Los Angeles Times' Scores

For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16520 movie reviews
  1. A string of unlikely events and coincidences set off Night Falls, and Lumet makes them believable the old-fashioned way: through interaction with a screen full of strongly drawn, fully dimensioned, psychologically valid characters.
  2. The result is a top-drawer melodrama, a polished example of commercial movie-making that manages to improve on the original while retaining its best-selling spirit. [30 Jun 1993 Pg. F1]
    • Los Angeles Times
  3. Director Spike Lee has made some of the most hard-edged and unsettling American films on racism and its effects. Yet none has been as moving as this. [24 Oct 1997, Pg.F2]
    • Los Angeles Times
  4. It's the film's glowing visual qualities, a striking performance by Denzel Washington and the elegant control Carl Franklin has over it all that create the most exotic crime entertainment of the season.
  5. It's been brought to the screen by director John Schlesinger and writer Malcolm Bradbury with such deftness, giving it a life of its own, that it's not necessary for audiences to be familiar with the literature it satirizes.
  6. When it comes to unflinching, riveting looks at a compulsive artist who can't be other than who he is, nothing comes close to Crumb.
  7. The heart of The Conversation’s appeal, then and now, is the way it combines an exceptional character study, a thriller plot and an ability to superbly convey the unease of a society where blanket surveillance is getting to be the norm.
    • 81 Metascore
    • 100 Critic Score
    What makes The Fly such a stunning piece of obsessive film making is the way Cronenberg deftly allows us to identify with his monstrous creation. [14 Aug 1986]
    • Los Angeles Times
  8. The City of Lost Children is a stunningly surreal fantasy, a fable of longing and danger, of heroic deeds and bravery, set in a brilliantly realized world of its own. It is one of the most audacious, original films of the year. [22 Dec 1995]
    • Los Angeles Times
  9. People fall in love in every country, but nowhere is the experience put on film with the flawless style, empathy and emotion the French provide. Mademoiselle Chambon is the latest in that line of deeply moving romances, an exquisite chamber piece made with the kind of sensitivity and nuance that's become almost a lost art.
  10. A tremendously exciting science-fiction thriller that's as disturbing as it sounds. This is a popular entertainment with a knockout punch so intense and unnerving it'll have you worrying if it's safe to close your eyes at night.
  11. Witty, urbane and thoroughly entertaining.
  12. It is a remarkable work, quite likely the best documentary on the City of Angels ever made.
  13. Despite this lack of narration, Our Daily Bread never fails to enthrall because of the impeccable eye -- for composition, for color, for movement within the frame -- of filmmaker Geyrhalter.
  14. A masterpiece by any measure, is fresh, immediate and contemporary, but its wintry yet warm perspective is suffused with the wisdom and experience of a great filmmaker who turns 85 on June 2.
  15. An impeccably acted character drama revolving around a mother and her teenage twin sons, Private Property shows how strong and how terrifying the bonds within families can be. Directed by Belgium's Joachim Lafosse, it etches the line between love and hate with a savagery that is almost unprecedented.
  16. A Walk to Beautiful will leave you speechless two times over -- first with despair, then with joy. Neither unmentionable subject matter nor nonexistent commercial prospects can keep this documentary from having a power over your heart that is unparalleled.
  17. Jacques Rivette has brought the Balzac short story to screen as a superb chamber drama. His is a graceful work of austerity and formality that perfectly captures the chaos of repressed emotions that see beneath the rigid conventions of aristocratic society.
  18. Impeccably made and uncompromisingly adult, Claude Chabrol's A Girl Cut in Two is unquestionably the work of a master.
  19. This small gem of a movie always feels true and real as it gently reveals the quiet moments that define our lives.
  20. For 20 years, Claire Denis has been among France's foremost filmmakers with her acute yet subtle observations of the ebbs and flows within relationships. Her perception and understanding seem to grow only richer over the years, and her newest film, 35 Shots of Rum, is surely one of her finest -- and thereby one of the best films of the year.
  21. It's hard to believe, but Hal Holbrook, one of the stage and screen's enduring talents, has never had the solo lead in a feature film. That has been duly rectified with the actor's achingly memorable star performance in the superb That Evening Sun.
  22. The Ghost Writer is the kind of impeccable adult entertainment, able to alternate edge-of-your-seat episodes with bleakly comic moments, that Hitchcock used to specialize in and that Polanski himself realized so successfully in "Chinatown" and "Rosemary's Baby."
  23. Subversive, provocative and unexpected, Exit Through the Gift Shop delights in taking you by surprise, starting quietly but ending up in a hall of mirrors as unsettling as anything Lewis Carroll's Alice ever experienced.
  24. Faultlessly acted by top Australian talent, including Guy Pearce, Ben Mendelsohn and Jacki Weaver, Animal Kingdom marries heightened emotionality with cool contemporary style.
  25. Lebanon is not just the name of an excellent new Israeli film, it signifies a continuing national obsession that shows no signs of going away.
  26. Smartly written by Aaron Sorkin, directed to within an inch of its life by David Fincher and anchored by a perfectly pitched performance by Jesse Eisenberg, The Social Network is a barn-burner of a tale that unfolds at a splendid clip.
  27. Watching Marwencol, Jeff Malmberg's probing documentary on Hogancamp's undertaking, is an exhilarating, utterly unique experience.
  28. Hypnotic and sprawling five-hour-plus piece of cinematic genius.
  29. Verbinski's greatest triumph is that he allowed the animation to free rather that confine him. There is indeed a new sheriff in town, with Rango destined to become a classic.

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