Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. For all of the eccentricities that come in any telling of an artist's life, Cutie and the Boxer's real magic is in so beautifully telling a familiar story of husbands and wives.
  2. Nebraska offers something deeper and more mature, the ability to make us care about its characters and their story on a different level than Payne has given us before.
    • 71 Metascore
    • 100 Critic Score
    This Is Martin Bonner, wonderfully acted and something of a minimalist masterpiece, is a striking, moving ode to lives lived day to day, even hour to hour, in which the smallest gesture has the power to make one hopeful for the next, like a small fire gently stoked.
  3. Her
    Acerbic, emotional, provocative, it's a risky high dive off the big board with a plot that sounds like a gimmick but ends up haunting, odd and a bit wonderful.
  4. Heli is a stunning piece of filmmaking. It's a hypnotic, starkly beautiful, often disturbing drama that puts a working-class Mexican family in the cross hairs of its country's drug war.
  5. Powered by Kore-eda's innate restraint and natural empathy, Like Father, Like Son takes these characters to places they never expected to be. It's unnerving for them, of course, but watching so many hearts hanging in the balance is a rare privilege for us.
  6. The telling is beautiful and explicit. The truth of its emotionally raw, romantic drama is eternal and universal.
  7. You feel protective about Leigh's work because its almost indescribable virtues touch the heart, yet far from being some delicate flower, Life Is Sweet has the wild, brazen, anything-goes energy of a 2-year-old, willing to take chances that would freeze the blood of another, more timidly conventional film.
  8. Chungking Express ravishingly, seductively exudes the immediacy of everyday life as its spins its classically timeless tales of love lost and almost regained.
  9. Tense, smartly crafted and highly resonant, Aliyah is one of the best films so far this year.
  10. When on-the-ground reality is conveyed with the complexity and fascination it is here, unforgettable documentaries are always the result.
  11. The film perfectly understands the tentative experimentation and frequent self-loathing of adolescence, the difficulty of knowing whom to trust and how much to trust them, as well as how incendiary an age this can be, with uncertain psyches ready to explode at minimal provocation.
  12. A ferocious psychological drama with the pace of a thriller, Child's Pose combines, as have the best of the Romanian new-wave films, a compelling personal story about mothers and sons with an examination of socio-political dynamics in a way that is both intense and piercingly real.
  13. Glaciers might be melting, the polar caps might be crumbling, but not even the passage of half a century has taken the frozen edge off this brilliantly icy film.
  14. This is no sappy portrait of a saint: Mino is tenacious, critical and defensive, and in one memorable scene, a colleague tries to get her to face reality about what the real world holds for their students after graduation.
  15. A despairing, intentionally disturbing film that draws us into a maelstrom of desperate emotions, it holds up a dark mirror to the American dream and does not like what it sees.
  16. Heartbreaking, haunting and unexpectedly heartening, First Cousin Once Removed is an uncommonly moving documentary portrait of a mind in disarray.
  17. To see The Wind Rises is to simultaneously marvel at the work of a master and regret that this film is likely his last.
  18. The Invisible Woman is an exceptional film about love, longing and regret. It's further proof, if proof were needed, that classic filmmaking done with passion, sensitivity and intelligence results in cinema fully capable of blowing you away.
  19. Moodysson captures that moment — charged, goofy and transcendent — when personal style and wide-ranging outrage fuse in an all-encompassing manifesto.
  20. Watching this film feels like a genesis moment — of sci-fi fable, of filmmaking, of performance — with all the ambiguity and excitement that implies.
  21. The Square bears witness to history in an articulate, thoughtful and intensely dramatic way.
  22. The writer-director's familiar style blends with a group of unexpected factors to create a magnificently cockeyed entertainment.
  23. Superbly cast from the two at the top to the smallest speaking parts, impeccably directed by Fincher and crafted by his regular team to within an inch of its life, Gone Girl shows the remarkable things that can happen when filmmaker and material are this well matched.
    • 99 Metascore
    • 100 Critic Score
    As a medium for expressing art, moving pictures may not stand the test of time, but Intolerance is greater than any medium. It is one of the mileposts on the long road of art, where painting and sculpture and literature and music go jostling eagerly along together.
    • 99 Metascore
    • 100 Critic Score
    Its last few moments are among the most brilliant (and risky) endings in film history.
  24. Mad Max: Fury Road will leave you speechless, which couldn't be more appropriate. Words are not really the point when it comes to dealing with this barn-burner of a post-apocalyptic extravaganza in which sizzling, unsettling images are the order of the day.
  25. The desert trek in Tracks is as brutal as it is beautiful; the performance by Mia Wasikowska as raw as the reality. And the camels? If they don't steal your heart it must be stone-hinged.
  26. Joaquin Phoenix and the terrific acting ensemble that joins him in this pot-infused '70s-era beach noir create such a good buzz you can almost get a contact high from watching.
  27. The director's surrealist portrait of modern times and the cult of celebrity is brilliant on so many levels that even the occasional downdraft can't keep Birdman from soaring.

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