You get to enjoy each race in real time, with highlights of the most exciting action and commentary from Will Buxton. And that's what this game is all about - the authentic experience of driving your own stable. That's all you need. [Issue#322]

The game deserves to be called one of the best point-and-click adventure games of recent times. It continues the narrative and completes the old story to general satisfaction. It blends tradition with innovation and isn't afraid to reckon with both its own legacy and the genre as a whole. [Issue#322]

From the variable storyline to the co-op options to the ability to equip your hero with the best items the player can find, the game is well poised for success. Unfortunately, so far it gives the impression that it's simply not finished. [Issue#323]

Victoria gives players a glimpse of the changing world of the nineteenth century. The player forms nations, oversees ethnic groups, colonizes a world untouched by Western civilization, and most importantly, manages trade and industry. The game itself has shortcomings that disappoint. Prussia doesn't always succeed in unifying Germany, and in 20 hours of play I have yet to see a war between the US and Mexico, or even an attempted civil war in the US. [Issue#323]

A collection of two excellent games that offer a total of around twenty-five hours of quality entertainment. The script is excellent, the gameplay has its flaws but is not frustrating, and the dated graphics are in many ways offset by the beautifully designed locations, excellent character animation and atmosphere. [Issue#323]

If you're familiar with animated films like A Bug's Life, Antz or Ant Bully, you'll be no stranger to the game's setting. Plus, if you like the aforementioned films and would like to experience first-hand what it's like to survive in a world where a dandelion stalk is the size of a hundred-year-old lime tree, Grounded may be the game for you. [Issue#323]

The game's greatest strength is definitely its brilliant wordless narrative, where you piece together the fate of a dead civilization and the creature you play as in your head. Scorn is an experience that any fan of oppressive atmospheres and rotting flesh should not miss. [Issue#323]

Sparks of Hope is an interesting sequel to the first game, and even though it has its flaws, you'll still have a great time and enjoy the vast majority of the tactical battles. [Issue#323]

At its core, a great and fun game. But that was also in 2022, where the feeling that it made sense to not only pay full price for a new game, but to spend a lot of time in it, still prevailed. [Issue#323]

The script is unbalanced. One minute the game moralizes how bad it is to make fun of stereotypes, then a moment later it overwhelms you with an over-the-top brutal scene. Pretty graphics, hilarious animations and good voice acting can't save a weak script. [Issue#323]

Great follow-up. It's another story about the tragic fate of two siblings. It doesn't bring anything groundbreakingly new, but it improves on what worked and surprised in the first volume, and because of that, it still entertains. [Issue#323]

I can't help but tip my hat to the entire Santa Monica team. The deeper you delve into the game, the more you'll be drawn into the stunning story of a father and son against the backdrop of perhaps history's most horrific war. Throw in some casually endearing humour, great and fluid gameplay, and wrap it all up with an amazing audiovisual experience. [Issue#323]

The levels are well designed. Even better, however, are the shootouts themselves, in which you mow down hordes of varying enemies, be they Imperial Guardsmen, Occultists or other orcs who just happened to be in the wrong place at the wrong time. The whole thing is also accompanied by an excellent soundtrack, and even more amazing voice acting. [Issue#323]

It's getting harder and harder to find revolutionary elements without expanding the NHL itself. But despite these challenges, this year's edition of virtual hockey has something going for it and offers surprisingly great gameplay. [Issue#323]

The game is not bad and serves you a lot. You want a hero? You have four. Want big missions? Usually you have about three going at once. You want side missions? You've got a city full of them. Which doesn't mean it's a great game. Just good and solid. [Issue#323]

The idea and vision of the game is absolutely fabulous. In practice, however, the game is brought down by its execution, which you can see through after a short while and then the game has nothing to surprise you with. [Issue#324]

Has it been a while since the last roguelike game came out and you're already feeling the need to fight off the withdrawal symptoms with another hit? Oakenfold can be a solid challenge even on the easiest difficulty. Too bad they didn't get around to better rendering the game world, which would have definitely been worth it. [Issue#324]

The wide variety of activities will keep you playing for hours, as long as you overcome the initial disorientation of the tabs and panels you need to follow and don't get annoyed by the repetitive funk-tinged music. [Issue#324]

Whichever path you choose, any can lead you to absolute control of Europe, and therefore the endgame. [Issue#324]

The only criticism I can make of the game is that the difficulty is quite high, and if you don't think about your actions, you'll soon be mopping floors instead of driving a space station. [Issue#324]

The game lacks quality puzzles like in Machinarium or Creaks, and one is left with "only" amazement at the interestingly rendered and a bit crazy world. [Issue#324]

You can also enjoy the game on your own, as the game searches for mission partners automatically, or you can play against a bot. However, since it is mainly a coop action, it will always be better with friends. [Issue#324]

It's a hell of an entertaining horror ride that should not be ignored by any admirers of slapstick humor. [Issue#324]

The story is shallow, the finale unsatisfying, and aside from about four instances, your choices have absolutely no impact on the story. The constantly escalating music runs on a loop and is rather distracting. The last part of the tetralogy is simply stupid. [Issue#324]

In the end, the upsides far outweigh the downsides or omissions, and the creators' concentration on improving the modes that earn the most money is logical. As a whole, however, the game works well. [Issue#324]

The fights are very specific, tactical and surprisingly fun and often challenging, even knowing that a fallen hero can be put back on his feet on the spot during a fight and used in the rest of the encounter. [Issue#324]

Let's be honest, there's really no bigger title to compete in the FPS genre at the moment, both in terms of the sometimes mediocre content and this year's very polished graphics. [Issue#324]

The game offers an incredible amount of options, and if you don't enjoy the campaign, you can have a blast in the elaborate battle mode, where you'll command up to hundreds of warriors and work together to destroy enemies, protect villages or conquer castles. [Issue#324]