There are faint glimpses at what could have been in the ship combat sections and the breezy narrative, and the short runtime does help mask some of the frustrations that plague the experience, but on the whole, it’s difficult to argue that Captain Blood wouldn’t have been better left in the depths it was salvaged from.

At a time when quality beat-’em-ups are so abundant, it’s hard to recommend The Karate Kid: Street Rumble to anyone. Despite its gorgeous presentation, the game’s stiff and weightless combat, frustrating mechanics, and game-breaking glitches sweep the leg of this half-baked brawler. Save yourself $40, or buy a far superior beat-’em-up for half the price. Trust me; you’ll thank me later.

I’ve ended a lot of reviews of Switch ports over the years saying some variation of this may not be the best version of the game, but it’s worth your time if the Switch is your preferred platform. That’s not the case for Yakuza Kiwami. This version simply isn’t worth playing and it doesn’t matter whether you have another way to play the game or not. It isn’t just inferior; it feels terrible to play. Hopefully, the team behind this port will keep working on improving performance because there’s still a solid title underneath this version’s issues. Still, there are too many great experiences on the platform to spend your time on a game that feels like this.

As a fan of tactical games, deckbuilders, and rogue-likes, I was beyond frustrated by Re:Lord – Tales of Adventure. Even if you set the AI aspect aside, the game is poorly written, badly balanced, and just not fun to play. Hell, I’d go so far as to say it doesn’t even satisfy the low threshold of being a tactical adventure. Even though it’s an affordable experience, I can’t in good conscience recommend this to even the most desperate of deck-builder players.

After two triumphant video game outings, South Park: Snow Day is a crushingly disappointing effort, with new development team Question leaving behind everything that made the New Kid’s previous two adventures such a success. Bland combat, a distinct lack of humor, and one-dimensional level design come together to create something that I suspect most will bounce off immediately. Not even the mildly interesting rogue-lite card system and persistent upgrades can save this one from disaster. At worst, I expected Snow Day to be something that at least could be recommended to hardcore fans, but with such a disregard for what makes South Park special, this is one even the most die-hard of fans can avoid.

Despite the clear effort that went into build diversity and satisfying naval combat, Skull and Bones’s core gameplay loops simply aren’t enough to stop this ship from sinking. Mindless grinds, tedious busywork, and a complete lack of any meaningful gameplay hooks outside of the core combat result in an experience that feels incomplete despite the plethora of Ubisoft checklists that there is to work through in your time at sea. If you’re someone who enjoys tinkering with builds and doesn’t mind grinding for materials in a constant pursuit of that next upgrade for hours on end, then you may find something to like here. Otherwise, this is a voyage into tedium-induced insanity that you can definitely afford to miss.

I love horror games. I’m also a fairly forgiving guy when it comes to slip-ups. But there are times when you just have to call out a bad game for being a bad game. There’s a between a lovingly crafted game with a few hiccups here and there and a game that hasn’t had proper time and effort put into it. And, between its lackluster landscape and myriad bugs, Soviet Project falls firmly into the latter category.

Had more care been given to crafting a more handcrafted campaign that relied less on repetitive busywork and more on the cinematic set-pieces that we know the looter shooter genre is capable of when done right, then this may have been a different story, and the admittedly enjoyable combat would have had the chance to shine more had the activities surrounding it been remotely enjoyable or creative. As it stands, though, this is one of the worst campaigns ever to grace a videogame, never mind a live service, with an endgame that does the unforgivable and asks you to continue grinding out the same content that you’ve just slogged through.

Modern Warfare 3 should not exist in its current form. This world, these characters, and modes such as zombies deserved better, especially after Modern Warfare 1 and 2 laid the groundwork for a spectacular third entry with two carefully crafted reboots. If you’re purely in it for the multiplayer, then there may just be enough here in the nostalgia of revisiting old maps to warrant a purchase, but that is the only grounds on which Modern Warfare 3 might prove an acceptable product. For anyone looking for their next action-packed campaign fix or hoping to see the zombies mode return to its former glories, you should absolutely avoid this year’s entry.

Overall, My Time At Sandrock is a great game. There’s tons to do, and it’s got plenty of depth. If I had played it on, say, PC or PS5, I’m sure it would have run fine (or at least serviceable). But I didn’t. I played it on the Switch. And the Nintendo Switch Version of My Time At Sandrock is a crunchy, crusty, stuttering mess that I very much recommend that you stay away from.

