpiece of Clueless, a wickedly funny teen-age farce from writer-director Amy Heckerling that, like its heroine, turns out to have more to it than anyone could anticipate. [19 July 1995]
    • Los Angeles Times
  18. Led by director Zhang Yimou and dazzling cinematographer Christopher Doyle, the unseen Hero production team has made what just might be the most artistically sophisticated, most formally beautiful martial arts film the genre has seen.
  19. On the screen, the rip-roaring rock musical Hedwig and the Angry Inch retains all the excitement and energy it had on stage while adding depth, clarity and emotional texture.
  20. Because Linklater now wears his heart on his sleeve, he has made a film that in its joy, optimism and aesthetic achievement keeps faith with American cinema at its finest.
  21. Bird has created the unprecedented film that is not just a grand feature-length cartoon but a grand feature, period, a piece of animation that's involving across a spectrum of comedy, action, even drama.
  22. Likely as not, these things mean nothing in a conventional plot sense, but as powerful images, as pictures from a dreamlike world, they are unforgettable. And that, David Lynch would probably say, is exactly the point.
  23. In its vitality and finesse, Maria Full of Grace is all of a piece -- and both artistically and spiritually itself full of grace.
  24. The film's immense cast and crew, headed by director Michael Bay, writer Randall Wallace and stars Ben Affleck, Josh Hartnett and Kate Beckinsale, blend artistry and technology to create a blockbuster entertainment that has passion, valor and tremendous action.
  25. Overflowing with life, rich with all the grand emotions and vital juices of existence, up to and including blood. And its deaths, like that of Hotspur in "Henry IV, Part I," continue to shock no matter how often we've watched them coming. [16 Mar 1997, Calendar, p.7]
    • Los Angeles Times
  26. Made with intelligence, imagination, passion and skill, propulsively paced and shot through with an aged-in-oak sense of wonder, the trilogy's first film so thrillingly catches us up in its sweeping story that nothing matters but the vivid and compelling events unfolding on the screen.
  27. The strength of sensational material joined to excellent acting, superior filmmaking and uncanny political relevance has made The Manchurian Candidate into exceptionally intelligent entertainment and a high point of director Jonathan Demme's career.
  28. A rich, unnerving film, as comic as it is astringent, that in its own quiet way works up a considerable emotional charge. [8 Oct 1993]
    • Los Angeles Times
  29. an American classic: poetically bloody, madly comic, infernally beautiful. [16 Aug 1987, p.3]
    • Los Angeles Times
  30. Lemmons' command of cinematic style, her appreciation of the chimerical aspects of life and her ability to inspire actors to give remarkably faceted portrayals mark Eve's Bayou a first film of exceptional promise.

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