A good management game, empowered by a very unique comedic sci-fi setting. Campaign isn't the greatest and a little bit more content would have been great, but all in all a nice return for the classic 2001 Startopia.

Simple and fun, Kao the Kangaroo is a platformer that despite having minor flaws is worth playing: it's a fine tribute to the 3D platformers of the heydays.

A good remake with some extra. A little bit clumsy in some part, but funny and perfect for SpongeBob fans.

Lacking in innovation and technical prowess, Rune Factory 5 compensates with a solid and faceted experience that could eat a good chunk of your spare time if you get entangled in its intricate web of different mechanics.

The risk of facing an old-fashioned adventure such as Shadowgate is to give up after the first half hour. Not just for the frequent deaths, but also to the feeling of displacement, for certain puzzles and for the extreme freedom given immediately to the player. However the atmosphere is awesome and fans of original game will love the new interface and the new puzzles.

There probably is something beautiful in this windwaker/animal crossing-esque free to play title, but it’s way to buried under its freemium business model and repetitive activities.

An extremely entertaining product if you want to play it online, characterized by well designed factions. Just be aware that if you plan to play it in single player offline mode the lack of a campaign or story mode could severely impact interest and longevity.

A nostalgic tribute of 90s RPGs. Great music and atmosphere, perfect for people who search a brief adventure instead of excessively long RPGs.

Metrico is a great puzzle/platform, probably the best puzzle/platform title released this year on PS Vita. If you love the info graphic style, this game is for you.

Blackguards isn't a bad game. Far from it: actually, it's pretty good. But there is plenty of unused potential here, both in story and in gameplay.

Night Call is an interesting thriller adventure. With good atmosphere and promising mechanics, its "noir" side shows the madness and the difficulties of the nights in Paris. Sadly there are some problems with the general pacing and all the management side is poor.

A nice idea and a fun concept, but it probably hasn't got enough meat to entertain you in the long distance.

NBA 2K21 is a solid update of NBA 2K20... but with a strange and unpredictable twist. The new shooting meter is made for online competition and, in the end, follows the metagame rather the basketball flow. Maybe it's good for the pro gamers, but it feels unbalanced and frustrating for the basketball lovers.

Football Manager 26 marks a new beginning for Sports Interactive’s saga, but not without growing pains. The move to Unity and a revamped, albeit convoluted, interface bring ambitious depth and realism in football storytelling, yet also contradictions and rough edges that make this a fascinating but imperfect transition year.

Without a doubt about it, Ghostbusters: Spirits Unleashed is the best asymmetrical multiplayer experience made by Illfonic and a good example of how to make good use of a famous film franchise. Hunting ghosts and haunting buildings is extremely fun especially in company, but in the long run it could be boring due to the presence of only one game mode.

A really entertaining musical platform game. It's a bit on the short side, but the Time Trial mode should keep you busy for a while.

Enjoyable but a little shallow. The younger audience will surely have fun with the Kinect minigames, but the fan of the series will miss some of the depth of the previous episodes.

Midnight Murder Club impresses with its atmosphere and original ideas like the Wild Cards, but it suffers from lack of content and variety. Perfect with friends, less engaging when played alone.

A nice looking and competently realized tower defense game, but it's a bit repetitive and not very original.

Killing Floor: Incursion is the classic example of first-person shooter capable of exploiting virtual reality in a brilliant way and offering a gameplay that goes beyond the typical VR shooter.

Killing Floor 3 is bloody and fun, but stuck in the past: a solid co-op shooter with old-school charm, yet lacking innovation and at risk of becoming repetitive without fresh content.

Dustborn has great unrealised potential, and that's a shame. The alternate world it sketches out is fascinating, and the cast of characters, with their diversity, adds great value to an otherwise poor experience that fails to shine in any other respect.

Gundam Versus has turned out to be a fairly acceptable game. The title points all on the amount of unlockable elements and the charisma of the Gundam universe.

In this game you can be a goat. With a jetpack. And earn a Michael Bay achievement if you blow up stuff. I really don’t think I need to be more specific (and persuasive) than that.

Pagan: Control gives another glimpse of Far Cry 6 rogulite DLC action. The formula is basically the same as Vaas DLC, with the same strengths and weaknesses. A pretty solid gameplay experience burdened by lack of depth and variety.

An elegant but histrionic musou, far too simplistic and bland to appeal to those who are not fans of the original card game.

It’s a gift for the fans of the anime – definitively not suited for those who aren’t – with a well crafted combat system: simple but deep mechanics that can reward players who can read correctly their opponent, even if their execution level is not top class.

After the 2016 surprisingly versatile and breezy Valentino Rossi: The Game, the series returns to rest on its laurels, offering the usual officially licensed contents, the traditional online and offline modes, plus a new yet slow Management Career powered by the efficient yet ancient proprietary graphic engine. No Rossi, no party.