I know that mature games have been taking a beating lately, and I hate to add to that. But I really cannot recommend Another World Mahjong Girl, unless you’re already an expert at Mahjong or really enjoy ecchi. I know eastasiasoft is capable of much better than this, but the lack of a coherent tutorial or explanation of the game made it almost unplayable for me as a rookie. Unfortunately, no amount of great artwork can fix that deficit in the game, much to my chagrin.

Gastro Force attempts to play to old-school gamers' nostalgia with its lo-fi visuals and classic maze shooter gameplay. Unfortunately, it's hard to imagine even the biggest fans of retro FPSs will have the intestinal fortitude to stomach its mercilessly repetitive campaign, especially when there are so many better boomer shooters available.

And so it’s unfortunate, then, that every positive I just mentioned comes undone at the hands of that dreaded localization. There were stretches of gameplay where I was just grinding, or exploring, and for a moment I’d forget what a mess the translation was, immersed in Xuan-Yuan Sword’s perfectly serviceable gameplay loops. But, this is an RPG, and to this player, world-building, deep characterization, and dense lore that I can immerse myself in is just as important to my enjoyment of an RPG as gameplay is. There will likely be a portion of players who will be able to look past this issue, simply content at being able to play a game that had been out of the reach of Western audiences for so long, and that’s perfectly fine. As I’ve indicated, there’s a solid RPG here somewhere and I have no doubt that this would be a fantastic experience had the port been shown the love and care it deserves. As it stands, though, Xuan-Yuan Sword: Mists Beyond the Mountains is such a compromised experience that it’s impossible to recommend in its current state.

A nice look and decent pacing aren’t enough for me to recommend a game to pretty much anyone, though. I came in really wanting to like Lifeless Moon, but pretty much everything I enjoyed about it I could see in the screenshots and trailer. There are too many good puzzle games out there nowadays to spend time on one which has so little going for it.

I have similar sentiments when looking at Sword and Fairy Inn 2 as a whole – inoffensive yet uninspired and, unfortunately, boring. From the sloppy localization to the almost complete lack of direct player input that players have come to expect in things such as farming and cooking, it feels a little soulless. There is some satisfaction to be found in watching your tiny business grow into something more substantial, but the fact that you never really do anything to facilitate that growth beyond clicking through menus makes it all feel a touch impersonal. What’s more, is that the Switch is a console already drowning in quality cozy games that already let you live out the virtual life of your dreams, and on that basis alone, Sword and Fairy Inn 2 is a difficult product to recommend.

If you like poker or visual novels that don’t give you much choice in how the story plays out, then this would be a great game for you to pick up for $9.99. If you want to take the plunge, you can find it on Steam, Itch.io, and soon on Switch. For me, however, I’m going to fold on this game.

Utterly shambolic in almost every way, The Lord of the Rings: Gollum is an abject failure as a stealth and traversal game, continuously tripping over itself with technical incompetence to such an extent it’s virtually impossible to recommend. Featuring monotonous climbing and sneaking mechanics, cheap deaths from heights akin to a paddling pool, a boring structure, plain and uninteresting characters, a host of technical blemishes, mostly-poor visuals, a woodpecker-quality soundtrack, and an overall dismal and trying experience, The Lord of the Rings: Gollum is absolutely atrocious. Much like its protagonist, it’s a cursed product that should be cast into the smoldering fires of Mount Doom.

As it stands, The Lord of the Rings: Heroes of Middle Earth is a frustrating experience of a mobile game, marred by a clunky overemphasis on resource collection, and has a long way to go if it ever wants to live up to Tolkien’s Legacy. I’m not saying that there’s absolutely no hope, because there were a few genuinely good points, but I’m not going to hold my breath.

Put simply, Cyber Citizen Shockman is a peculiarity of a retro game. Though I appreciate it being brought to new audiences some 30 years later, I can’t say it holds up very well. My hope is that the series grew over time and got much improved, since I know Ratalaika is bringing other games from the franchise to the West. But if you’re looking for an amazing retro experience, you’ll probably be disappointed with it.

Mia And The Dragon Princess is another title that can be gorged through like a starving child when he glimpses a box of Celebrations. But unlike Celebrations, it doesn’t have the quantity nor the quality to entice you to keep on feasting, it’ll instead make you feel full all too quickly.

