Despite the obvious efforts to maintain the technical sector and the disturbing atmosphere at times, White Day: Labyrinth Named School is an anachronistic, awkward title that comes out on PS4 out of time and shows a lot of years on its shoulders. The Korean title fails to thrill.

Albeit faithful to the original spirit of the series, this seventh chapter seems devoid of a true soul. A couple of good ideas can't save it from the abyss of mediocrity.

We all love games based on a pirate's life (well, maybe Ninja doesn't) but we need the right amount of challenge in it. Assassin's Creed: Pirates is blessed with stunning visuals, lots of things to do and fun naval battles, but it gets repetitive too early and is not challenging at all.

A verbose strategic one, with a farraginosa interface, offering a solid, complex and articulated game structure, but also very "hard" to tame: only for fans.

One of the best entries in the Warhammer 40.000 universe. Mechanicus offers a fantastic story, an outstanding soundtrack, and a sick voyage into the dark future of mankind where only war can be found.

Alex Kidd in Miracle World DX still remains a difficult platformer, but also an extremely varied and modernized one, with grace and competence in terms of graphics and sound.

Adventure Time: Hey Ice King! Why'd You Steal Our Garbage? is not really the typical lazy tie-in created as an easy cash cow: here and there you can see some intriguing ideas and cool stuff "à la Adventure Time", yet the inconsistency of the gameplay and the lack of fun seriously compromise the overall experience. Wouldn't it be time for a truly mathematical videogame?

Part visual novel, part JRPG, it's a bit more interactive than usual for the genre, but it still lacks any significant innovation.

Say No! More is a game that entertains in its entire duration. Studio Fizbin's game teaches us the importance of saying no when needed and in its simple way it also manages to convey a meaningful message. A funny and short game, one that you cannot help but love.

Strong in atmosphere, weak in gameplay, Call of Cthulhu is a missed opportunity to build a great lovecraftian experience.

Speaking of a video game of such importance, it is difficult to separate the nostalgia effect from the actual quality. While Shenmue III proposes itself exactly as it wanted to be, on the other hand it stumbles into flaws that go far beyond anachronism. The desire to appear in everything as the ideal sequel to a series frozen for eighteen years proves to be a double-edged sword. As much as Shenmue III manages to find internal coherence in its compact rhythm, one cannot overlook the obvious conceptual limits that undermine its overall quality. Yu Suzuki's title does not go beyond the "miracle" of his own existence, and as satisfied as it may be, even for the most dedicated fans it will be impossible not to admit an unpleasant aftertaste of lost opportunity.

If you are fan of the Alien movie saga and appreciate cooperative shooters then you'll love Aliens: Fireteam Elite. It's not a perfect game and doesn't have an innovative gameplay mechanics, but it knows how to entertain especially when played with friends.

A bland action RPG that doesn't shine in any aspect and loads too much on the only prominent element to make it truly effective and interesting.

Travis Touchdown's return is full of craziness, just as you would expect from Goichi Suda. Unfortunately, is also a repetitive and aesthetically disappointing action game.

A great JRPG for PS Vita and a remake that finally makes a tribute to the original game, improving it in every aspect. Maybe it's a bit too integralist, but just for this it’s perfect for all fans of the genre.

It could have been a solid RPG, but its poorly balanced difficulty makes it an ultra-niche game. And there are a few better alternatives out there.

Champions of Anteria is a good example of how to combine management phases and action-RPG sections without altering either of the two.

Bustling and fun, it has quickly become every Final Fantasy‘s fan (and new acquaintances) forbidden dream. Dissidia Final Fantasy is what we can call fan-service at its best.

The game is repetitive and the gameplay too bland. Only recommended to big fans of Yo-Kai Watch.

Switching to Unreal Engine 4, MXGP improves its physics in relation with the always-changing track morphology, while graphics looks too muddy even for a motocross game. Enjoyable yet improvable.

Counterspy is a platform consisting of small procedurally generated levels , with vague hints of stealth, some shooting here and there and a system of weaponry and upgrades. It is not a masterpiece and, to be honest, it does not fall into one genre. The truth is that it is a good pastime, disengaging and challenging.

XDefiant is an online shooter with balance problems but still fun, solid in some aspects, and (far too) generic in others.

A charming game, unfortunately thwarted by its sense of progression and how the gameplay is handled.

High on Life is a game that keeps its promises. Underneath a skin made up of over the top humor there is a biting irony towards a genre (old school FPS’s) which has far too many tropes to make fun of (and here not even one is left behind). The sometimes chaotic level design, combined with not exactly exciting boss fights, risks overshadowing the merits of the Squanch Games game, but a good sum of game mechanics manages to keep everything afloat, waiting for the next joke and the resulting laugh.

World War Z has a Left 4 Dead-based-DNA that exposes too much its lack of originality. The game, in its essence, is fun and enjoyable, but most of the merit it isn't all of its doing.

A great narrative Oddworld game, but with too many technical problems and a I.A. that sometimes will destroy your nerves.

A racing game that will surely satisfy the Supercross’ fans, even with some technicals and artistic flaws.

If you feel nostalgia for classic arcade adventure games from the Nineties like Flashback and Another World, you should not miss this one. But be aware of it’s unforgiving level design.