Los Angeles Times' Scores

For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16520 movie reviews
  1. As a piece of romantic/dramatic cinema, its peers are few, its superiors simply nonexistent.
  2. The Master takes some getting used to. This is a superbly crafted film that's at times intentionally opaque, as if its creator didn't want us to see all the way into its heart of darkness.
  3. Frozen is fabulous.
  4. The script, by Oleg Negin and Zvyagintsev, uses spare dialogue to quietly devastating effect. Performances are superb across the board, framed in elegant widescreen compositions that simmer with violence.
  5. Oslo is an example of strong, confident filmmaking in which nothing is miscalculated or out of place. Anchored by a devastating performance by Anders Danielsen Lie, this portrait of existential despair is beautifully made without being self-conscious about its art.
  6. All Is Lost, which is only Chandor's second film, reveals itself as remarkably skillful, surprisingly insightful and deeply moving. It's a confident work by an artist who knows himself and trusts his audience.
  7. [Filho's] mastery of pacing, theme and stylistic eccentricity throughout Neighboring Sounds is so assured as to be breathtaking. Don't miss it.
  8. Romantic but pitiless, fearlessly emotional as well as edgy, Rust and Bone is a powerhouse.
  9. A perfect storm of a motion picture, with an icy, immaculate director unexpectedly taking on deeply emotional subject matter.
  10. An audacious, brilliantly twisted movie, infused with touches of genius and of madness. A disturbing meditation on the interconnected nature of love and obsession disguised as a penny dreadful shocker. [13 Oct 1996, p.C5]
    • Los Angeles Times
  11. Exciting, terrifying, worrisome stuff saturates every second of Prisoners, holding you captive, keeping you guessing until the bitter end.
  12. Directed by Ra'anan Alexandrowicz and winner of the World Cinema Grand Jury Prize at Sundance, this is the second superb Israeli documentary (after "The Gatekeepers") to come to town in less than a month and deal fearlessly with an aspect of that country's legal and political system.
  13. A documentary potent enough to alter how you see the world.
  14. Effortless and effervescent, Frances Ha is a small miracle of a movie, honest and funny with an aim that's true.
  15. Part science fiction scare movie, part offbeat romance, part completely unclassifiable, "Color" is also one-man filmmaking of a remarkable sort.
  16. It's one terrific film, as smart, thoughtful and emotionally involving as just about anything that's out there.
  17. Mud
    One of the most creatively rich and emotionally rewarding movies to come along this year.
  18. Back to the Future just might be Hollywood’s richest, cleverest blockbuster — and its attention to detail deserves to be re-celebrated.
  19. Unquestionalby it's an instant classic, probably the grisliest well-made movie ever. [26 May 1983]
    • Los Angeles Times
  20. Authenticity gives the movie its witty, heartwarming, hopeful, sentimental, searing and relatable edge. It is merciless in probing the tender spots of times like these, and tough-guy sweet in patching up the wounds.
  21. The Silence is an exemplary German-language thriller, a complex and disturbing examination of guilt, violence and psychological torment that chills us to the core not once but two times over.
  22. From Up on Poppy Hill is frankly stunning, as beautiful a hand-drawn animated feature as you are likely to see. It's a time-machine dream of a not-so-distant past, a sweet and honestly sentimental story that also represents a collaboration between the greatest of Japanese animators and his up-and-coming son.
  23. A very fast three hours, Wolf is a fascinating, revolting, outlandish, uproarious, exhilarating and exhausting master work on immorality.
  24. Made with assurance and deep emotion, Fruitvale Station is more than a remarkable directing debut for 26-year-old Ryan Coogler. It's an outstanding film by any standard.
  25. Beyond the timelessness of the story itself, the film is beautifully shot and though early in Godard’s career already showcased his ability to capture emotional intensity in the very way he frames the shots.
  26. An invigorating powerhouse of a personal documentary, adventurous and absolutely fascinating.
  27. [Russell's] dizzying, outlandishly entertaining American Hustle is a 21-first century screwball farce about 20th-century con men, scam artists and those who dream of living large, a film that is big hearted and off the wall in equal measure.
  28. It's a mind-bending film, devastating and disorienting, that disturbs us in ways we're not used to being disturbed, raising questions about the nature of documentary, the persistence of evil, and the intertwined ways movies function in our culture and in our minds.
  29. Short Term 12 is a small wonder, a film of exceptional naturalness and empathy that takes material about troubled teenagers and young adults that could have been generic and turns it into something moving and intimate.

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