Between the half-baked gameplay loops, repetitive open-world busy work, and shockingly poor optimization, Redfall feels like a title that’s still in alpha, never mind a product that’s supposed to represent a flagship release for Microsoft’s premium subscription service.

Given how ambitious and unique the premise of Inifite Guitars is, it pains me to say that what should be a refreshing marriage of RPG and rhythm-based gameplay has turned out to be a bit of an exercise in tedium that is held back massively by issues with input recognition and repetition. It looks beautiful, and, with a few patches aimed at tightening up the gameplay, this may turn into something that is worth experiencing for that fantastic soundtrack alone, but, as it stands today, Infinite Guitars doesn’t feel like it was quite ready to take to the stage.

There was a time when Gorn’s over-the-top melees were pretty amusing. However, six years since it first slugged its way onto headsets, the physics-based brawler genre has seen numerous impressive offerings that vastly improve upon the foundation it laid, making its addition to the PSVR2 library seem mostly unnecessary. Hobbled by a disappointing lack of variety and questionable design choices that feel rooted in the early days of home VR, Gorn's gladiators fail to entertain.

In games of Guns N’ Runs’ ilk, it’s ok to fight against the odds. But the major difference that separates this game from similar titles is that time and time again, Guns N’ Runs proves itself able to entertain for a few minutes, before devolving into a gnawingly rote annoyance that constantly battles against players with its terrible tutorials, minimal health bar, lack of power-ups, dearth of weaponry, paint-by-numbers design and a chugging framerate. There is clearly a love for the retro classics, which the presentation and soundtrack evoke lovingly, but the frustrations inherent in the gameplay are a bit too much to ignore. Give Guns N’ Runs a try and you may like it for a spell; just be warned that you will likely grow bored of it sooner rather than later.

I hate to say it, but as it currently stands, this is not a worthwhile purchase — I can’t even recommend this to fans of the original movie because it’s still just as unplayable as it was all those years ago. I can only recommend Bill & Ted’s Excellent Retro Collection to those who, like me, were haunted by Bill & Ted’s Excellent Video Game Adventure and want to utilize the newly implemented save states to finally have a shot at finishing the game. But if Limited Run Games releases an update later with the maps? It might be a little less bogus then.

I can usually find something to enjoy in most any SHMUP, but outside of a killer soundtrack, there wasn’t much that redeemed Twin Cobra for me. The basics all more or less work, it isn’t broken, and there are certainly worse games out there, but there’s nothing it does particularly well, and the slow speed of your ship gets old very quickly, as do the bland looking levels. There are a couple of gems in this set of Toaplan shooters Bitwave Games are releasing today, but Twin Cobra simply isn’t one of them.

Unfortunately, Burrow of the Fallen Bear is just not a good game, bogged down by a poor translation, an uninspired story, flat characters, and clunky sex scenes. If you’re needing a furry and/or explicit visual novel to scratch any particular itch, you’re better off looking elsewhere.

At times the story of Alfred Hitchcock’s Vertigo can be interesting, but it never fully comes together. Succeeding neither as an homage to a great director’s work or on its own terms, it might be better served if it didn’t have the expectations its name provides, but that wouldn’t make it a great game. There are simply better adventure games more worth your time available this year.

I don’t know what happened with Crossroads Inn. I don’t know why, in the 3 years that have passed since the original release on PC, Crossroads Inn is still a confusing, buggy mess. I don’t know who thought Crossroads Inn was ready for the extremely small Switch screen in its current state. I typically pride myself in being a reviewer that can see the positive in any game and find the audience a title was made for, but when it comes to Crossroads Inn, I find I’m at a loss. If you must get this game, try it out on PC first to get a better feel for the controls and UI; if you only have a Switch, I can’t in good conscience recommend this game to you.

I really tried to enjoy Depths of Sanity. It’s a unique take on the Metroidvania genre, and it introduces some neat ideas. Sadly the execution of those ideas were held back by the awkward and consistently problematic controls themselves. As a result, even though the game has really great atmosphere and interesting concepts, most fans of the genre will likely lose patience incredibly quickly.

I played Gungrave G.O.R.E with zero knowledge of the franchise, and I reckon that is for the better. I would be infinitely more disappointed going into this game as a diehard fan of the series and seeing what a disservice G.O.R.E does to the Gungrave name. It’s astonishing to see Iggymob charging $50 for a low-budget, niche game riddled with unoriginal gameplay, multiple soft-locks, atrocious level design, and laughable voice acting.

While I went into 41 Hours fully expecting a single A experience, I struggled to find 41 minutes of enjoyment out of my review playthrough. I honestly don’t see any quick, feasible ways to fix 41 Hours either, as there isn’t much here that isn’t a mess. Between the game’s unnaturally accurate and overpowered enemies, graphics would barely be noteworthy on an Xbox 360, and a plot does little to spurn interest, I can’t help but feel this one came out of the oven 41 months too early.

The amateur-hour writing and uneven combat are just too difficult to overlook, especially considering just how stuffed the genre is with competing titles that do just about everything The Last Oricru does, only better. Sure there is fun to be hand in exploring Wanderia and its intricate level design, but every “wow” moment is typically followed by a facepalm, as Silver says something that is tonally deaf or falls to yet another attack that should have had no business hitting him. If you’re after another slice of Soulslike action in 2022, then your $40 can absolutely be spent better elsewhere, with The Last Oricru serving as little more than a pale imitation that struggles to even nail the Soulslike fundamentals.

I was hoping for something special with Undungeon, but sadly was utterly disappointed. This is an example of a game where less could have been so much more. It overburdens players with overly complex systems that weren’t intuitive or fun. Granted, it has stellar artwork and a cool premise, but that’s not nearly enough to fix what’s already broken. Despite tinyBuild’s recent track record of publishing high quality games, this is one I absolutely cannot recommend.

Some games are only going to appeal to a very specific audience. That’s great, I’m all for niche games, and SuperPower 3 should have been one of those titles. With the number of issues, it has, though, including systems that simply don’t seem to work, performance problems, and a complete lack of direction, it’s hard to see even the players who it should be for getting much enjoyment out of it.

Unfortunately Aniquilation squanders an interesting concept with poor level design that does its best to ensure that the various mechanics at play are nothing short of frustrating the majority of the time. There is some fun to be had if you can endure the frustrations and fight your way through to the later stages of Aniqulation’s levels, where the environments open up and it becomes more apparent what the developers were going for. Sprinkle in the technical issues, and Aniquilation is difficult to recommend to anyone other than the most dedicated of twin-stick shooter fans.

At the end of the game, I really felt like there could’ve been a lot more Quintus and the Absent Truth. The acting felt flat, the themes weren’t as fleshed out as they should’ve been, and the only truly scary thing here is how short the whole experience was. I really wanted to see this succeed, as the art style brought some unique potential, but sadly the experience needs a lot more refinement to be as interesting in execution as it was in its premise.

I think there’s a solid game here under all the technical issues, but it’s hard to say. XEL’s combat and time-based puzzles are satisfying, the setting and narrative are engaging, and its aesthetically charming. But until those issues are addressed, XEL is largely unplayable. I’ve spent way more time dealing with those issues than I have playing the game. I’d like to revisit it in the future, assuming it gets fixed.

Hell Pages is hardly a groundbreaking game, but it’s also not all bad. Though decidedly old school and occasionally primitive, it still has a solid core loop, outstanding tunes and hideous demonic boss battles. If you can get past the lack of weapon variety and the ho hum upgrades, you might find something to enjoy in this festival of monsters. For everybody else, get your Evil Dead fix from the source material.

I truly wanted to love Krut: The Mythic Wings, but ultimately, it’s a title that is extremely difficult to recommend. With its bare-bones combat, imprecise platforming, and an over-reliance on grinding, it completely squanders the potential of its narrative and setting. Whilst there is some fun to be had with the boss fights, the fleeting moments of joy provided by these encounters are completely overshadowed by what a drag the rest of the experience is.

I really wanted to love Kao the Kangaroo. And while I did enjoy parts of it, the severe glitch I encountered kept me from progressing like I had expected to and effectively kept me from actually beating the game. Once Nintendo gets around to implementing the patch, I could potentially recommend the experience. But until version 1.2 goes live, I cannot recommend it to other platformer fans in good conscience.

Touken Ranbu Warriors is an extremely difficult sell for fans of Omega Force’s previous work, given how stripped back a product it is. Small scale battles that can be over in minutes, along with a complete absence of any meaningful progression or grind, completely rip the heart and soul from the now infamous 1 vs. 1000 formula. If you’re a fan of the Touken Ranbu franchise who has yet to sample a Warriors game, then you may find some joy in the depiction of the Touken Ranbu universe and the accessible nature of everything. For everyone else, however, it’s safe to say you can avoid this and hold out for the imminent release of Fire Emblem Warriors: Three Hopes, which should hopefully have a little more meat on its bones for longtime Musou fans.

If Postal 4: No Regerts was released 15 years ago it would just be buggy, ugly and dumb. Since it’s released today, it’s also very dated in its lame scatological humor. With an endless focus on making you do tedious errands, it can take a while before you get to the actual homicidal mania, and when you do, it’s a janky, repetitive letdown. Unless you’re the world’s biggest fan of poop and penis jokes, Postal 4: No Regerts is as much fun as watching someone laugh at their own farts.

Outbreak: Contagious Memories is not an experience I could recommend in good faith to even the most ardent of survival horror fans. My lingering thought as I put the game down and began writing up this review was, “who is this for”? If you want a classic survival horror fix, then there are much more appealing options out there, including the greats that Contagious Memories imitates cheaply. And if you’re looking for a more modern take on classic survival horror as, Contagious Memories purports to be, then go and play the excellent Resident Evil 2 and 3 remakes. In any event, my advice would be to avoid Contagious Memories at all costs, as it is more likely to harm your love of the genre than anything else.

Unless you have the patience of a saint, I would steer clear of In Nightmare. It really is a shame, as there’s an interesting story being told from Bill’s eyes and a really vibrant and vivid world with a unique style to explore, but any semblance of gameplay is horribly hampered by a nightmare of poor gameplay designs. I’ll keep dreaming of how much I’d enjoy this game once it sees some quality of life improvements show up to fix the plethora of lackluster stealth gameplay and frustrating “puzzles”.

There’s still room for a big snowboarding game in today’s video game landscape, but Shredders isn’t able to fill it. While it looks nice when you’re not moving, issues with performance, controls, mission design, voice acting, story, nearly every aspect of this game is flawed. So value your time and wait for the next title in the genre.

Zombie Rollerz: Pinball Heroes is not a game I can really recommend. Whether you’re a fan of rogue-lites or pinball games, there are numerous options out there that will provide vastly better experiences for your money. Whilst it does have an admittedly interesting concept, a complete lack of balance and poor optimization completely squanders any potential this unique hook might hold.

I was hoping Queeny Army would be a fun retro run and gun adventure. But sloppy design and amateurish storytelling kept it from being anything other than mediocre. What’s painfully ironic is a lot of problems could have potentially been solved if this retro game had some form of in-game instruction booklet to explain things. Without that, though, it’s just a game that I can’t recommend, even for the low price point.

KungFu Kickball has some strong ideas. They don’t really work, though, and the game never quite manages to live up to its namesake. There’s just so little here, and so much of what is here doesn’t quite feel right. I wish I’d been able to have more fun with it, but as is, I would have a hard time recommending it even if you’re in the target audience.

I really wanted to like Demoniaca: Everlasting Night. I fought hard to let the game prove itself to me. But it needs a lot more balancing and retooling before I can recommend it to anybody other than the most diehard Metroidvania fan. If you can somehow look past the game’s many flaws, it might be worth buying at a very deep discount. Otherwise, I’d just pass on this disappointing Gothic adventure.

Hell Road VR is the kind of game you might play in an arcade for a quick laugh and never think about again. While there’s an undeniable novelty that comes from spearing a zombie through the face with a lance at 60 miles per hour from atop your steel steed, the thrill fades fast. With its disappointingly shallow gameplay loop and needlessly frustrating controls, it won’t be long before even the most seasoned zombie hunters grow weary of this road trip. If you’re just dying to bag some ghouls on your favorite HMD, there are simply too many better options available to recommend adding Hell Road VR to your Steam library. So save your neck and your cash for something more deserving. You’ll be glad you did.

All in all, would I recommend this slip into the dream world? If you really enjoy this developer’s games, I say go for it for the price it’s sitting at, but even fans of walking simulators might feel cheated out of a decent experience here. Maybe I wasn’t on enough drugs to catch the real meaning behind this. Maybe I just wasn’t the target audience. With a lack of interesting gameplay, visuals, or any sense of thematic cohesion, it’s not worth the time spent. As it stands, I’d say save the $4.00 for something a little more meaningful and a little less slipshod.

Panorama Cotton was an incredibly impressive title in 1994, and nobody can take that away from it. Judged in 2021, though, there’s little reason for anyone to play it. It simply doesn’t hold up against similar titles. Clear and colorful visuals and competent shooting mean it isn’t exactly a chore, but nothing about it stands out today. This is a prime example of how some games are best left in the past.

Chernobylite is an enjoyable little loot n’ shooter sadly torpedoed by technical issues for the PS4 version. It’s such a shame that the intriguing storyline and the compulsive scavenging fun is completely ruined by bugs. I was looking forward to uncovering the dark mysteries lurking within Pripyat, but until the game-breaking errors are fixed, they will have to remain hidden.

I hate dunking on a game made by solo and small teams, but Confessions is blah at best and extremely irresponsible at worst. I’m not saying it shouldn’t exist, but mental health professionals should have been consulted to add things like list of resources for grief, depression, or suicidal thoughts. People are confessing to committing crimes on here FFS (assuming they’re being truthful, of course). If you have an interest, you’re welcome to check it out on Steam for $2.99 or itch.io for free, but do so at your own discretion. Post Secret remains the superior analog version anyway.

From Blair Witch: VR Edition’s unsatisfying attempts at terror to forgettable characters and absolutely poor graphics, you have plenty of reason to skip this hike through the woods. Throw in some game-breaking bugs and glitches to an already lacking experience, and your $29.99 is better spent elsewhere. Let this be a testament that horror games don’t always need a VR port to continue to be scary.

I really wanted to gush about Cardaclysm: Shards of the Four. But it’s just far too poorly optimized for Nintendo Switch. Hopefully, it runs better on PC, but I can’t confirm that. All I can say is it was a great premise held back by poor balance and mixed execution. I truly hope Elder Games learns from this release and makes an unstoppable card game in the future. As it is, I can’t really recommend this one, even to hardcore fans of the genre.

Mina & Michi is undeniably cute, but that’s simply not enough. After the charm wears off, its gameplay is just too basic. It might be a good fit for younger gamers who need help, though. Let them control Michi while you do the rest of the work, and they’ll enjoy themselves. If you’re in the market for a breezy action game that you can complete in an afternoon, then check it out. It might be a good fit for speedrunners, too, as it has a built-in clock for that exact purpose.

Ports can be great, but it’s important to know the distinction between “can I port this to the Switch” and “should I port this to the Switch”. In the case of Kickerhino World, the answer to the first question might be yes, but the answer to the second is most definitely a no. This game’s already been around for years, and it somehow plays worse now than it ever has before. Not by leaps and bounds, no, but worse is still worse when there’s as little gameplay going on as there is in a game like this. It may be free of ads and those all-too-pesky premium currencies, but it’s still not worth the money.

There’s room on the market for mindless action, especially when it can be played with friends. I’m glad a game like Dungeons & Dragons: Dark Alliance is on Game Pass because that’s the perfect way to get a group of friends playing together. I just wish that once they gathered, they had something better to play. Unfortunately, despite some parts of the game looking and sounding nice, there’s little else to recommend it. With awful AI, weightless combat, an unengaging story, and loot that feels inessential, the entire game is a slog. The biggest fans of Dungeons & Dragons may find a bit of fun with friends, but they deserve better than this.

Paradox Error is so concerned with crafting a meta, fourth-wall-breaking experience that it completely neglects the platformer genre’s fundamentals. It is as dull as it is frustrating. Aspects of its design are unnecessarily hostile to the player. There are thousands, if not tens of thousands, of better platformers out there. Aside from a morbid curiosity, there’s little reason to suffer through this one.

I hate to sound so down in the mouth about Rift Racoon. I was just hoping it would be a lot more enjoyable than I ultimately found it. If you don’t mind an excessive challenge partially contributed to by awkward controls, you may still find something to love here. For everyone else, though, you’ll want to shoo this raccoon away.

Kingdom of Arcadia unfortunately does little to elevate itself above the scores of other action platforming games just like it. It fails to take advantage of its setting, which could have resulted in a unique experience or at least something a little less predictable. It’s mildly amusing at best but derivative of everything that has come before it.

It never feels good giving a negative review. I sat on this for a full day, agonizing over scoring such a beautiful game poorly. But what other choice do I have when I had to restart multiple times for even a shimmer of hope to finish what I started? It’s possible Flow Weaver isn’t optimized for the Oculus Rift S despite what the website states, so if you have an Oculus Quest or Oculus Quest 2, perhaps you won’t experience the bugs I did. I do see on the game’s Oculus page that the dev team is working hard at tackling bugs, so if this even remotely interests you (which, for real guys, it has potential), keep an eye on it and check back in a month or two. But as it stands, I regrettably cannot recommend Flow Weaver in its current state.

While Balan Wonderworld has a few interesting ideas tucked up its costumed sleeves, none of them are executed particularly well, which makes the game feel like a real chore to play. From its dozens of forgettable costumes and frustrating mechanics to its uninspired visuals, it’s hard to recommend adding this one to your PS5 library, especially when there are much better platformers like Astro’s Playroom and Sackboy: A Big Adventure already available.

Unless you’re willing to wade through plenty of creepiness and tedious attempts at dating advice to laugh at Richard’s oddball antics, I wouldn’t recommend a purchase here. Richard LaRuina sees himself as a master of the art of pick up, but Super Seducer 3 is a game you’ll probably want to put down.

Developed and published by Polish team Forestlight Games, Dorian Morris Adventure was ambitious in that it not only sought to provide perplexing puzzles but also act as a coaching game, shedding light on the personality of the player and helping them become their best self. In concept, the team aimed high — like a mix between Professor Layton and the Randumb Studios personal/spooky quiz series — but in execution, they fumbled, largely due to localization and UI issues.

When it comes to presentation, Spirit of the North: Enhanced Edition is a treat and a real step up from the previously released versions of the game. It’s just a shame the visual overhaul doesn’t do much to offset the monotonous gameplay and abundant bugs that plague the experience. I really wish Infuse Studio spent a little more time ironing out the kinks because it would make it easier to recommend to more casual players who may not mind the game’s lack of challenge and unimaginative puzzles. Sadly, at least in its current state, Spirit of the North: Enhanced Edition is a bit like finding yourself trapped in a public bathroom without any toilet paper: it’s a frustrating and lonely situation that you’ll probably want to avoid.

I don’t hate Green Hell, but I do lament what it could have been. I went into the game with an open mind and a willingness to try things out. Sadly, the lack of coherent direction and awkward controls made the game overly difficult. While I’m not adverse to challenge, it is a nitpick of mine to get lost due to sloppy design. I honestly hope Creepy Jar takes my notes constructively and uses them to make their next game a masterpiece. Sadly, this particular entry is quite hard to recommend.

Apparition is yet another example of a game being good in concept but bad in execution. I truly wanted to like this game. There are some really neat concepts, the ouiji board is fun to play around with, and the idea of only being able to bring along certain pieces of equipment could make for a grand, albeit nerve-wracking, time. Unfortunately, instead of the game that Apparition could have been, we got what essentially amounts to a slightly more developed Slenderman clone. The moral of the story: don’t’ ever assume that a game will be good just because it sounds like it should be.

If you really need a new retro-inspired FPS that’ll get your blood pumping, I’d recommend picking up Post Void instead. While it might not offer the same kind of horror that Connection Haunted tries to capture, at least it scratches that classic PC shooter itch while giving you a reason to keeping coming back for more.

Gleamlight doesn’t feel finished. Had there been even the smallest amount of text or UI, I honestly feel like this would have been a more enjoyable experience despite the other issues; if anything, those issues were heightened simply due to the lack of critical components. I love what the developer had in terms of concept, but as far as execution goes, Gleamlight unfortunately fell flat. You can find far better 2D sidescrollers for less money; unless the developer makes some sorely-needed improvements, it’s probably best to let Gleamlight fall into darkness.

As a massive fan of the games that inspired it, it seemed to me like Dead Drop Studios was poised to deliver something special. Unfortunately, the scariest thing about this game is just how unfinished it feels. From its rampant bugs and performance problems to its uninteresting main story, the game is so bad it borders on parody, making it all but impossible to recommend to even the most scare-starved survival horror fans.

There will be people who like The Suicide of Rachel Foster because they are able to sidestep away from the whole pedophilia aspect, which is only a possibility because the game itself tries to frame it differently. I can’t tell you how much I initially wanted to like The Suicide of Rachel Foster — I played it twice and watched several let’s plays to make sure I wasn’t missing anything. But the developer really needed to handle these topics better, or at least have one character that didn’t sympathize with the sex offender. Ethical issues aside, the environments were great, but everything else fell flat. There is no recommendation here, only concern.